Wednesday, May 6, 2015

Author-To-Author: First Page Check List #MFRWauthor @RuthACasie #amwriting


A First Page Check List
I've been catching up with my inbox. It was getting out of hand. Between being in my cave writing, Thanksgiving and the holidays well, lets just say I needed an intervention. 

One of the gems I unearthed was a post by Ray Rhamey of the Flogged Quill. (follow the link to see original article)




The Challenge: Does This Narrative Compel You To Turn the Page?
It's the first page that grabs the reader. Many times its the first sentence.

Here is Ray's first-page checklist:

It begins connecting the reader with the protagonist.
Something is happening. On a first page, this does NOT include a character musing about whatever.
What happens is dramatized in an immediate scene with action and description plus, if it works, dialogue.
What happens moves the story forward.
What happens has consequences for the protagonist.
The protagonist desires something.
The protagonist does something.
There's enough of a setting to orient the reader as to where things are happening.
It happens in the NOW of the story.
Backstory? What backstory? We're in the NOW of the story.
Set-up? What set-up? We're in the NOW of the story.
What happens raises a story question-what happens next? or why did that happen?

I remember the first draft of my first story. I eagerly read it at literary group meeting to three well published authors. I had worked hard on the story especially the opening. I saw it as a movie. The first thing I see in a movie is the setting. So, I diligently, and meticulously, described the scene.

Are you laughing? They loved the description. They told me to save it for someplace else but to come up with something more compelling. It was replaced with a fight scene.

Let's Talk About It.
Think about some of the books you've read or written. How did they begin? What did you like, or not like about it?

Post contributed by Ruth A. Casie
Ruth writes contemporary and historical fantasy romance for Carina Press, Harlequin and Timeless Scribes Publishing. Formerly from Brooklyn, New York, she lives in New Jersey with her very supportive husband Paul.

Her latest book is Knight of Rapture, a Historical PNR Fantasy, with Timeless Scribes Publishing.


For months Lord Arik has been trying to find the precise spell to rescue his wife, Rebeka, but the druid knight will soon discover that reaching her four hundred years in the future is the easiest part of his quest. 
Bran, the dark druid, follows Arik across the centuries, tireless in his quest for revenge. He’ll force Arik to make a choice, return to save his beloved family and home or stay in the 21st century and save Rebeka. He can’t save them both.
Rebeka Tyler has no recollection of where she’s been the past five months. On top of that, ownership of her home, Fayne Manor, is called into question. When accidents begin to happen it looks more and more like she is the target. Further complicating things is the strange man who conveniently appears wherever trouble brews—watching her, perhaps even….protecting her? Or is he a deliberate attempt to distract her? Rebeka can only be sure of one thing—her family name and manor have survived for over eleven centuries. She won’t let them fall… in any century.
website  |  blog  |  twitter 

Sunday, May 3, 2015

How Authors Use Twitter @kayelleallen #MFRWauthor #UsingTwitter

My Twitter "Cover" Banner  
Twitter is an excellent place to get news about the writing and publishing industries. The program is easy -- like most things -- once you understand what you're doing. Let's walk through the basics of how to use the site.
This tutorial assumes you have already created an account. If you haven't done that yet, stop and create one now.
Here's a principle to follow on every social media: use your author name. You should always be findable by the name on your book covers.

Tips for Names

You cannot use a space on Twitter. Put your first and last name together. If your name has been taken already, consider adding an underscore (first_lastname) or add one to the beginning or end (_firstlastname OR firstlastname_). You could also add author to the end (firstlastnameauthor OR firstlastname_author) depending on the length of your name. There is a limit to the number of characters.
Do not use the word author first (authorfirstlastname). Why not? Because when someone tries to mention you on Twitter, they will write your name with the @ symbol in front of it (which triggers Twitter to find and link your account). If your name is @authorfirstlastname and they type @firstlastname -- you will not come up in the search. What comes up if they write @author and then begin to look for your name is a list of all people (in alphabetical order) who used author as the first part of their handle. If your name begins with AA or numbers, you might be viewable easily. If not, good luck! It might be pages before they see your name, assuming they stick around that long. Remember: always be findable by your author name.

Log in and Try This

If you already have an account, log in, then click Notifications. You'll see anyone who mentioned you.
Within the rows or boxes that hold tweets, you'll see a star icon. Click that to favorite (like) the tweet. It shows the person who shared your post that you saw it. It's like a thank you.
To send it out to your own followers, click the two arrows (similar to a recycle symbol). A box pops up. There's a place to comment (you can say "Thanks for sharing" or whatever you might like). Then click the Retweet button.
To reply (if you don't want to retweet) click the single arrow. Write your message, and then click Tweet.
To follow, click the person's name. A box pops up about them. Click the Follow button.
To send a tweet to a person, or to mention them, type a short note, and then type the @ symbol. Begin typing their name immediately after the symbol (mine is @kayelleallen). If you are already following them, their name will show up as a possibility, and you can choose it to have it enter for you. When you reply or retweet, it will go to them without having to add their name. Try a few and see how you do. :)
If you like to read about a specific thing, use a hashtag (#) to search for it. For example, if you love Lord of the Rings, or the Hobbit -- use #LOTR or #Hobbit. In Twitter, go to the search bar (upper right) and type one of those. Hit return, or click the magnifying glass in the search bar. Tweets from anyone who used the term you searched for will show up. Try it with almost any word (no spaces) and you will see the possibilities. The popular searches for writers are many. Try these:
·                     #amwriting
·                     #amediting
·                     #writing
·                     #romance
·                     #suspense

There are whole books on Twitter, but this gives you the basics. Give Twitter a try. It's a lot of fun and you will have a new way to reach your readers and friends. Besides... it's also a great way to keep up with favorite TV shows, movies, music, sports, and anything else that interests you.

