5 Tips for #Writing Emotionally Charged Heroes #MFRWauthor @kayelleallen

Negative Traits Thesaurus 

I recently bought the book Negative Traits Thesaurus, by Angela Ackerman and Becca Puglisi. It's subtitled, "A Writer's Guide to Character Flaws." The book is a strong resource for creating a three-dimensional hero or heroine, but can also help you write strong villains. Creating an emotionally charged hero or villain means giving him/her more than a laundry list of flaws or strengths. Developing those in a relatable way is important too.

However, after studying this book for a bit, I've noticed there are five basic things that determine whether a character is a hero or a villain. Ask these questions about your hero/ine to make them more relatable.

• What are the emotional attributes of your hero?
• What are the emotional wounds of your hero?
• What are the emotional flaws of your hero?
• What fears drive your hero?
• What morals prevent the above items from making your hero a villain?

Tarthian Empire
Companion 

Now ask these questions about your villain, and ask yourself what morals prevent him/her from becoming a hero.

If you write science fiction or fantasy, my new book Tarthian Empire Companion, an illustrated World-Building Bible and Guide to Writing a Science Fiction Series might be helpful. It includes info on organizing a story bible to track timelines; character development; a section for military ranks, ships, and naming protocols, plus other aspects of writing a scifi. Amazon ($3.99) http://bit.ly/companion-az

#MFRWAuthor -to-Author Tip: BIOS MADE EASY @Kris_Bock

Bios Made Easy
Writers need bios, for query letters, on websites, for conference brochures. Surely writers can write about ourselves. Yet while coordinating writing conferences, I discovered that even published authors often write poor bios, whether through modesty, carelessness or overwriting. Many bios are entertaining, but don’t do their job.

The job is selling yourself and your books. Keep that focus in mind and the rest will follow.
Content: List your publications. If you have many, mention the number but only go into detail on three or four—perhaps the most recent or popular. Specify the genre, as titles aren’t always clear by themselves. If you don’t have published books, mention your other credentials—“Cub Newshound’s articles appear in Slate,” for example.

Don’t get carried away listing awards. If each book has four or five minor awards, the reader bogs down in dull details. List the most prestigious, or combine them—“Ms. Inkslinger’s books have received 11 Readers’ Choice Awards from various states.”

Relevancy: If someone is considering buying your book or coming to hear you speak, they want to know your success as a writer or speaker, not the names of your pets. Put your professional information first. Don’t start with your hobbies or childhood, unless it directly relates to your book. (For example, you’re a nurse and you wrote a hospital drama.) Don’t thank your family for their support. Save that for your book dedications.

Style: You may need different bios for different uses—playful on a book flap; professional for a newspaper article; focused on teaching experience for a conference catalog; praising your writing success for a booksigning. Regardless, focus on information. Humor and lively writing are fine, but don’t get too wrapped up in sounding “literary.”

In a large conference brochure, the designer probably wants consistent style. A touch of formality may be appropriate—you’re trying to portray yourself as a professional. Pretend you’re someone else writing about you in the third person. “Bard Wordsmith is an award-winning author….” For a query letter, use  first person. A website could go either way.

Length: Keep it short and to the point. If your bio will stand alone, on an individual brochure or flyer, try 100-200 words. If your bio will appear along with others, 50-100 words is plenty (or whatever they request). Many people will skim anyway. Include your website for more information. An editor may cut to save space, so put the most important information up front.

I keep several versions and cut and paste as needed. A longer bio may have a sentence about each of my romantic adventure novels. A shorter one may have only a few words on each, or general info on the kind of books I write. If I’m promoting my critiquing/editing business, I would focus on my experience as a teacher and workshop leader, noting that people can get recommendations and rates on my web site. The details depend on what I’m trying to sell.

So what about you? To get started, make a list of the facts that you want to share. Then write a simple, straightforward paragraph that includes them. Next, decide if it’s appropriate to dress it up, but as in all good writing, communication comes first.

ABOUT Kris Bock
Kris Bock writes novels of suspense and romance involving outdoor adventures and Southwestern landscapes. In Counterfeits, stolen Rembrandt paintings bring danger to a small New Mexico town. Whispers in the Dark involves archaeology and intrigue among ancient ruins. What We Found features a young woman who stumbles on a murder victim, and The Mad Monk’s Treasure follows a treasure hunt in the New Mexico desert.

website  |  amazon  |  goodreads

Kris Bock's latest book is The Dead Man's Treasure
BLURB: Rebecca Westin is shocked when the grandfather she never knew leaves her a bona fide buried treasure – but only if she can decipher a complex series of clues leading to it. The hunt would be challenging enough without interference from her half-siblings, who are determined to find the treasure first and keep it for themselves. Good thing Rebecca has recruited some help, in the form of a green-eyed charmer determined to show her that a desert adventure can be sexy and fun. But there’s a treacherous wildcard, a man willing to do anything to get that treasure – and revenge. 

Action and romance combine in this lively Southwestern adventure, complete with riddles the reader is invited to solve to identify historical and cultural sites around New Mexico.

#MFRWorg BLOGSforWRITERS: Helping Writers become Authors @KMWeiland

Authors don't have endless hours to read every blog out there on the world wide web. Still, there are some blogs out there that are not to be missed. In our BLOGSforWRITERS feature, MFRWorg highlights blogs definitely worth your time.

