MFRW: writer tips

Tuesday, July 28, 2015

The Editing Process - Track Changes

I know, I know, I should have loaded this earlier, but it’s still the 28^th right? I was having a hard time on how to conclude this…

Okay so you’ve just got your book back from the editor. Your heart beats hard in your chest as you download it into your computer and hope they like it. You open it up and start to look through it.

I have a couple of tips to make your life easier as you work your way through the edits.

Do you have the same program as your publisher? Can you see the track changes? Can you see the comments the editor made? Questions they might have asked? I bring this up because most publishers use MS Word and if you don’t have that program you might not be able to see the comments they could make.

Do you know how to use track changes? In MS Word if you look up at the top of the screen you’ll see a line of words – file, home, insert, page layout, reference, mailings, review, and view. If you click on the word review you’ll see the bar below it change. About half way across in that lower bar is track changes. If it is on the background it sits on turns yellow. When it’s off it is white. I found out when I get my ms’s back from my editor and I turn it off I can still accept and reject their changes. The great thing is that if I find something I need to fix that the editor didn’t mark I can make my changes without having to approve everything I alter.

I also like the using the accept and reject section in the toolbar when I have a few of those pesky track changes I can’t seem to find. That shows it to me every time. Normally, I just right click on the underlined section and a box will appear that allows me to do the same thing the tool bar does.

Really early versions of Word put the comments in the body of the documents but as they kept upgrading the program it moved to the side of the document – the one nice thing is they are easy to delete when you have completed the comment or to add to it if you need to. Just right click to delete if you don’t want to use the tool bar up top.

I still haven’t figured out how to end this particular blog. I hope this info helps you and I’ll be continuing with the editing process next month.

Barb:)

Bio:
Barbara Donlon Bradley wears many hats. She’s a mother, wife, care-giver, author, and editor. She’s a senior editor for Melange Books, and writes for Phaze and Melange books/Satin Romances with over twenty titles under her belt.

Author Sites:

Publisher: http://www.phaze.com/author.php?author=21

Facebook: https://www.facebook.com/pages/Barbara-Donlon-Bradley/118673448173249

Pinterest: http://www.pinterest.com/barbaradbradley/

Goodreads: http://www.goodreads.com/user/show/7773192-barbara-bradley

ARe:http://www.allromanceebooks.com/storeSearch.html?searchBy=author&qString=Barbara+Donlon+Bradley

B&N: http://www.barnesandnoble.com/s/Barbara-donlon-bradley

Kobo: http://store.kobobooks.com/en-US/Search?Query=Barbara%20Donlon%20Bradley

Shelfari: http://www.shelfari.com/search/books?Keywords=barbara%20donlon%20bradley

the image I used came from my pinterest account - and from writer-write-creative-blog.posthaven.com

Sunday, June 28, 2015

The Writing Process: Self Publishing #mfrworg

So this month we’ll talk about self publishing...something I haven’t done so don’t know much about, but I’ll do my best.

There are a lot of places where you can publish your own work. I googled it and found a slew of places. A few I recognized were Lulu, Createspace, IUniverse, Xlibris and of course Amazon, but there are a ton more out there. I found out there is even a Readers Digest book on self publishing companies. Each has their good and bad points and you need to find the one that works best for you.

After you’ve done your research you should reach out to other authors who have self published. Find out why they went that route and what worked and didn’t work for them. Which publishers they have tried and which ones they ended up using.

You’ll also need to find a cover artist and editor. Most of these publishers will offer a package deal that cover most, if not all, of what you want. Others seem to do things ala cart. You can also find companies that make covers, have editors – they do everything but publish your book. I did search but couldn’t6 find what I was looking for so those of you who know companies like this please chime in...

I asked some of my self published friends out there what an author should do and Kayelle Allen gave me these five suggestions:

1. Create a company name for your publishing endeavor (she uses Romance Lives Forever Books).

2. Set up accounts well ahead of your first book. You'll want to be on Amazon KDP, Barnes and Noble, Smashwords, etc.

3. Create a PayPal account you can use for your books, especially if you want to sell them yourself from your site or at conventions.