===
Kayelle Allen (who follows the #Thranduil and #Loki hashtags)
Author of the Tarthian Empire Companion, a World-Building Bible and Guide to Writing a Science Fiction Series
Amazon http://bit.ly/companion-az Smashwords http://bit.ly/companion-sm
Website http://kayelleallen.mobi Blog http://kayelleallen.com/blog
Twitter http://twitter.com/kayelleallen Facebook http://facebook.com/kayelleallen.author
Google+ https://plus.google.com/+KayelleAllen/

Tuesday, April 28, 2015

The Writing Process: Meeting your Editor #mfrwauthor #mfrworg




Okay so we’re going to speed up the time clock. You’ve done your homework and you have all your media sites set up. You’re ready for that first sale. For this month’s blog we’re going to deal with a publisher, small or large there are some basic things that every author should know.

The craziest things can affect the purchase of your book. It’s a very subjective world. If the acquiring editor read a book just like yours in a previous manuscript and they didn’t like it they could read yours with that book in mind. They could have a significant other who is a lot like your hero or heroine. If they had a fight recently that could affect the purchase of your book. The last book this editor bought was a lot like yours and it didn’t do well...you get the drift.

But today is your lucky day – you made it through all of that and they bought your book. Do the happy dance! Now comes the hard part. A total stranger is going to take your baby and edit it. They aren’t going to know how many times you edited it before you sent it in. Things you think are gems they might think need to be cut. That sentence that you agonized over for two days is reworded in an instant.\

Always remember this. They are not calling your baby ugly. They are trying to make your book the best it can be. As an author and an editor I know we’re too close to our own work. We’ve edited it to death and our eyes see things that aren’t there and don’t see the mistakes that are there. We all need fresh eyes to see our work.


Next month more on this editing process....


Barb:)


Barbara Donlon Bradley wears many hats. She’s a mother, wife, care-giver, author, and editor. She’s a senior editor for Melange Books, and writes for Phaze and Melange books/Satin Romances with over twenty titles under her belt.


Author Sites:

Monday, April 27, 2015

A Thunderclap Storm for Our ReTweet Day #MFRWauthor #MFRWorg

Marketing for Romance Writers monthly retweet day is 5/13.
This month we are sharing and supporting our thunderclap campaigns.
 
First, you need to create a Thunderclap campaign
  • Set the go live date for May 13, the date of our #MFRWauthor retweet day.
  • Also use #MFRWauthor in your Thunderclap message.

Second, add your url to the comment section of the blog. It normally takes three days for a thunderclap campaign to go live so don't delay.

Third, support the main campaign. Here is the campaign for MFRW
Fourth, support the other campaigns listed. Remember to check back often so you support everyone who is doing this.

Here's to creating an awesome storm on May 13,
Tina
Tina Gayle writes stories with strong women fiction elements. Visit her website and read the 1st chapter of any of her books. www.tinagayle.net




Sunday, April 26, 2015

Novel Theme. Author Theme. What’s The Difference, and Do You Have One? #MFRWauthor #MFRWorg #WriteTip @MoniqueDeVere



Mention theme and some writers will groan. There’re so many, aren’t there? There’s theme, then there’s theme, and then there’s... well, theme. We have the story theme, author theme, and tropes—which some writers/readers call book theme.

Today I’m going to be talking about author theme, but first let’s take a quick look at the other two.

Story theme

Story theme is the same as the novel’s theme and can  usually be described in a single sentence. Something like, “action speaks louder than words”. It’s what the story is about, the message beneath the surface and it has nothing to do with your plot points on an obvious level. For instance, you might have a character, or even set of characters, who constantly say one thing but do another. That would be the story theme “action speaks louder than words”. 

I normally look to Idioms to find a nice pithy statement for my story themes. But there’re other places we can also look. I’ll list a few in case you might like a bit more of an example.
Story themes can be boiled down to traditional sayings.

Idioms – a phrase with a different figurative and literal meaning.
Exp: “Rags to Riches.” Or “Keep a stiff upper lip.”

Adage – a memorable, traditional saying that has gained credibility through long use.
Exp: “Where there’s smoke, there’s fire.” Or “Things are not always what they seem.”

Proverb – a short saying which expresses common sense or a basic truth.
Exp: “A monkey in silk is a monkey no less.” Or “It’s no use locking the stable door after the horse has bolted.”

Maxim – a well known saying that expresses a truth or rule about life or conduct.
Exp: “Opposites attract.” Or “Nothing ventured, nothing gained.”

Epigram – a clever statement expressed in the form of a concise amusing or satire poem.
Exp: “I can resist anything except temptation.” Or “No one can make you feel inferior without your consent.”