HELPING WRITERS BECOME AUTHORS

This blog is managed by author K.M. Weiland. She lives in make-believe worlds, talks to imaginary friends, and survives primarily on chocolate truffles and espresso. She is the IPPY and NIEA Award-winning and internationally published author of the Amazon bestsellers Outlining Your Novel and Structuring Your Novel, as well as Jane Eyre: The Writer’s Digest Annotated Classic, the western A Man Called Outlaw, the medieval epic Behold the Dawn, and the portal fantasy Dreamlander.

When she’s not making things up, she’s busy mentoring other authors on her award-winning blog. It's a fabulous resource for technical writing advice. CLICK HERE to visit the BLOG.

#MFRWauthor Retweet Fest - Share Your Book with Us

Marketing for Romance Writers monthly retweet day is 4/8.

This month we are promoting our author's books.

To make this easier for everyone to do.

We are asking you to create a tweet and post the url in the comment section of this post.

Here are the steps to follow to achieve

#MFRWauthor Retweet Day – Author Books

Step 1: Go to your Twitter profile and post a tweet as you normally would. (No rules on structure.) Make sure to add #MFRWauthor to your tweet

Step 2: Look up your tweet, it will be in your stream. Click on “Expand,” or the ... in the corner. Then click on “Details.” Your tweet should now be zoomed on your screen. Copy the perma-link or the url for your post at the top of your computer screen.

Step 3: Paste that perma-link into the comment section on this blog.

Step 4: On 4/8 - Make sure you are logged onto Twitter.
Then come here and click on each link that is posted in comment thread for retweet day.

After click on each link you will be taken to tweeter where you retweet the post. Return to the blog and  hit the Like button on *RE-TWEET* thread to show you have done this.

This will help us see how well this promotional event is doing.

Thanks for joining the fun,

Tina

Tina Gayle writes stories with strong women fiction elements. Visit her webstie and read the 1st chapter of any of her books. www.tinagayle.net
 

What Social Media Accounts Do New #Authors Need? #MFRWauthor @kayelleallen

Every author needs social media. In 2012, Digital Book Word posted an article showing the potential of social media to sell books. For a great infographic on which site sells the most, click here (Shopify article and image by Mark MacDonald).

MFRW 

Having been published for many years, and after hosting hundreds of authors on my Romance Lives Forever blog, I can offer some good advice on what sorts of social media accounts a new author needs. I included checklists for other things that you'll find handy.

Accounts Checklist

What you need will be different from what other authors need. Adjust and fine tune your account checklist until it fits your current books. Keep in mind your needs may change with each book. Why? Because your core audience may change, depending on the genre you write, and changes in the industry.

These are basic accounts you will need as an author. The top are listed by name:

Facebook profile / author page

Twitter

Pinterest

Goodreads

Google+ (vital -- authors with a Google account rank higher in searches)

Amazon Author Page

Sign up for other social media as needed. I recommend you claim your name on each, even if you don't use the accounts -- you might want to use them later.

Memberships and Business Accounts

Marketing for Romance Writers

Indie Romance Ink

PayPal

Bit.ly

Newsletter (MailChimp, iContact, Constant Contact, etc.)

Email list

Items to create for each book

Sample Chapters

Email signature

Website Pages or Info

Blog

Free Reads

Media Kit

Tarthian Empire
Companion 

News / Press Releases

Optional items on a per-book basis

Podcast

Audio clips

Book trailers

Whatever programs, software, and applications you use, keep track of the names and URLs. Record your passwords. As you grow in your profession as an author, you will be in and out of these for years to come. Trust me, it pays to be organized.

---

Kayelle Allen, MFRW Founder
Author of the Tarthian Empire Companion
A World-Building Bible and Guide to Writing a Science Fiction Series
Amazon http://bit.ly/companion-az  Smashwords http://bit.ly/companion-sm
Website http://kayelleallen.mobi Blog http://kayelleallen.com/blog
Twitter http://twitter.com/kayelleallen  Facebook http://facebook.com/kayelleallen.author
Google+ https://plus.google.com/+KayelleAllen/

The business of Writing: Now what do I do? #MFRWAuthor #MFRWorg

The manuscript is done and with the publisher. Now what do you do?

I can tell you not to just sit there and wait. Start working on your next manuscript. The more work you have to offer the more chances you have to sell your books.

Back in the days of RWA we were told not to do multiple submissions. Send in one ms and then wait for that publisher to get back to you. I learned personally that could take a year or more. Like a good little writer who followed the rules, I waited and wrote. So by the time I did sell my first book I had two others waiting in the wings.

Then someone asked me if I had a web page. Of course not. I wouldn’t need one until my book came out right? Wrong. I was told I needed to get my name out there. Did I write newsletter articles for my local RWA chapter? Put them on the web page. Today’s technology allows the publisher you submitted to, to google your name to see how visible you are. Having that webpage can be very important.

In the beginning I build my own webpage and loaded it with articles I wrote and other things I thought an author could use. Then I was lucky enough to win a professional web design at a conference, which is what I have now.

Then I heard about author’s Den. Free? Really? And I can build a web page for myself? Cool. Did that, although I’ll admit I haven’t updated it in years. In fact, I latched onto (and still do) anything free that would help promote me. Most of us do.

Then Facebook came along and I was asked if I had a facebook author page. What is that? Well, I did my research and created one of those. I try to keep it to writing, updates on my work, visitors to my blog, when a book is accepted, updates as I go through the editing process. Anything I think people might find interesting.

