Showing posts with label characters. Show all posts
Showing posts with label characters. Show all posts

Thursday, November 26, 2015

Beyond Aesthetic Attraction: The Romantic Relationship Is More Than Skin-Deep #MFRWauthor #WriteTip #Writers #Authors


We all appreciate beauty. How can we not, when it's all around us? From babyhood, we are attracted to pretty things, and as adults this partiality continues. As romance authors, we try to bring beauty to our readers. Who doesn't admire the stunning heroine? Or fall in love with the smoking-hot hero?

But is this what romance really is about? A simple equation with few variables easily solved? Stunning Heroine + Smoking-hot Hero + Major Hots For Each Other = Happy-Ever-After? If you're thinking: sure, why not? Keep reading.


Lust is not romance   


Let me ask you this...are you in a relationship? What made you fall in love with the person you're with? Was it his amazing eyes and fabulous hair? Her tinkling laugh, and impressive waist-to-hip ratio? I'm willing to guess that you fell in love with your beloved's core qualities. Don't get me wrong, attraction is a huge part of the falling-for-you stage of any relationship, but it isn't what makes us commit to a lifetime with this one person above all others. The same should be true for our hero and heroine. Have you ever read a story/book and wondered what on earth the H/h saw in the other person? I have! We might fall instantly in lust with the way someone looks, but getting to know that person dictates how we will feel about them long-term. The same ought to be said for our H/h. 


We might fall in lust with looks, but we fall in love with personalities 


If your hero is horrible to your heroine on almost every page the reader will wonder what on earth the heroine sees in him, and what sort of glutton for punishment she is.

I remember years ago when I was trying to crack a particular category romance line, I would read almost every book in that line each month and more often than not hate the heroes. They tended to be coldhearted toward the heroines--except when they wanted to cart them off the bed!--and I so desperately wanted to read about wonderful, caring heroes who showed the heroine love and affection while still having big enough internal conflicts to keep them apart. So I wrote these type of heroes, hoping to change the romance world with my wonderful, fun heroes. Needless to say, these guys never managed to get me picked up by the publisher. I still write this type of hero because this is the type of man I love. If I can't fall in love with my male lead, how can I expect my readers to love him?


So what makes people fall in love?           


We've already establish that it's beyond aesthetics. It's more than skin deep. It's the many layers that make up a person's character--their very essence. It's their hopes and dreams, virtues, interests and skills, ambition. It's the connection between the two central characters--yes, most definitely physical attraction should play a fundamental part, but also a meeting of their minds--mutual admiration (even while they butt heads), compassion, affection. Not only do you want your reader to see why these two people would fall in love, you want the reader to believe beyond a shadow of a doubt that your H/h's HEA will last forever, and not until the first hiccup that comes along after the reader has closed the book.  

A few years ago, my husband and I were on our way out for the day when we came to a set of traffic lights that were on red. We were six cars behind the first car. The lights changed to green and the first car didn't move. Being British, we waited politely until the light turned back to red and no one had moved. With some neck-stretching, and head bobbing and ducking, we managed to see that the driver of the first car was a woman and she had her friend with her. I know some men who would have started griping about women drivers, but not my hubby. He said he was going to check to make sure the women were okay and, as he got out of the car, I hopped into the driver's seat. 

I can't tell you how big my heart swelled in my chest as I watched my beloved walk past four other male drivers in front of us on his way to the first car in the queue containing the two women. My hero-hubby spoke to the woman driver, then as the light changed back to green he moved to the back of the woman's car and pushed her around the corner, and off the road. Would you believe me if I told you that none of the other men in that queue even attempted to help those women, or even helped my hubby to push the car??? 

At that moment, as I watched my beloved rescue the female driver, I fell deeper in love with him. Until that instant, I didn't think it was possible for me to love him any more than I already did.

Once back in our car, hubby told me the woman had flooded the engine and was so upset it brought her to tears. She kept thanking him for his kindness and help, and I suspect she probably fell a little in love with him, too.

It's these sort of actions that make our central characters fall for each other and creates the magnetic pull of deep attraction. And it's what makes our readers believe the love story we tell them.      

Give your characters scenes which show them in action doing the things that compel them to fall in love with each other. At the heart of your romance story is the relationship, and this relationship is a collection of layers that run far beneath the surface appreciation of beauty.


Until next time, write with clarity and style!

Monique x 


Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge. 

Monique loves to hear from her readers. You can contact her by visiting her HERE to learn more about her and check out her other books.

Wednesday, August 26, 2015

Making Your Reader Like Your Characters #MFRWauthor #MFRWorg #WriteTip #Authors


Have you ever read a story and absolutely hated one or both of the main characters? 

This month I’m looking at how we can make our readers like our character.

The first thing the reader will want to know is who the character is and why should s/he root for them. Why should the reader care what happens to the character?