Tropes

Another book “theme” people speak of, is the story trope. These are tried and tested, reoccurring literary devices used to instantly tell the reader what sort of romance she’s picking up. Such tropes are: the second chance/reunion romance, secret baby, friends-to-lovers, older brother’s best friend, matchmaker, office romance, one-night-stand, sexy protectors and the list goes on. Used in category romance/commercial fiction, tropes drive the story.   

And now we come to...

Author Theme

Recently, I found myself thinking about the way I approach my stories, and it suddenly dawned on me that while I usually know my story theme, I don’t think I’ve ever stopped to work out my author theme. 

This started to bug me. 

What did I really write about? 

Okay, you might be thinking, “Huh? Author theme, what on earth is that?”

Or you might be thinking, “Who doesn’t know their author theme?” Well done for figuring yours out already, smarty-pants, thumbs-up to you. :)

Now, for the rest of us mere mortals who never really thought about our author theme. It's the core topic every writer writes about. The same fundamental subject that runs through all of her stories. Something like perhaps an author who always write about orphans in some way. Maybe one of her books is about a character whose parents died and she ended up in foster care. Another book might be about a character who felt abandoned because the parents were always working, and yet another book might be about having to grow up fast and look after a parent or siblings because the parent was sick or had a substance abuse problem. You get the idea, right? While none of these stories are the same, one similarity remains at the core—this character is an orphan.

So I started to think I didn’t have an author theme. What do you do when you get stuck? 

Phone a friend. 

In my case, I emailed my dear, dear friend who I met in a critique group around ten years ago and we've remained friends every since. She’s read most of my books and she has such a wonderful, sharp eye. When I asked her what she thought my author theme was she said, “You write about daddy issues.” 

Right there, in words that leaped from the email reply, was my answer. At first (for about thirty seconds) I thought, nah, I’m sure I write about something else. Something far more profound—haha, yeah right. But as I ran my books through my mind I realised she was spot on! Every one of my books contained characters that had some sort of daddy issue. The novel I'm writing right now features a heroine with daddy issues. 

What does that say about me? You guessed it, I have daddy issues. My parents got divorced when I was eight and suddenly my daddy—the light of my life—was no longer there. Oh, man, I feel like I’m baring my soul here. Is it any wonder that we as authors experience such a deep sense of hurt when someone tips a negative hat to our books? How many times have you heard a writer say, “I poured my soul into that book!” Because we actually do.  

Going forward, I believe my books will be stronger for me having this knowledge. I will certainly make sure my character’s have their chance to forgive and heal.

I challenge you to find your author theme if you don’t yet know it. I bet, armed with this knowledge, you’ll be able to strengthen your books and jump to the next level in your writing.  

So, what do you think about author theme? Do you already know yours? Are you going to leave here and spend some time pondering your author theme? I'd love to hear your take on this subject.

Until next time, write with clarity and style!
Monique 


 Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge.  

Monique loves to hear from her readers. You can contact her by visiting her http://moniquedevere.blogspot.co.uk to learn more about her and check out her other books.

Tuesday, April 21, 2015

5 Tips for #Writing Emotionally Charged Heroes #MFRWauthor @kayelleallen

Negative Traits Thesaurus 
I recently bought the book Negative Traits Thesaurus, by Angela Ackerman and Becca Puglisi. It's subtitled, "A Writer's Guide to Character Flaws." The book is a strong resource for creating a three-dimensional hero or heroine, but can also help you write strong villains. Creating an emotionally charged hero or villain means giving him/her more than a laundry list of flaws or strengths. Developing those in a relatable way is important too.

However, after studying this book for a bit, I've noticed there are five basic things that determine whether a character is a hero or a villain. Ask these questions about your hero/ine to make them more relatable.

  • What are the emotional attributes of your hero?
  • What are the emotional wounds of your hero?
  • What are the emotional flaws of your hero?
  • What fears drive your hero?
  • What morals prevent the above items from making your hero a villain?

Tarthian Empire
Companion 
Now ask these questions about your villain, and ask yourself what morals prevent him/her from becoming a hero.

If you write science fiction or fantasy, my new book Tarthian Empire Companion, an illustrated World-Building Bible and Guide to Writing a Science Fiction Series might be helpful. It includes info on organizing a story bible to track timelines; character development; a section for military ranks, ships, and naming protocols, plus other aspects of writing a scifi. Amazon ($3.99) http://bit.ly/companion-az


Monday, April 20, 2015

#MFRWAuthor -to-Author Tip: BIOS MADE EASY @Kris_Bock

Bios Made Easy
Writers need bios, for query letters, on websites, for conference brochures. Surely writers can write about ourselves. Yet while coordinating writing conferences, I discovered that even published authors often write poor bios, whether through modesty, carelessness or overwriting. Many bios are entertaining, but don’t do their job.

The job is selling yourself and your books. Keep that focus in mind and the rest will follow.
Content: List your publications. If you have many, mention the number but only go into detail on three or four—perhaps the most recent or popular. Specify the genre, as titles aren’t always clear by themselves. If you don’t have published books, mention your other credentials—“Cub Newshound’s articles appear in Slate,” for example.