How about twitter? Did I belong to twitter? Well I created an account and ignored it for a long time, but I’m trying to do better now, even though I’m still a bit clueless when dealing with it.

Then I joined MFRW:

Since then I learned about the amazon author page. Have one and have my blog feed tied into it. I always make sure I go and add my new books as they come out.

Created a blog. This one was one of those kicking and screaming moments. I work, took care of my young son, and now my MIL. I had to fight to find time to write, how the heck was I going to find time to write a blog? And what would I put on it? I started using my writing knowledge. I’m a nurturer by nature so it’s natural for me to give back.

Joined Triberr a couple of years ago and I’m still learning – did you know that if you go to each tribe stream and release your tribemates blogs instead of doing it from your main stream you normally get more people releasing your blog as well? Who would have thunk it...

Not figured out how Goodreads helps...

I’ve now done blog hops, guest blogs, have guests on my blog and joined a small group of authors who are of like mind and writing. We’re working on promoting our group. I pay a little money on advertising when I can – I’m with TRS and RB4U. I’ve gone in on ads in RT mag, and bought ads in BTS mag. What else? Oh yeah, done chats, programs (online as well as in person), book signings.

Writer Tip: And every time I hear of something new I go and check it out...now I have to figure out what @me is all about. I have an account now it’s time to utilize it.

Barb:)

Bio:

Barbara Donlon Bradley wears many hats. She’s a mother, wife, care-giver, author, and editor. She’s a senior editor for Melange Books, and writes for Phaze and Melange books/Satin Romances with over twenty titles under her belt.

Links: 

Website: http://www.barbaradonlonbradley.com/

Publisher: http://www.phaze.com/author.php?author=21

Blog: http://barbaradonlonbradley.blogspot.com/

Facebook: https://www.facebook.com/pages/Barbara-Donlon-Bradley/118673448173249

Twitter: https://twitter.com/barbbradley

Pinterest: http://www.pinterest.com/barbaradbradley/

Goodreads: http://www.goodreads.com/user/show/7773192-barbara-bradley

Amazon: http://www.amazon.com/-/e/B0072OTZJE

B&N: http://www.barnesandnoble.com/s/Barbara-donlon-bradley

ARe:http://www.allromanceebooks.com/storeSearch.html?searchBy=author&qString=Barbara+Donlon+Bradley

Kobo: http://store.kobobooks.com/en-US/Search?Query=Barbara%20Donlon%20Bradley

Shelfari: http://www.shelfari.com/search/books?Keywords=barbara%20donlon%20bradley

Can Novellas Be As Memorable As Full-Length Novels? #MFRWauthor #WriteTip #MFRWorg #Writers #Authors

Novels v Novellas 

This week I had the pleasure of writing “Ends” on a novella I need to send off to my publishers. This is a novella, and while it was a treat to write, it was no less work than a novel. 

I am curious about what others think about the novella. I write short stories, novels, and novellas. 

The difference is the number of scenes and whether there’s space for subplots and extra characters. Novella’s weigh in at around 20-30K, but this in no way allows the author to cut corners on story just because the word count is smaller. After all, a novella is not the poor relation to the novel. It’s a slim-lined cousin with a dynamic edge. 

The honey you grab when you want to be entertained, but you don’t have all day about it. The quick, simple read that gives you the same impact and enjoyment as a longer novel but in a fraction of the time, because really it’s about the story—not the length. And isn’t an excuse to give your readers less.

Word count doesn’t matter if the story still packs a punch. A novella can produce compelling characters. If it’s well-written, a novella will keep your readers glued to its pages. Like a full-length novel, it should make your reader laugh-out-loud, wipe away tears, get angry on your main character’s behalf, and sigh when she gets to your Happy Ever After. 

Regardless of which length fiction we write, one thing remains the same. We have to ensure we hit all of the turning points, give our characters depth, show the reader their wounds, GMC, Wants and Needs, Int and Ext Conflicts, the Black Moment, Climax and Resolution.  The Sexual Tension and the pull push of the plot.

Like a novel, a novella’s plot needs depth and all the same attention to detail. In a novella, there’s no space for a ton of extras with speaking parts. Of course, our characters will come into contact with other people. They'll have friends and family, but this cast will be more off stage than on and will be there to add atmosphere. To let the reader know your H/h lives in a world which is not a total bubble.

As I said before, there are not as many scenes—obviously—and the scenes must move along. No time to wander, or for meandering intros. It’s a matter of get in, do the job, and get out. 

What is your take on novellas? Do you like reading them? Or do you prefer the longer novel? Share your comments below, I'd love to hear from you.


Monique

Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge.  


Monique loves to hear from her readers. You can contact her by visiting her http://moniquedevere.blogspot.co.uk to learn more about her and check out her other books.

#MFRWorg Author-to-Author: Do Books on Writing Help? @ZeeMahal #MFRWauthor

Do Books on Writing Help?
From someone who entered a creative writing course with illusions of muses and inspiration as essential elements to writing, I've become a believer of perseverance and good old hard work instead.

I understand now, the importance of structure and form, and that writing is an art that improves with practice not with longing. The more I read about the craft of writing, the more familiar I become with concepts that seemed mysterious and confusing at first but gradually become less so because I practice them. I appreciate more and more how much self-discipline and self-critique goes into creating a work of passion.

