Dealing with Email without Going Crazy @kayelleallen #MFRWauthor #authortips

Have a system for your files 

Are you drowning in email? I average less than a dozen items in my inbox at the end of almost any workday, but I get nearly a hundred emails a day, every day. How do I keep up with it? I have a system, and it has five basic components.

Folders

Who emails you the most? (family, friends, groups, publisher, promo assistant?) Give the people who email you most their own folder. It might be okay to put all book reviews in one big folder, but if you have a promotion assistant who follows up with you and you constantly go back and forth about material needed, you will want a folder for that assistant. Sort your email inbox by sender and see who is sending you the most stuff that you either want or need to keep. Make a list. After you've completed your list, combine folders that make sense to combine. I have one for family and one for friends, but I have separate folders for each of my blogs where I have guests. I need to be able to differentiate emails for the various sites.

Filters

Most email programs have a filter system. What this means if you can set up email to come in and be pre-labeled with a folder name. For example, everything from your newsletter service goes right to the folder for your newsletter. All your Twitter messages go right into a Twitter folder. Instructions depend on what email program you use. Remember, Google is your friend. Search your email program name plus the word "filter". When something goes to the folder where you are going to eventually store it, it saves time twice. You don't have to put it there, and it's out of your inbox in the first place.

Finding

Name your folders in such a way that you can easily see what's in them. If you abbreviate, be consistent. Number folders and they will float to the top in email. Use your email's search program to find things you need. You can often search by sender, which is a big help.

Filing

File as soon as you've read your email. Don't wait. Don't think about it. Just put it in the folder and move to the next thing. It feels great to complete something and move on. Should you have a "pending' file? I have one where I put work that's going to take more than a day to do. I keep it listed as unread, so the folder is Bold and it reminds me that I have pending work there. But everything else is filed and marked as read.

Flinging

At the Mercy of Her Pleasure 

It's not hard to decide whether to keep or toss an email. Stop and think: will I ever need this again? Will I need it to prove I did something, or to prove I paid for something? Does it make me feel good to read it? Will I need to refer to the information in the future? If any of this is yes, keep it. If no, toss it.

In conclusion, whatever system you use, be consistent. Apply simple filters and then file when you complete your work. Toss what you don't need. It's work, but it's not impossible. Do you have tips for handling email? Share it in the comments below.

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Kayelle Allen is a best-selling, award-winning author. Her unstoppable heroes and heroines include contemporary every day folk, role-playing immortal gamers, futuristic covert agents, and warriors who purr. She is the founder of Marketing for Romance Writers.

At the Mercy of Her Pleasure http://kayelleallen.com/at-the-mercy/
Romance Lives Forever Reader Group http://kayelleallen.com/bro
Twitter http://twitter.com/kayelleallen
Facebook http://facebook.com/kayelleallen.author

Making Your Reader Like Your Characters #MFRWauthor #MFRWorg #WriteTip #Authors

Have you ever read a story and absolutely hated one or both of the main characters? 

This month I’m looking at how we can make our readers like our character.

The first thing the reader will want to know is who the character is and why should s/he root for them. Why should the reader care what happens to the character?

Recently I saw the film Interstellar with Matthew Mcconaughey, one of my favorite actors. If you haven’t seen this movie—a: I highly recommend it! It was amazing, so emotional and touching. And b: I’ll try not to ruin it for you so in the interest of giving you a heads-up…Spoiler Alert…

I was thoroughly enjoying the movie when it got to the part where one of the characters died. Sadly I didn’t care because I didn’t really know him, which is always a warning that that character will more than likely be the first to get bumped off. But what made it worse is that the character became too stupid to live (TSTL) just before he died. I positively disliked him for his sheer stupidity. After his untimely exit, I didn’t give him a second thought.

In contrast, when the main character almost died I was on the edge of my seat. The difference between these two characters? I never really got to know the first guy, so I wasn’t invested in him or really cared about him, and it was easy to dislike him for his stupidity because there was no reason for his actions. 

Meanwhile, I’d gotten to know the main character, empathized with him, cared about him, so I was invested and wanted him to survive. Plus he fought for his life. The other guy stood around like an idiot and did nothing! 

Don’t get me wrong, we want our characters to be flawed. Without flaws, our characters have no way of changing or growing. 

The flaw is the external representation of the internal fear. What I mean is the flaw is the result of the internal conflict, and internal conflict usually results from a past emotional scar.

For example, what if your hero is overprotective because somewhere in his past a loved one got injured or killed because of something he did or didn’t do. Say, maybe, as a teen he had a girlfriend and they got in a fight while driving home. She demands he pull over and let her out. He’s so mad he does exactly that and leaves her. She is attacked and possibly murdered. The hero has to live with this for the rest of his life. So now he won’t let the heroine out of his sight because he wants to protect her and make sure nothing bad ever happens to her. 

Now, if we make the flaw too dominant we will make the hero unlikable. In order to make your reader like him, you need to let the reader see the reason for his fear and you need to make your hero begin to fight the impulse to be overprotective along the way.  