Don’t get carried away listing awards. If each book has four or five minor awards, the reader bogs down in dull details. List the most prestigious, or combine them—“Ms. Inkslinger’s books have received 11 Readers’ Choice Awards from various states.”

Relevancy: If someone is considering buying your book or coming to hear you speak, they want to know your success as a writer or speaker, not the names of your pets. Put your professional information first. Don’t start with your hobbies or childhood, unless it directly relates to your book. (For example, you’re a nurse and you wrote a hospital drama.) Don’t thank your family for their support. Save that for your book dedications.

Style: You may need different bios for different uses—playful on a book flap; professional for a newspaper article; focused on teaching experience for a conference catalog; praising your writing success for a booksigning. Regardless, focus on information. Humor and lively writing are fine, but don’t get too wrapped up in sounding “literary.”

In a large conference brochure, the designer probably wants consistent style. A touch of formality may be appropriate—you’re trying to portray yourself as a professional. Pretend you’re someone else writing about you in the third person. “Bard Wordsmith is an award-winning author….” For a query letter, use  first person. A website could go either way.

Length: Keep it short and to the point. If your bio will stand alone, on an individual brochure or flyer, try 100-200 words. If your bio will appear along with others, 50-100 words is plenty (or whatever they request). Many people will skim anyway. Include your website for more information. An editor may cut to save space, so put the most important information up front.

I keep several versions and cut and paste as needed. A longer bio may have a sentence about each of my romantic adventure novels. A shorter one may have only a few words on each, or general info on the kind of books I write. If I’m promoting my critiquing/editing business, I would focus on my experience as a teacher and workshop leader, noting that people can get recommendations and rates on my web site. The details depend on what I’m trying to sell.

So what about you? To get started, make a list of the facts that you want to share. Then write a simple, straightforward paragraph that includes them. Next, decide if it’s appropriate to dress it up, but as in all good writing, communication comes first.

ABOUT Kris Bock
Kris Bock writes novels of suspense and romance involving outdoor adventures and Southwestern landscapes. In Counterfeits, stolen Rembrandt paintings bring danger to a small New Mexico town. Whispers in the Dark involves archaeology and intrigue among ancient ruins. What We Found features a young woman who stumbles on a murder victim, and The Mad Monk’s Treasure follows a treasure hunt in the New Mexico desert.
website  |  amazon  |  goodreads

Kris Bock's latest book is The Dead Man's Treasure
BLURB: Rebecca Westin is shocked when the grandfather she never knew leaves her a bona fide buried treasure – but only if she can decipher a complex series of clues leading to it. The hunt would be challenging enough without interference from her half-siblings, who are determined to find the treasure first and keep it for themselves. Good thing Rebecca has recruited some help, in the form of a green-eyed charmer determined to show her that a desert adventure can be sexy and fun. But there’s a treacherous wildcard, a man willing to do anything to get that treasure – and revenge. 

Action and romance combine in this lively Southwestern adventure, complete with riddles the reader is invited to solve to identify historical and cultural sites around New Mexico.

Friday, April 17, 2015

#MFRWorg BLOGSforWRITERS: Helping Writers become Authors @KMWeiland

Authors don't have endless hours to read every blog out there on the world wide web. Still, there are some blogs out there that are not to be missed. In our BLOGSforWRITERS feature, MFRWorg highlights blogs definitely worth your time.



HELPING WRITERS BECOME AUTHORS


This blog is managed by author K.M. Weiland. She lives in make-believe worlds, talks to imaginary friends, and survives primarily on chocolate truffles and espresso. She is the IPPY and NIEA Award-winning and internationally published author of the Amazon bestsellers Outlining Your Novel and Structuring Your Novel, as well as Jane Eyre: The Writer’s Digest Annotated Classic, the western A Man Called Outlaw, the medieval epic Behold the Dawn, and the portal fantasy Dreamlander.

When she’s not making things up, she’s busy mentoring other authors on her award-winning blog. It's a fabulous resource for technical writing advice. CLICK HERE to visit the BLOG.

Monday, April 6, 2015

#MFRWauthor Retweet Fest - Share Your Book with Us

Marketing for Romance Writers monthly retweet day is 4/8.

This month we are promoting our author's books.

To make this easier for everyone to do.

We are asking you to create a tweet and post the url in the comment section of this post.

Here are the steps to follow to achieve


#MFRWauthor Retweet Day – Author Books


Step 1: Go to your Twitter profile and post a tweet as you normally would. (No rules on structure.) Make sure to add #MFRWauthor to your tweet


Step 2: Look up your tweet, it will be in your stream. Click on “Expand,” or the ... in the corner. Then click on “Details.” Your tweet should now be zoomed on your screen. Copy the perma-link or the url for your post at the top of your computer screen.


Step 3: Paste that perma-link into the comment section on this blog.

Step 4: On 4/8 - Make sure you are logged onto Twitter.
Then come here and click on each link that is posted in comment thread for retweet day.

After click on each link you will be taken to tweeter where you retweet the post. Return to the blog and  hit the Like button on *RE-TWEET* thread to show you have done this.

This will help us see how well this promotional event is doing.