4. Find a good cover artist and a good editor. Don't skimp on either one.

5. Make a marketing plan for your books that goes from pre-release through to the next book.

Next month – more on editing...

Barb:)

Author Sites:

Publisher: http://www.phaze.com/author.php?author=21

Facebook: https://www.facebook.com/pages/Barbara-Donlon-Bradley/118673448173249

Pinterest: http://www.pinterest.com/barbaradbradley/

Goodreads: http://www.goodreads.com/user/show/7773192-barbara-bradley

ARe:http://www.allromanceebooks.com/storeSearch.html?searchBy=author&qString=Barbara+Donlon+Bradley

B&N: http://www.barnesandnoble.com/s/Barbara-donlon-bradley

Kobo: http://store.kobobooks.com/en-US/Search?Query=Barbara%20Donlon%20Bradley

Shelfari: http://www.shelfari.com/search/books?Keywords=barbara%20donlon%20bradley

Wednesday, June 3, 2015

How Indie Authors Pick Keywords @kayelleallen #MFRWauthor #authortips

A Romance for Christmas

Today's post on Marketing for Romance Writers Marketing blog is by the founder, Kayelle Allen.

If you are an independently published author (also called self published, self pubbed, indie, hybrid author, and entrepreneurial author), you know the necessity of picking the right keywords for your books. If you are just getting started on this journey, here are a few tips to help you choose the right keywords.

What's Your Story?

You must start by knowing what your book is about. That sounds silly but not all authors know. You should be able to relate the topic of your book in one or two sentences. I'll use my best selling holiday romance, A Romance for Christmas, as an example. It's about two people who have lost their spouses and are alone at Christmas. They meet, are attracted to one another, and must decide if they're ready to risk falling in love again.

Have the blurb and tagline for your book on hand and consider the words you used in that. Your keywords should be used within the blurb if possible. If not, you might need to consider a rewrite or tweak.

Is Anyone Searching for Your Genre

I decided what keywords to use by researching them on Amazon. I went to the site's homepage, put my cursor in the search box, and began typing in keywords that I thought were relevant. I would see what suggested things showed up in the drop down search listing and jot them down in a brainstorm-type list.

I didn't have to type the whole word. Just part of it. When I typed in "Christmas roma" (without the quotes) I got "christmas romance" "christmas romance ebooks" "christmas romance movies" and more.

"Christmas roma" search

Then, type those keywords fully and see how many come up. Before you decide on a keyword, you want to be sure people are searching for it. "Christmas romance" for Kindle on Amazon brings up about 8000 books. That's a huge category but it's also the main genre for the book, so it was necessary. I used other keywords to narrow it. If it was less than 200 I didn't use it. If it was over 3000 I didn't use it. I used phrases that stayed in the midrange between those two.

You can have up to 7 keywords on Amazon. Keywords can be phrases, and aren't limited to single words. For example: urban fantasy, science fiction fantasy, new adult romance, young adult historical romance, and so on.

Doing the research to see what others are searching for will narrow the keywords that help readers find your book.

What Not to Use

Don't use your name, because that's automatically searchable on any of the book selling site, since you are the author. Don't waste your keyword resources with words that don't fit your genre, thinking that will draw new readers to your book. It won't work -- if you mislead readers, they will not be pleased. Be as specific as possible while still using words that are being used on the book's site (Amazon, Barnes and Noble, etc.).

Once you have your keywords, record them with your blurb, buy links, and other info for you book, and use them on your website, guest blog spots, and elsewhere.

What I Used

For A Romance for Christmas, here's the tagline and blurb used on Amazon:

A cop at the door on Christmas Eve brings an unexpected gift. A sweet holiday romance showcasing love, loss, and the spirit of giving. It's Christmas Eve, and the end of a year in which everything Dara loves has been lost. Everything but her little girl and a fierce determination to survive. When a cop brings Christmas to her door, he brings another gift she never expected to get.