Recently I saw the film Interstellar with Matthew Mcconaughey, one of my favorite actors. If you haven’t seen this movie—a: I highly recommend it! It was amazing, so emotional and touching. And b: I’ll try not to ruin it for you so in the interest of giving you a heads-up…Spoiler Alert…

I was thoroughly enjoying the movie when it got to the part where one of the characters died. Sadly I didn’t care because I didn’t really know him, which is always a warning that that character will more than likely be the first to get bumped off. But what made it worse is that the character became too stupid to live (TSTL) just before he died. I positively disliked him for his sheer stupidity. After his untimely exit, I didn’t give him a second thought.

In contrast, when the main character almost died I was on the edge of my seat. The difference between these two characters? I never really got to know the first guy, so I wasn’t invested in him or really cared about him, and it was easy to dislike him for his stupidity because there was no reason for his actions. 

Meanwhile, I’d gotten to know the main character, empathized with him, cared about him, so I was invested and wanted him to survive. Plus he fought for his life. The other guy stood around like an idiot and did nothing! 

Don’t get me wrong, we want our characters to be flawed. Without flaws, our characters have no way of changing or growing. 

The flaw is the external representation of the internal fear. What I mean is the flaw is the result of the internal conflict, and internal conflict usually results from a past emotional scar.

For example, what if your hero is overprotective because somewhere in his past a loved one got injured or killed because of something he did or didn’t do. Say, maybe, as a teen he had a girlfriend and they got in a fight while driving home. She demands he pull over and let her out. He’s so mad he does exactly that and leaves her. She is attacked and possibly murdered. The hero has to live with this for the rest of his life. So now he won’t let the heroine out of his sight because he wants to protect her and make sure nothing bad ever happens to her. 

Now, if we make the flaw too dominant we will make the hero unlikable. In order to make your reader like him, you need to let the reader see the reason for his fear and you need to make your hero begin to fight the impulse to be overprotective along the way.  

Don’t make your characters’ issues so deep and dark that you create jerks. On the other hand, if you do have deep dark issues, you need to work extra hard to show the reader why the character is like this and give glimpses of a softer side—hint that this character can change. 


So How Do You Make Your Character Likable?


Start with the core competencies of your character, made up of three aspects: strengths, skills, and desires. As well as having bad experiences from the past that gives us our internal conflicts, we also have happy moments that might inspire us to do, or be something. I like to think that for every bad moment of the past there is a good. As authors we often focus on the bad in order to get a hold of the internal conflicts, but when we let the reader see the good moments that influenced our characters we allow the reader to bond with, and therefore, care about and like, our characters on a deeper level. 

Our overprotective hero from above may be a rescuer at his core. You can give him a job to reflect this and maybe he beats himself up so much because he feels guilty that he couldn’t save the past girlfriend. His black moment can come when we place him in a redemptive situation and give him an opportunity to redeem himself from the past by now saving the heroine. This guy can have a lot of layers, and if we show them to the reader, she will not only understand him, she will fall in love with him. 

The trick is to show the character’s niceness before you show the flaw. That way the reader is already invested and will stay to find out if this character finds her/his happy ever after. 

Do leave a comment in the comment section below. Even if you just want to say "Hi!", I'd be thrilled to know you stopped by.

Until next time, write with clarity and style!



Monique x 


Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge. 

Monique loves to hear from her readers. You can contact her by visiting her HERE to learn more about her and check out her other books.

Tuesday, April 21, 2015

5 Tips for #Writing Emotionally Charged Heroes #MFRWauthor @kayelleallen

Negative Traits Thesaurus 
I recently bought the book Negative Traits Thesaurus, by Angela Ackerman and Becca Puglisi. It's subtitled, "A Writer's Guide to Character Flaws." The book is a strong resource for creating a three-dimensional hero or heroine, but can also help you write strong villains. Creating an emotionally charged hero or villain means giving him/her more than a laundry list of flaws or strengths. Developing those in a relatable way is important too.

However, after studying this book for a bit, I've noticed there are five basic things that determine whether a character is a hero or a villain. Ask these questions about your hero/ine to make them more relatable.

  • What are the emotional attributes of your hero?
  • What are the emotional wounds of your hero?
  • What are the emotional flaws of your hero?
  • What fears drive your hero?
  • What morals prevent the above items from making your hero a villain?

Tarthian Empire
Companion 
Now ask these questions about your villain, and ask yourself what morals prevent him/her from becoming a hero.

If you write science fiction or fantasy, my new book Tarthian Empire Companion, an illustrated World-Building Bible and Guide to Writing a Science Fiction Series might be helpful. It includes info on organizing a story bible to track timelines; character development; a section for military ranks, ships, and naming protocols, plus other aspects of writing a scifi. Amazon ($3.99) http://bit.ly/companion-az