Thanks for joining the fun,

Tina



Tina Gayle writes stories with strong women fiction elements. Visit her webstie and read the 1st chapter of any of her books. www.tinagayle.net
 

Friday, April 3, 2015

What Social Media Accounts Do New #Authors Need? #MFRWauthor @kayelleallen

Every author needs social media. In 2012, Digital Book Word posted an article showing the potential of social media to sell books. For a great infographic on which site sells the most, click here (Shopify article and image by Mark MacDonald).
MFRW 

Having been published for many years, and after hosting hundreds of authors on my Romance Lives Forever blog, I can offer some good advice on what sorts of social media accounts a new author needs. I included checklists for other things that you'll find handy.

Accounts Checklist

What you need will be different from what other authors need. Adjust and fine tune your account checklist until it fits your current books. Keep in mind your needs may change with each book. Why? Because your core audience may change, depending on the genre you write, and changes in the industry.

These are basic accounts you will need as an author. The top are listed by name:
Facebook profile / author page
Twitter
Pinterest
Goodreads
Google+ (vital -- authors with a Google account rank higher in searches)
Amazon Author Page
Sign up for other social media as needed. I recommend you claim your name on each, even if you don't use the accounts -- you might want to use them later.

Memberships and Business Accounts
PayPal
Bit.ly
Newsletter (MailChimp, iContact, Constant Contact, etc.)
Email list

Items to create for each book
Sample Chapters
Email signature

Website Pages or Info
Blog
Free Reads
Media Kit
Tarthian Empire
Companion 
News / Press Releases

Optional items on a per-book basis
Podcast
Audio clips
Book trailers

Whatever programs, software, and applications you use, keep track of the names and URLs. Record your passwords. As you grow in your profession as an author, you will be in and out of these for years to come. Trust me, it pays to be organized.
---

Kayelle Allen, MFRW Founder
Author of the Tarthian Empire Companion
A World-Building Bible and Guide to Writing a Science Fiction Series
Amazon http://bit.ly/companion-az  Smashwords http://bit.ly/companion-sm
Website http://kayelleallen.mobi Blog http://kayelleallen.com/blog
Twitter http://twitter.com/kayelleallen  Facebook http://facebook.com/kayelleallen.author
Google+ https://plus.google.com/+KayelleAllen/

Saturday, March 28, 2015

The business of Writing: Now what do I do? #MFRWAuthor #MFRWorg




The manuscript is done and with the publisher. Now what do you do?

I can tell you not to just sit there and wait. Start working on your next manuscript. The more work you have to offer the more chances you have to sell your books.

Back in the days of RWA we were told not to do multiple submissions. Send in one ms and then wait for that publisher to get back to you. I learned personally that could take a year or more. Like a good little writer who followed the rules, I waited and wrote. So by the time I did sell my first book I had two others waiting in the wings.

Then someone asked me if I had a web page. Of course not. I wouldn’t need one until my book came out right? Wrong. I was told I needed to get my name out there. Did I write newsletter articles for my local RWA chapter? Put them on the web page. Today’s technology allows the publisher you submitted to, to google your name to see how visible you are. Having that webpage can be very important.

In the beginning I build my own webpage and loaded it with articles I wrote and other things I thought an author could use. Then I was lucky enough to win a professional web design at a conference, which is what I have now.

Then I heard about author’s Den. Free? Really? And I can build a web page for myself? Cool. Did that, although I’ll admit I haven’t updated it in years. In fact, I latched onto (and still do) anything free that would help promote me. Most of us do.

Then Facebook came along and I was asked if I had a facebook author page. What is that? Well, I did my research and created one of those. I try to keep it to writing, updates on my work, visitors to my blog, when a book is accepted, updates as I go through the editing process. Anything I think people might find interesting.

How about twitter? Did I belong to twitter? Well I created an account and ignored it for a long time, but I’m trying to do better now, even though I’m still a bit clueless when dealing with it.

Then I joined MFRW:

Since then I learned about the amazon author page. Have one and have my blog feed tied into it. I always make sure I go and add my new books as they come out.

Created a blog. This one was one of those kicking and screaming moments. I work, took care of my young son, and now my MIL. I had to fight to find time to write, how the heck was I going to find time to write a blog? And what would I put on it? I started using my writing knowledge. I’m a nurturer by nature so it’s natural for me to give back.

Joined Triberr a couple of years ago and I’m still learning – did you know that if you go to each tribe stream and release your tribemates blogs instead of doing it from your main stream you normally get more people releasing your blog as well? Who would have thunk it...

Not figured out how Goodreads helps...

I’ve now done blog hops, guest blogs, have guests on my blog and joined a small group of authors who are of like mind and writing. We’re working on promoting our group. I pay a little money on advertising when I can – I’m with TRS and RB4U. I’ve gone in on ads in RT mag, and bought ads in BTS mag. What else? Oh yeah, done chats, programs (online as well as in person), book signings.

Writer Tip: And every time I hear of something new I go and check it out...now I have to figure out what @me is all about. I have an account now it’s time to utilize it.

Barb:)



Bio:
Barbara Donlon Bradley wears many hats. She’s a mother, wife, care-giver, author, and editor. She’s a senior editor for Melange Books, and writes for Phaze and Melange books/Satin Romances with over twenty titles under her belt.