A writer has to work at not just writing, but re-writing. That comes only after we allow the first flush of finishing the first draft to wear off. But then, how to tell what to edit, what not to edit, what to keep and what to throw out of the metaphorical and sometimes literal window? Which darlings to kill? Or which darlings to kill first? It's a bloody business.

Which brings me back to my original question, do books on writing help? More often than not, I'd say they do in a colossal way. Albeit I’ve read several that felt like a total waste of time to me, there were those that will be forever on my nightstand. Like Margaret Atwood’s Negotiating with the Dead; Dorothea Brande's Being a Writer, Henry James's Notebooks. Schopenhauer’s essay, ‘On Style’, and White and Strunk's Elemants of Style are mini-bibles on writing. Edith Wharton, Ursula Le Guinn, and E. M. Forster, David Lodge, all have valuable advice from which I continue to benefit.

The very first change that these books engender in one is of attitude, I think. They teaches you to be less precious about your writing and the process of writing. You realize that the ease with which the words flow on the page of your favourite writer isn’t because she’s a natural genius, but because she worked, re-drafted, edited and crafted her words in a way that made them flow on the page, and that is her genius. There is a definite shift in the POV—one's own—and you learn to balance criticism and your own judgment of your work. This is imperative. This balance must be learnt and maintained at all times.

Though books on writing offer much, half the time there’s contradictory advice, and then what is a cardinal rule for one writer may be considered utter nonsense by another. And so the bigger question of whether 'it' can be taught arises. 'It' being the art of creative writing.

My belief in books on writing has sustained because there are still things like the ‘voice’ that teachers and writers on writing fail to explain and define. The fact that there is something that is elusive and individual, re-establishes for me, the wonders of what CAN actually be taught.

Of course, there are many who are unable to teach, perhaps because they themselves don’t understand the mysteries of the craft, or because they want to keep the ‘ivory tower’ and the I-am-a-writer-bow-down-to-me concept alive. Taking the analogy from Dorothea Brande, if music and painting can be taught, and we can have Picasso and Matisse, Monet and Van Gogh, perhaps writers too should stop feeling threatened by each other, and freely accept that some parts of their craft is teachable and somewhat transferable to at least some.

There are so many different kinds of genres. It isn't a verbal universe any more, but a verbal multi-verse. It is a multi-cultural, multi-lingual, pluralistic world out there.

Embrace it. Celebrate it. 

CONTRIBUTED by Zeenat Mahal 
Zeenat has published two ebooks with Indireads in 2013 and She Loves Me, He Loves Me Not is her third novel. The Contract was an Indireads bestseller.

Her book Haveli was up to number 17 on amazon kindle and The Contract went up to number 9 on amazonIn.

Zeenat loves reading and writing romance and her favourite writers in the genre are Susan Elizabeth Phillips, Julia Quinn, Nora Roberts and Judith McNaught.

How NOT to Promote #MFRWAuthor

I remember, from back when I watched television, a cable show named "What Not To Wear." The British version featured two snarkily delightful women. The American version gave us Clinton and Stacy, who had their own version of snarky, with a softer tone. The idea was the hosts would completely revamp the victim's  guest's wardrobe, to give said guest a more fashionably correct look. I sometimes felt they were attempting to reduce individuality in their guests but that's a matter for another time. Like watching a train wreck I found myself clicking on that show no matter when it aired.
Along the same lines I've observed author self promotions for several years and more than once I've wanted to force encourage those authors to take a clear look at how they were presenting themselves

BUY  MY BOOK

LOOK WHAT I DID

Over and over and over. If they belonged to multiple Facebook groups I saw their not so clever promotional announcement numerous times in the same day. And after a while I ceased actually seeing it, I simply deleted as soon as it showed up.
Slightly more subtle authors would insert links to their own books in replies to another writer's blog,whether relevant or not.
All of this adds up to the same feeling I got from the kid who sat behind me in the school auditorium and insisted on kicking the back of my chair. Distracting me from his actual message, which was probably somewhere along the lines of "Hi, I'd like to get to know you better." Another potential romance lost in the dust of miscommunication.

To avoid this, what do we NOT want to do?
Don't shove your book into every conversation.
Don't put your notices on automatic share across the virtual universe.
Don't self promote where it's not allowed.
Don't put your links into someone else's blogs or discussions unless asked.

What SHOULD we do?
Funny you should ask.
If you're not already an MFRW member, join and take advantage of the many offers to help you promote your book.
Become a part of Triberr so you can help promote others while they help promote you.
Invite other authors onto your blog (you do have an active blog, right?) so you can promote their books.
Have an active blog. Write from your heart and your convictions, whatever those might be.
Respond to other blogs that interest you with comments relevant to that blog. If it's a blog hop, all the better then you can get name recognition multiple times.
Join blog hops, write clever blogs relevant to the hop theme. Here you can mention your book, without  making it the entire blog.
Write a good book. Then write another good book. Keep that promise to your readers that they will find happiness in your words. 

Notice, none of these suggestions have you pushing your book? Instead you are gaining name recognition for yourself. You are NOT one book, you are an author of many wonderful books.

Seek, Teach, Share, Learn, SUCCEED

thoughts shared from  Mona Karel

Blog Hop Coordinator

In addition to occasional curmudgeonly outbursts, Mona writes Romance both normal and paranormal as a way to share her daydreams with the rest of the world. When not writing she wraps her world around her Salukis, her home in the New Mexico high desert, and photographing the quirky, the unusual, and the just plain gorgeous. 