Don’t make your characters’ issues so deep and dark that you create jerks. On the other hand, if you do have deep dark issues, you need to work extra hard to show the reader why the character is like this and give glimpses of a softer side—hint that this character can change. 

So How Do You Make Your Character Likable?

Start with the core competencies of your character, made up of three aspects: strengths, skills, and desires. As well as having bad experiences from the past that gives us our internal conflicts, we also have happy moments that might inspire us to do, or be something. I like to think that for every bad moment of the past there is a good. As authors we often focus on the bad in order to get a hold of the internal conflicts, but when we let the reader see the good moments that influenced our characters we allow the reader to bond with, and therefore, care about and like, our characters on a deeper level. 

Our overprotective hero from above may be a rescuer at his core. You can give him a job to reflect this and maybe he beats himself up so much because he feels guilty that he couldn’t save the past girlfriend. His black moment can come when we place him in a redemptive situation and give him an opportunity to redeem himself from the past by now saving the heroine. This guy can have a lot of layers, and if we show them to the reader, she will not only understand him, she will fall in love with him. 

The trick is to show the character’s niceness before you show the flaw. That way the reader is already invested and will stay to find out if this character finds her/his happy ever after. 

Do leave a comment in the comment section below. Even if you just want to say "Hi!", I'd be thrilled to know you stopped by.

Until next time, write with clarity and style!


Monique x 

Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge. 

Monique loves to hear from her readers. You can contact her by visiting her HERE to learn more about her and check out her other books.

Where Do Story Ideas Come From? ASK #MFRWauthor @SaschaIllyvich

The idea for SLOW BURN came from me playing "what if" while watching Burn Notice. About that time, I discovered the metal band Devildriver.  Loving their groove metal sound, I wondered about a female version of the same sort of band, and what that'd look like if she had magical powers and had to be protected. Sonja and Derrick were born of Dez from Devildriver and Michael Westen from Burn Notice!

I am the author of over 52 published titles throughout sixteen years of my career.  While I possess talent, I've been lucky since day one and I remember that lesson every day.

Sascha Illyvichok'sest book is Slow Burn, a Sexy Spy Thriller with Ardent Books.

Tempting secrets of an angel
Seductive mysteries of the beast

Derrick, a former spy, has been asked to protect the sultry Sonja, a death metal singer whose magical voice grabs him by the balls and won’t let go. He’ll protect her, all right…with every part of his body tight against hers.

Sonja uses her voice to purge her fans of their darkness, their hate and hopelessness. But evil forces want to use her magic for their own ends. All she wants, at this point, is safety for herself and her band.

When Derrick and Sonja team up, Sonja does her best to resist the lure of safety he represents, until a radical league that wants her dead propels her into his arms. Will his help be enough? Or will she lose her heart to him, only to be killed in the process of saving the world?

EXCERPT

Tears streamed down her face.
He wanted to kiss them away.
She opened her mouth and screamed; power flowing out from her in a torrential force that clued him in to just how terrified the images were that she saw.
Then he saw them, the faces of the sad, the lonely, the angry, those who had taken their lives. He'd seen a very brief glimpse of the men who captured her, then his mind went fuzzy. Quickly stilling his mind, he leaned over her and did the one thing he could think of to distract her from whatever horrors raced through her head.
He kissed her, muffling her cries.
She sobbed but gave herself openly to the kiss. The power flowing from her stilled, calmness now settled around them. She still shook, her body convulsing in his arms while she tried to flail this way and that, turning from him with such force he had to use his puma strength to overpower her and force her back to the kiss.
Somewhere in that haze of their mingling tongues, the air changed again, this time the scents of terror and agony fading to give way to something dark, yet sensual. Derrick tasted her, pressing against the sweet plumpness of her mouth against his. Eyes open, he gave her hand a light squeeze.
She settled, blinked and looked at him through her wild gaze until her breathing slowed and she seemed to return to the here and now. Sonja shifted against him. She reached for his face, lithe fingers stroked along his chin.
He hardened instantly at her touch. Careful to steady his reaction against rising hormones, Derrick moved, feeling the softness of her breasts beneath his jacket. ""You're still wearing my coat,"" he licked her chin, then bit her neck.
The tears stopped, and she sniffled. Sonja laughed and kissed him back, taking his face in her hands while she slid beneath him. ""It fits. Perfectly in fact. I think I'll keep it.""

ABOUT Sascha Illyvich
Sascha, who was proclaimed by the publishing industry as The Bad Boy of Romance, started writing sixteen years ago. His erotic romances have been listed under Night Owl Romance’s and Road to Romance’s Recommended read lists, and he’s been nominated for a CAPA by The Romance Studio.  Recently, Torn to Pieces was a USA TODAY Recommended Read.

Sascha is a trained and experienced public speaker, and enjoys giving talks and teaching, particularly on aspects of romance, erotic romance, and writing.   He was the former host of The Unnamed Romance Show on Radio Dentata, and is fond of doing guest spots and interviews, on both traditional radio and podcasts.

Sascha writes for Assent Publishing, Red Sage, Secret Cravings Publishing, Sizzler Editions, Totally Bound, and Decadent Publishing.

Find him at http://saschaillyvichauthor.com.