Links: 

Thursday, March 26, 2015

Can Novellas Be As Memorable As Full-Length Novels? #MFRWauthor #WriteTip #MFRWorg #Writers #Authors



Novels v Novellas 

This week I had the pleasure of writing “Ends” on a novella I need to send off to my publishers. This is a novella, and while it was a treat to write, it was no less work than a novel. 

I am curious about what others think about the novella. I write short stories, novels, and novellas. 

The difference is the number of scenes and whether there’s space for subplots and extra characters. Novella’s weigh in at around 20-30K, but this in no way allows the author to cut corners on story just because the word count is smaller. After all, a novella is not the poor relation to the novel. It’s a slim-lined cousin with a dynamic edge. 

The honey you grab when you want to be entertained, but you don’t have all day about it. The quick, simple read that gives you the same impact and enjoyment as a longer novel but in a fraction of the time, because really it’s about the story—not the length. And isn’t an excuse to give your readers less.

Word count doesn’t matter if the story still packs a punch. A novella can produce compelling characters. If it’s well-written, a novella will keep your readers glued to its pages. Like a full-length novel, it should make your reader laugh-out-loud, wipe away tears, get angry on your main character’s behalf, and sigh when she gets to your Happy Ever After. 

Regardless of which length fiction we write, one thing remains the same. We have to ensure we hit all of the turning points, give our characters depth, show the reader their wounds, GMC, Wants and Needs, Int and Ext Conflicts, the Black Moment, Climax and Resolution.  The Sexual Tension and the pull push of the plot.

Like a novel, a novella’s plot needs depth and all the same attention to detail. In a novella, there’s no space for a ton of extras with speaking parts. Of course, our characters will come into contact with other people. They'll have friends and family, but this cast will be more off stage than on and will be there to add atmosphere. To let the reader know your H/h lives in a world which is not a total bubble.

As I said before, there are not as many scenes—obviously—and the scenes must move along. No time to wander, or for meandering intros. It’s a matter of get in, do the job, and get out. 

What is your take on novellas? Do you like reading them? Or do you prefer the longer novel? Share your comments below, I'd love to hear from you.


Monique



Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge.  


Monique loves to hear from her readers. You can contact her by visiting her http://moniquedevere.blogspot.co.uk to learn more about her and check out her other books.


Wednesday, March 25, 2015

#MFRWorg Author-to-Author: Do Books on Writing Help? @ZeeMahal #MFRWauthor

Do Books on Writing Help?
From someone who entered a creative writing course with illusions of muses and inspiration as essential elements to writing, I've become a believer of perseverance and good old hard work instead.

I understand now, the importance of structure and form, and that writing is an art that improves with practice not with longing. The more I read about the craft of writing, the more familiar I become with concepts that seemed mysterious and confusing at first but gradually become less so because I practice them. I appreciate more and more how much self-discipline and self-critique goes into creating a work of passion.

A writer has to work at not just writing, but re-writing. That comes only after we allow the first flush of finishing the first draft to wear off. But then, how to tell what to edit, what not to edit, what to keep and what to throw out of the metaphorical and sometimes literal window? Which darlings to kill? Or which darlings to kill first? It's a bloody business.

Which brings me back to my original question, do books on writing help? More often than not, I'd say they do in a colossal way. Albeit I’ve read several that felt like a total waste of time to me, there were those that will be forever on my nightstand. Like Margaret Atwood’s Negotiating with the Dead; Dorothea Brande's Being a Writer, Henry James's Notebooks. Schopenhauer’s essay, ‘On Style’, and White and Strunk's Elemants of Style are mini-bibles on writing. Edith Wharton, Ursula Le Guinn, and E. M. Forster, David Lodge, all have valuable advice from which I continue to benefit.

The very first change that these books engender in one is of attitude, I think. They teaches you to be less precious about your writing and the process of writing. You realize that the ease with which the words flow on the page of your favourite writer isn’t because she’s a natural genius, but because she worked, re-drafted, edited and crafted her words in a way that made them flow on the page, and that is her genius. There is a definite shift in the POV—one's own—and you learn to balance criticism and your own judgment of your work. This is imperative. This balance must be learnt and maintained at all times.

Though books on writing offer much, half the time there’s contradictory advice, and then what is a cardinal rule for one writer may be considered utter nonsense by another. And so the bigger question of whether 'it' can be taught arises. 'It' being the art of creative writing.

My belief in books on writing has sustained because there are still things like the ‘voice’ that teachers and writers on writing fail to explain and define. The fact that there is something that is elusive and individual, re-establishes for me, the wonders of what CAN actually be taught.

Of course, there are many who are unable to teach, perhaps because they themselves don’t understand the mysteries of the craft, or because they want to keep the ‘ivory tower’ and the I-am-a-writer-bow-down-to-me concept alive. Taking the analogy from Dorothea Brande, if music and painting can be taught, and we can have Picasso and Matisse, Monet and Van Gogh, perhaps writers too should stop feeling threatened by each other, and freely accept that some parts of their craft is teachable and somewhat transferable to at least some.