#MFRWorg Author-to-Author: Writing Tips @RobinGlasser1 #MFRWauthor

MFRW Author Robin Glasser shares some advice to improve your writing.

Besides being an author, I’m also an editor, which makes writing difficult because I’m constantly editing my work—one of the main reasons it takes me so long to write a book. A good exercise I learned from one of many writing groups is to keep paper and pen by your bed. As soon as you wake up, start scribbling. I've covered oodles of pages this way, some of which were real gems!

Read a lot.

Try to write something everyday. If you find yourself staring at a blank page and nothing's happening, promote your book on Twitter, Goodreads, LinkedIn, for examples.

Join a writing group for feedback and sympathy. If one’s not available, start your own in the library. I did and it was great fun plus I learned a lot too! Oh, and read what you've written aloud or have someone read your pages back to you. You’ll be amazed by what your ears pick up that your eyes might have missed!

I try extremely hard to avoid clichés and write lines that will stand out. Michael Chabon, another author I admire, always has some memorable phrases sprinkled throughout his books. One description that comes to mind (paraphrasing): “his face was like a sagging front porch…” I mean, how visual is that!

ABOUT Robin
Recovering copywriter, Robin Glasser has written for a variety of magazines ranging from Readers' Digest to Penthouse Letters, where she wrote a column called "The Red Hot Woman." Her poetry has been published in Upstairs at Duroc and The Riverside Poetry Review. Ms. Glasser's novel, MY LIFE AS A CONCUBINE, is based on her experiences in Paris or as she likes to call it, The City of Merde, and has been re-released from Smashwords and is available in paperback and as an ebook. Robin guarantees MEN AT WORK, her fully-illustrated book of poetry, will put twinkles in your eyes and sparkles in your pants. Don't forget to watch her fast-paced peepshows based on these tongue & cheeky poems at http://www.youtube.com/msrobinglasser. You can get a copy from robinglasser@yahoo.com. Her latest novel, THE BRAIN EXCHANGE, is available at Smashwords, Amazon, and virtual bookstores near you. She now reads at various venues in New York. 

The Brain Exchange

Erotic SciFi Suspense

BUY LINK

Abandon your beliefs and let your reality run wild. Imagine being fully aware inside a body of the opposite gender. Now imagine the best sex you ever had. Would this just be different? Or better? Or the best ever?

CONNECT with Robin
http://www.myspace.com/robinglasser https://www.twitter.com/RobinGlasser1
http://www.authorsden.com/robinglasser http://www.youtube.com/msrobinglasser

MFRW Should Stand for Marketing for Rockin' Writers #MFRWorg #MFRWauthor

MFRW 

What does MFRW mean? The letters stand for Marketing for Romance Writers, but so many of us are now writers of every type, perhaps we should remarket ourselves as Marketing for Rockin' Writers. We are a peer-oriented mentoring group open to the entire literary community. Ask your marketing-related questions, or request help, advice, or opinions. You can learn how to create a professional image and use it effectively, as well as ask for opportunities to join other authors in promotional efforts. You can learn the business aspects of writing on our site. The best part? Hearing from people who've been helped by what we do.

Here's an email I received today. (One of our rules is to use the Yahoo group for business oriented questions, and never to self promote.) The letter is from Kath Boyd Marsh, a new writer of children's books (MG = Middle Grades).

I don't want to violate the self promo rules, so I'm writing this off the list serve. But I really need to thank MFRW. Almost three years ago I was ready to quit. Then my critique partner, Ally Shields, told me about you, and I took a weekend workshop. I didn't give up. The next thing I knew I found the courage to submit to a publishing house's contest. And that December I found out I had made the semi finals in two categories in CBAY's writing contest. While I did not win, the publisher continued to work with me on the MG ms. How great was that?

December of 2013 I got the nerve to send her an additional ms. And she liked it! She worked with me on revisions all last year, and then last month offered me a contract to publish my very first book!!! My MG fantasy is scheduled to release in April of 2016!! I'm an author!!! (says so on the contract!)

And I know it goes back to finding this group of sharing and wise authors!! Even if I don't write in your genre, there is no better place to feel the hope.

Of course now I'm going to pay even closer attention to Marketing! Get my own website, newsletter, tweet, … Isn't that great?

Tarthian Empire
Companion

Sincerely,

Kath Boyd Marsh

http://kath-lettersfromearth.blogspot.com/

---

And that, folks, is why Marketing for Romance Writers is here. Join us!

About the Author

Kayelle Allen is the founder of MFRW. She is also a best-selling, multi-published, award-winning author. Her unstoppable heroes and heroines include contemporary every day folk, role-playing immortal gamers, futuristic covert agents, and warriors who purr. Her upcoming book, due out March 16th is Tarthian Empire Companion, an illustrated World-Building Bible and Guide to Writing a Science Fiction Series. http://kayelleallen.mobi/companion/

#MFRWorg BLOGSforWRITERS @Write_Practice

Authors don't have endless hours to read every blog out there on the world wide web. Still, there are some blogs out there that are not to be missed. In our BLOGSforWRITERS feature, MFRWorg highlights blogs definitely worth your time.

The Write Practice is a blog that promotes the daily practice of writing. Their posts are always helpful and sometimes quirky. With so many other writers commenting, there's a community feel as writers learn from one another. CLICK HERE to visit the blog.

The Business of Writing: That Stupid Cover Letter

First I want to apologize for not posting last month. Something came up that got in the way of my post but I’m back and ready to talk about that cover letter.

* This image is from my pinterest account

To me the cover letter is harder to do than the synopsis. How do you sell yourself on one sheet of paper? Even if you are cold submitting via an e-mail you still need to keep it short and sweet. Your letter should be an intro paragraph, your book blurb, your accolades and a closing paragraph/sentence telling them you can’t wait to hear from them.

I was also told if I met an editor at a conference and we hit on something personal like she/he likes cats, or she/he grew up where I did, that I should put that in the intro paragraph so the editor would remember me. The biggest thing that was drilled into my head was to send that submission as quickly as possible after the editor requests it.

All the advice was great but it didn’t help me when it came time to write one. I didn’t even know how to start one.

Dear editor – if you have their name use it

Intro paragraph – I would mention that I am multi-published and who I’m published with. I would also mention that I write lighthearted erotic romances and my writing style resembles authors like Johanna Lindsey.

The second paragraph – I’d then add my blurb

The third paragraph – I’d mention the contests my books have finaled in, I’d also mention any special review I might have had – something that was a little more than a five star review although if you have 5 star reviews you can mention those as well. I would also mention I was a member of RWA and the positions I held I would also mention MFRW and any volunteer position I have. In my case I would also mention I work with a publisher.

Last paragraph would be the thank you for your time...

This is very basic and if anyone has something they do that works for them please post it. The more we know the better those letters are.

Barb:)

Barbara Donlon Bradley wears many hats. She’s a mother, wife, care-giver, author, and editor. She’s a senior editor for Melange Books, and writes for Phaze and Melange books/Satin Romances with over twenty titles under her belt.

Website: http://www.barbaradonlonbradley.com/

Publisher: http://www.phaze.com/author.php?author=21

Blog: http://barbaradonlonbradley.blogspot.com/

Facebook: https://www.facebook.com/pages/Barbara-Donlon-Bradley/118673448173249

Twitter: https://twitter.com/barbbradley

Pinterest: http://www.pinterest.com/barbaradbradley/

On The Nose Dialogue & How Fiction Writers Can Avoid It #MFRWauthor #WriteTip #MFRWorg #Writers #Authors

Today I’m looking at On-The-Nose dialogue (OTN). 

This isn't a problem for Scriptwriters alone. Fiction writers need to avoid this trap as well. 

On-the-nose dialogue will ensure readers drop your book faster than a red-hot ember. 

You and I both know that nobody wants to read dialogue that isn’t close to the way people really talk. Otherwise it’s boring, tedious and not worth reading. 

Yet, writers are still falling into the trap, not realising that the ability to avoid writing on-the-nose-dialogue sets great writers apart from so-so writers. It shows editors, agents, readers, reviewers and the like that you have the skill, understand and know-how to implement the numerous other fine distinctions of the craft of writing and storytelling.

So what is on-the-nose dialogue, and how can we avoid this hazard?

What is On The Nose Dialogue?

OTN dialogue is obvious dialogue. It’s bland, boring to read, and tells the reader exactly what the author needs the reader to know, or requires the scene to convey. Plus it’s nothing beyond filler. 

An example of on-the-nose dialogue would be...

“Hi, Jim, it’s really hot today.” Pete tugged at his tie. 

“Yes, Pete, but they say it’s going to rain later.”

Pete glanced out the window they were passing. “I can see some rain clouds coming in overhead.” His tie was still choking him and his loosened it. “So I saw you with Carol, your wife. Are you two getting back together?”

“Maybe... I think so... We’re working on it. Why do you ask?”   

“I was wondering because she cheated on you with your brother and all.”

“I really shouldn’t take her back, but I still love her.”

Okay enough! I can’t take anymore, and I’m sure you’re ready to stop reading by now. 

Do you see how utterly uninspiring and dead boring OTN dialogue is? Did you notice anything else? Not only did I show you OTN dialogue, I also threw in some OTN action as well—just as a treat :). 

Pete tugged at his tie. Why is Pete tugging his tie? Not because he’s nervous, but because it’s a hot day. 

Pete glanced out the window they were passing. Why? Just so he can see the rain clouds closing in.

This is all obvious action to go along with his obvious dialogue, and that’s what makes it OTN action. 

Another obvious statement coming from old Pete is: “So I saw you with Carol, your wife." 

I'm pretty sure Jim already knows who his wife is! And that she cheated with his brother.

Rule of Thumb: anything that is obvious is On-The-Nose, whether it’s dialogue or action. Think subtle. Think show don’t tell. Think mystery (not of the whodunit, but of the I-wonder-what’s-really-being-said-here variety). 

The next part of the above scene, which leaves the reader cold, is the lack of any real point of view character. Through whose eyes are we viewing the story? These are all hazards of the OTN dialogue. 

How Do We Avoid This Hazard?

The trick, my friends, is to use subtext and deep POV. We say things all the time that we don’t know we’re saying. As authors, we can use this to great advantage. I spoke about subtext in my Pull Up a Chair With Mon series over on my blog a while ago, so I won’t delve into it again too deeply here. 

What I’d like to do is try and see if we can make the above scene any better. Let’s hang out in Pete’s head to see what's going on...