There are so many different kinds of genres. It isn't a verbal universe any more, but a verbal multi-verse. It is a multi-cultural, multi-lingual, pluralistic world out there.

Embrace it. Celebrate it. 

CONTRIBUTED by Zeenat Mahal 
Zeenat has published two ebooks with Indireads in 2013 and She Loves Me, He Loves Me Not is her third novel. The Contract was an Indireads bestseller.

Her book Haveli was up to number 17 on amazon kindle and The Contract went up to number 9 on amazonIn.

Zeenat loves reading and writing romance and her favourite writers in the genre are Susan Elizabeth Phillips, Julia Quinn, Nora Roberts and Judith McNaught.

Tuesday, March 10, 2015

How NOT to Promote #MFRWAuthor

I remember, from back when I watched television, a cable show named "What Not To Wear." The British version featured two snarkily delightful women. The American version gave us Clinton and Stacy, who had their own version of snarky, with a softer tone. The idea was the hosts would completely revamp the victim's  guest's wardrobe, to give said guest a more fashionably correct look. I sometimes felt they were attempting to reduce individuality in their guests but that's a matter for another time. Like watching a train wreck I found myself clicking on that show no matter when it aired.
Along the same lines I've observed author self promotions for several years and more than once I've wanted to force encourage those authors to take a clear look at how they were presenting themselves

BUY  MY BOOK
LOOK WHAT I DID

Over and over and over. If they belonged to multiple Facebook groups I saw their not so clever promotional announcement numerous times in the same day. And after a while I ceased actually seeing it, I simply deleted as soon as it showed up.
Slightly more subtle authors would insert links to their own books in replies to another writer's blog,whether relevant or not.
All of this adds up to the same feeling I got from the kid who sat behind me in the school auditorium and insisted on kicking the back of my chair. Distracting me from his actual message, which was probably somewhere along the lines of "Hi, I'd like to get to know you better." Another potential romance lost in the dust of miscommunication.

To avoid this, what do we NOT want to do?
Don't shove your book into every conversation.
Don't put your notices on automatic share across the virtual universe.
Don't self promote where it's not allowed.
Don't put your links into someone else's blogs or discussions unless asked.

What SHOULD we do?
Funny you should ask.
If you're not already an MFRW member, join and take advantage of the many offers to help you promote your book.
Become a part of Triberr so you can help promote others while they help promote you.
Invite other authors onto your blog (you do have an active blog, right?) so you can promote their books.
Have an active blog. Write from your heart and your convictions, whatever those might be.
Respond to other blogs that interest you with comments relevant to that blog. If it's a blog hop, all the better then you can get name recognition multiple times.
Join blog hops, write clever blogs relevant to the hop theme. Here you can mention your book, without  making it the entire blog.
Write a good book. Then write another good book. Keep that promise to your readers that they will find happiness in your words. 

Notice, none of these suggestions have you pushing your book? Instead you are gaining name recognition for yourself. You are NOT one book, you are an author of many wonderful books.
Seek, Teach, Share, Learn, SUCCEED


thoughts shared from  Mona Karel
Blog Hop Coordinator
In addition to occasional curmudgeonly outbursts, Mona writes Romance both normal and paranormal as a way to share her daydreams with the rest of the world. When not writing she wraps her world around her Salukis, her home in the New Mexico high desert, and photographing the quirky, the unusual, and the just plain gorgeous. 

Friday, March 6, 2015

#MFRWorg Author-to-Author: Writing Tips @RobinGlasser1 #MFRWauthor

MFRW Author Robin Glasser shares some advice to improve your writing.

Besides being an author, I’m also an editor, which makes writing difficult because I’m constantly editing my work—one of the main reasons it takes me so long to write a book. A good exercise I learned from one of many writing groups is to keep paper and pen by your bed. As soon as you wake up, start scribbling. I've covered oodles of pages this way, some of which were real gems!

Read a lot.

Try to write something everyday. If you find yourself staring at a blank page and nothing's happening, promote your book on Twitter, Goodreads, LinkedIn, for examples.

Join a writing group for feedback and sympathy. If one’s not available, start your own in the library. I did and it was great fun plus I learned a lot too! Oh, and read what you've written aloud or have someone read your pages back to you. You’ll be amazed by what your ears pick up that your eyes might have missed!

I try extremely hard to avoid clichés and write lines that will stand out. Michael Chabon, another author I admire, always has some memorable phrases sprinkled throughout his books. One description that comes to mind (paraphrasing): “his face was like a sagging front porch…” I mean, how visual is that!

ABOUT Robin
Recovering copywriter, Robin Glasser has written for a variety of magazines ranging from Readers' Digest to Penthouse Letters, where she wrote a column called "The Red Hot Woman." Her poetry has been published in Upstairs at Duroc and The Riverside Poetry Review. Ms. Glasser's novel, MY LIFE AS A CONCUBINE, is based on her experiences in Paris or as she likes to call it, The City of Merde, and has been re-released from Smashwords and is available in paperback and as an ebook. Robin guarantees MEN AT WORK, her fully-illustrated book of poetry, will put twinkles in your eyes and sparkles in your pants. Don't forget to watch her fast-paced peepshows based on these tongue & cheeky poems at http://www.youtube.com/msrobinglasser. You can get a copy from robinglasser@yahoo.com. Her latest novel, THE BRAIN EXCHANGE, is available at Smashwords, Amazon, and virtual bookstores near you. She now reads at various venues in New York. 