“Hey, Jim, wait up.” Pete jogged the few paces to catch up with his buddy. Even at this early hour in the day, sweat trickled down his back. Snagged his dress shirt and plastered it to his back.

“Just leave it, Pete, I’m warning you.” Jim’s dark, narrowed gaze sliced into him. But what sort of buddy would Pete be if he didn’t make his friend realise he was heading down the same road to destruction as before?

“You know I can’t do that, bud. Just hear me out, and if you still want to take Carol back, I'd be first to raise a toast to your happy future.”

Jim skidded to a halt. Spun on Pete like he had murder on his mind. “What is your problem with my wife?” 

The clenched fists and steam shooting from Jim’s nostrils let Pete know his friend of ten years was close to outing his lights. Pete loosened his tie. Maybe the god-awful heat had gone to his head, but Pete was ready to duke it out with Jim right here is the hallway of TTNT—in front of all their work colleagues—if it meant Jim would finally listen to what he had to say.

“The only problem I have is that she’s a liar and a cheat, and she doesn’t deserve all the chances you keep giving her. What second chance are you on now? Fifth?”

Fist balled tight, Jim drew his arm back. 

Pete knew what was coming and he welcomed it. What he didn’t expect was the force of the punch that connected with his jaw, and knocked half a day’s memory out of his brain.

This is a rough example. It needs more subtleties added. The senses, for starters, and a deeper understanding of who Pete and Jim really are, but I’m not writing a story here, just giving you a quick example. 

With any luck, you see the difference between the two scenes. The first is out and out OTN. The second is a little more subtle. Giving the reader info while keeping her/him wanting to know what’s going on by dripping in the relevant facts. I achieved this by letting the reader see what’s happening inside my POV character through action, internal narrative and emotion. 

Have you ever been snared by the dreaded on-the-nose dialogue trap? Do you have any neat tricks or ways to avoid it? I'd love to hear what you think. 

Until next time... let's avoid the nose.


Monique

Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge.  

Monique loves to hear from her readers. You can contact her by visiting her http://moniquedevere.blogspot.co.uk to learn more about her and check out her other books.

Author-to-Author: On Writing Erotica @SuzDeMello #MFRWauthor

Scenes are the building blocks of your story, for acts are comprised of scenes. They're nothing
more than events, most often interactions between your characters. Scenes should fulfill at least one or two of the below purposes—best if you can include all four.

•Advance plot
•Reveal or develop character
•Complicate or resolve conflict
•Express setting, mood, theme

Everything in your manuscript should have a function, even every comma or em-dash.

How does this apply to the writing of erotica?
Too often, sex scenes are shoehorned into a story to increase the word count or the heat level, while those scenes don't fulfill any other function. To quote from Plotting and Planning again, Everything in a story should contribute to it, from the biggest monster to the tiniest comma.

If a scene doesn't contribute to the story, it doesn't belong there. It doesn't matter how well-written it is. It doesn't matter how hot it is. It doesn't matter how much you, the author, may love the beautiful prose or the scorching hot, kinky sex.

There's a piece of writerly advice out there: Kill your darlings.

No one's quite sure where this phrase originated, but it's been repeated often, by such notable authors as William Faulkner and Stephen King. (SOURCE)

But it doesn't matter who originated the phrase--it's great advice. We often fall in love with our prose and are loath to cut it, especially when we may have slaved over a particularly well-turned clause or exhaustively researched, say, the eating habits of the lesser lemur of Madagascar.

Fiction is no place to be a smarty-pants. Leave that for term papers, book reports and theses.

In terms of writing sex scenes, what do we leave in and what to we cut?
We leave in those scenes that fulfill at least one of the above purposes. Ideally, a well-written, thoughtfully planned encounter will fulfill more than one purpose.

Here's a brief example, from a story I wrote called Gypsy Witch. The backstory is that the heroine is dating a cop.

Ben propped himself up on his elbows to better see the naked woman beneath him. Sheened with sweat, Elena’s lush curves glowed in the reddish half-light of her bedroom, curtained in exotically patterned swaths of gauze and silk. A curl of smoke from a lit incense stick scented the air with sandalwood. Otherworldly New Age music flowed out of a boombox in the corner, irritating the hell out of him. 

Though the paragraph is very sensual, there’s quite a bit of characterization and even a little conflict—and this is only the first paragraph of the story. We see that Ben is very “feet-on-the-ground” while Elena, his lover, is exotic and New-Agey. So character is described, setting is related and the romantic conflict is shown.

If you like what you read, find the story here: http://www.ellorascave.com/gypsy-witch.html.

As a romance novelist, I believe firmly that erotic scenes should never be gratuitous. If a writer keeps the purposes a scene must fulfill in mind while writing, the sex is never out of place but is a seamless part of a well-written story.

From my writing treatise, Plotting and Planning, available at http://tinyurl.com/deMelloPlotting.

ABOUT Suz deMello
Best-selling, award-winning author Suz deMello, a.k.a Sue Swift, has written seventeen romance novels in several subgenres, including erotica, comedy, historical, paranormal, mystery and suspense, plus a number of short stories and non-fiction articles on writing. A freelance editor, she’s held the positions of managing editor and senior editor, working for such firms as Totally Bound and Ai Press. She also takes private clients.

Her books have been favorably reviewed in Publishers Weekly, Kirkus and Booklist, won a contest or two, attained the finals of the RITA and hit several bestseller lists.