The Brain Exchange

Erotic SciFi Suspense
Abandon your beliefs and let your reality run wild. Imagine being fully aware inside a body of the opposite gender. Now imagine the best sex you ever had. Would this just be different? Or better? Or the best ever?

CONNECT with Robin
http://www.myspace.com/robinglasser https://www.twitter.com/RobinGlasser1
http://www.authorsden.com/robinglasser http://www.youtube.com/msrobinglasser

Tuesday, March 3, 2015

MFRW Should Stand for Marketing for Rockin' Writers #MFRWorg #MFRWauthor

MFRW 
What does MFRW mean? The letters stand for Marketing for Romance Writers, but so many of us are now writers of every type, perhaps we should remarket ourselves as Marketing for Rockin' Writers. We are a peer-oriented mentoring group open to the entire literary community. Ask your marketing-related questions, or request help, advice, or opinions. You can learn how to create a professional image and use it effectively, as well as ask for opportunities to join other authors in promotional efforts. You can learn the business aspects of writing on our site. The best part? Hearing from people who've been helped by what we do.

Here's an email I received today. (One of our rules is to use the Yahoo group for business oriented questions, and never to self promote.) The letter is from Kath Boyd Marsh, a new writer of children's books (MG = Middle Grades).

I don't want to violate the self promo rules, so I'm writing this off the list serve. But I really need to thank MFRW. Almost three years ago I was ready to quit. Then my critique partner, Ally Shields, told me about you, and I took a weekend workshop. I didn't give up. The next thing I knew I found the courage to submit to a publishing house's contest. And that December I found out I had made the semi finals in two categories in CBAY's writing contest. While I did not win, the publisher continued to work with me on the MG ms. How great was that?

December of 2013 I got the nerve to send her an additional ms. And she liked it! She worked with me on revisions all last year, and then last month offered me a contract to publish my very first book!!! My MG fantasy is scheduled to release in April of 2016!! I'm an author!!! (says so on the contract!)

And I know it goes back to finding this group of sharing and wise authors!! Even if I don't write in your genre, there is no better place to feel the hope.

Of course now I'm going to pay even closer attention to Marketing! Get my own website, newsletter, tweet, … Isn't that great?
Tarthian Empire
Companion

Sincerely,
Kath Boyd Marsh
---
And that, folks, is why Marketing for Romance Writers is here. Join us!

About the Author
Kayelle Allen is the founder of MFRW. She is also a best-selling, multi-published, award-winning author. Her unstoppable heroes and heroines include contemporary every day folk, role-playing immortal gamers, futuristic covert agents, and warriors who purr. Her upcoming book, due out March 16th is Tarthian Empire Companion, an illustrated World-Building Bible and Guide to Writing a Science Fiction Series. http://kayelleallen.mobi/companion/

Saturday, February 28, 2015

#MFRWorg BLOGSforWRITERS @Write_Practice

Authors don't have endless hours to read every blog out there on the world wide web. Still, there are some blogs out there that are not to be missed. In our BLOGSforWRITERS feature, MFRWorg highlights blogs definitely worth your time.

The Write Practice is a blog that promotes the daily practice of writing. Their posts are always helpful and sometimes quirky. With so many other writers commenting, there's a community feel as writers learn from one another. CLICK HERE to visit the blog.

The Business of Writing: That Stupid Cover Letter

First I want to apologize for not posting last month. Something came up that got in the way of my post but I’m back and ready to talk about that cover letter.


* This image is from my pinterest account


To me the cover letter is harder to do than the synopsis. How do you sell yourself on one sheet of paper? Even if you are cold submitting via an e-mail you still need to keep it short and sweet. Your letter should be an intro paragraph, your book blurb, your accolades and a closing paragraph/sentence telling them you can’t wait to hear from them.

I was also told if I met an editor at a conference and we hit on something personal like she/he likes cats, or she/he grew up where I did, that I should put that in the intro paragraph so the editor would remember me. The biggest thing that was drilled into my head was to send that submission as quickly as possible after the editor requests it.

All the advice was great but it didn’t help me when it came time to write one. I didn’t even know how to start one.

Dear editor – if you have their name use it

Intro paragraph – I would mention that I am multi-published and who I’m published with. I would also mention that I write lighthearted erotic romances and my writing style resembles authors like Johanna Lindsey.

The second paragraph – I’d then add my blurb

The third paragraph – I’d mention the contests my books have finaled in, I’d also mention any special review I might have had – something that was a little more than a five star review although if you have 5 star reviews you can mention those as well. I would also mention I was a member of RWA and the positions I held I would also mention MFRW and any volunteer position I have. In my case I would also mention I work with a publisher.

Last paragraph would be the thank you for your time...

This is very basic and if anyone has something they do that works for them please post it. The more we know the better those letters are.


Barb:)

Barbara Donlon Bradley wears many hats. She’s a mother, wife, care-giver, author, and editor. She’s a senior editor for Melange Books, and writes for Phaze and Melange books/Satin Romances with over twenty titles under her belt.