A former trial attorney, her passion is world travel. She’s left the US over a dozen times, including lengthy stints working overseas. She’s now writing a vampire tale and planning her next trip.

--Find her books at http://www.suzdemello.com
--For editing services, email her at suzdemello@gmail.com
--Befriend her on Facebook: http://www.facebook.com/suzdemello
--She tweets @Suzdemello; https://twitter.com/SuzdeMello
--Pinterest: http://www.pinterest.com/suzdemello/
--Goodreads: http://bit.ly/SuzATGoodreads
--Her current blog is http://www.TheVelvetLair.com

The Importance of a Target Audience for Authors #MFRWauthor #mfrwblog

By now, we’ve all heard of the “long tail” in sales, from music to television shows to books. With the advent of the digital age, no longer are we all resigned to watching “Leave it to Beaver” together. Instead, we can download a mermaid ménage story or a YA fantasy romance, as we choose.

But what that means is that our marketing efforts are also more spread out. From genre-specific blogs to niche groups on Goodreads, from Pinterest boards to Youtube channels, there is a marketing avenue for all of us.  The problem, though, is that we all have limited time and resources. So we have to determine where our specific audience hangs out the most.

Where is my target audience?

Broad audience better?

Many of us write our books and hope that they appeal to a broad audience. But in all likelihood, we do have a targeted audience in mind already. For instance, if we write slightly steamier or erotic romance, we are probably not expecting the inspirational crowd to pick up our book, or vice versa.  And, we all know the feeling of having picked up a book that we thought was something else, only to be disappointed by its contents. (Will we ever go read that author again?)

However, if we have defined our audience, then everything from our cover to our taglines will reflect what the reader wants, and our readers will be happy to have their expectations met!  

So here are some ideas for determining our target audience:

Do a survey, either on Facebook, or better yet, through your newsletter subscriptions. Keep it simple – no more than ten questions – and, along with demographics like age and nationality, ask deeper questions about preferences and themes.  Ask what their favorite social media is, too.  

Your ideal readers:

Think hard about the type of person that you would want to read your books.  If you could dream up a reader, what would he or she look like? Define these:

• Personality
• Attitudes
• Values
• Interests/hobbies
• Lifestyles
• Behavior

Once you have those people in mind, it is easier to determine where they hang out, and then, market accordingly.

Ways to Market:

 Search blogs on your topic of interest (even if they are not romance-related), and ask to guest blog. For instance, my latest novels are set in the Paelolithic. I will be heavily targeting all of the Paleo lifestyle sites, too. (And loving that Paleo hashtag!)

Most people would normally recommend, too, that we buy more targeted ads on Goodreads or Facebook, however I still cannot find convincing data that says that these ads generate great sales. As many have said before me, the most important thing an author can do is 1. Write a great book and 2. Engage with readers on a personal level.

So finding your target audience will allow you to find those readers, and then engage with them where they are.  (Of course, like most things, this is easier said than done…)

What about you? What sort of target audience have you defined – or not – for yourself, and how has that helped your sales? Love to hear any and all comments!

About the Author:

Erin writes sensuous paranormal romances set in exotic locales. Her latest book is a sexy minotaur shifter story set in Crete.  A regular blogger for Marketing for Romance Writers as well as Heroes and Heartbreakers, Erin lives in Atlanta with her two little paranormal beings and one unruly husband.

Erin also now offers editing services, including help with bios and queries, on her website.  She's giving away a critique of a first chapter with a subscription to her newsletter! 

Make It Easy...For Everyone #MFRWOrg

MFRW
Marketing For Romance Writers.
Created to help educate and elevate writers of all genres, though often thought of as Marketing for ROMANCE Writers.
In full truth, MFRW is also about helping each other. Reaching a hand out to boost fellow writers up, knowing they'll do the same for us.  We all see the requests. ReTweet, click here, support there. And we're happy to take a few seconds from our busy day to do just that.
Except...the petitioner has forgotten to let us know where...when...how. And after far too long spent floundering, looking for answers, we sign off, disgruntled.
Has this happened to you? I know it's happened to me. And all too often if I ask for more information the questions echoes in an empty room. Crickets chirp in the vast nothingness. Being of scattered mind and not near enough time I soon lose the ambition to help out, and turn to my next project.
Make it EASY for us to help you.
If you want someone to read your blog, give a link to the blog, NOT just to the first page of your website.
If you want an opinion on your cover art, link to the art itself.
You want participation in a group event don't just give the link to that event. Explain about the participation, what it means, how to join in. Is it enough to just sign up or will we need to do something else when the magic day arrives? Not everyone is up to date on every promotional opportunity and often we (okay I) get confused with all that can be done.
Even when I sort of know which button to push when, I don't always know why and sometimes not even where. If you set up a reTweet day, take a minute to explain what we're going to be doing once we're on Twitter, finger poised to punch something somewhere. Because we do want to help but we also really do need to know how and what we need to do. Make it easy and it will be fun for everyone, and we can help fulfill the MFRW goals:

Seek, Teach, Share, Learn, SUCCEED

thoughts shared from  Mona Karel

Blog Hop Coordinator

In addition to occasional curmudgeonly outbursts, Mona writes Romance both normal and paranormal as a way to share her daydreams with the rest of the world. When not writing she wraps her world around her Salukis, her home in the New Mexico high desert, and photographing the quirky, the unusual, and the just plain gorgeous.