My keywords are:

Christmas romance
holiday romance
sweet christmas romance
sweet holiday romance
sweet contemporary christmas
alone at christmas

Did It Work?

Yes, it did. A Romance for Christmas was in the top 100 on Amazon for 3 months. I'm convinced most of that was due to A) a good story, B) a good cover, and C) good keywords. It jumped to #18 within a day of release. I promoted it heavily on Twitter and by guest blogging. I shared it only 2-3 times on Facebook. It's now June, and the book is still selling 1-3 copies a day.

In summary, to pick good keywords, see if others are searching for your genre, how many are searching for it, and decide which best fits your book. Try to include the keywords in your blurb for the book. Research each before you decide.

I adapted this tip from author Travis Luedke, who's a member of ASMSG (Author Social Media Support Group). He's a NY Times and USA Today best selling author.

Feel free to share your experience on how you choose keywords. Did you use another method? Please let me know what you think in the comments.

---

Kayelle Allen, author of A Romance for Christmas
A cop at the door on Christmas Eve brings an unexpected gift.
Amazon http://amzn.to/1wpW8qE ~ Barnes and Noble http://bit.ly/1wpYfL2

Thursday, May 28, 2015

The Writing Process: Meeting Your Editor - Part 2

The editing process is a very in depth topic and not one I feel should be crammed into one blog so I'm going to spread this out a little. :D

Here we go with the next installment:

Some publishers will introduce you to your editor by sending you both an e-mail. That way you and the editor will have each other’s e-mail address. This doesn’t mean you’re supposed to e-mail her/him all the time, asking where they are in your work. Other publishers will leave it up to the editor to contact the author.

Full time editors work on more than one manuscript at a time. Depending on how fast they can edit they could be working on five or more when they are working on yours. If they are part-time they might only work on one at a time, but most of us will edit one, send it to the author and pick up another one. As an avid reader I always want a book to read.

Your editor also has a life. They have family, some have children, some have elderly parents they take care of. They get sick, have a bad day, work a day job, have bills to pay. Understand we’re not perfect. I’ve had have times were it has taken me a long time (almost a month) to edit a book because of things going on in my life. Please know your editor is working as hard and as fast as they can to get your book back to you.

They want to make your book the best it can be and to rush would defeat that purpose. I know you have a deadline and it’s approaching fast but which would you rather have? A decent book put out on time or a great book that is a little late? Something to think about.

Next month I’ll be talking about what little I know about self publishing...Then we’ll get into the actual editing process.

Barb:)

Author Sites:

Publisher: http://www.phaze.com/author.php?author=21

Facebook: https://www.facebook.com/pages/Barbara-Donlon-Bradley/118673448173249

Pinterest: http://www.pinterest.com/barbaradbradley/

Goodreads: http://www.goodreads.com/user/show/7773192-barbara-bradley

B&N: http://www.barnesandnoble.com/s/Barbara-donlon-bradley

ARe:http://www.allromanceebooks.com/storeSearch.html?searchBy=author&qString=Barbara+Donlon+Bradley

Kobo: http://store.kobobooks.com/en-US/Search?Query=Barbara%20Donlon%20Bradley

Shelfari: http://www.shelfari.com/search/books?Keywords=barbara%20donlon%20bradley

Wednesday, May 6, 2015

Author-To-Author: First Page Check List #MFRWauthor @RuthACasie #amwriting

A First Page Check List
I've been catching up with my inbox. It was getting out of hand. Between being in my cave writing, Thanksgiving and the holidays well, lets just say I needed an intervention.

One of the gems I unearthed was a post by Ray Rhamey of the Flogged Quill. (follow the link to see original article)

The Challenge: Does This Narrative Compel You To Turn the Page?
It's the first page that grabs the reader. Many times its the first sentence.

Here is Ray's first-page checklist:

• It begins connecting the reader with the protagonist.
• Something is happening. On a first page, this does NOT include a character musing about whatever.
• What happens is dramatized in an immediate scene with action and description plus, if it works, dialogue.
• What happens moves the story forward.
• What happens has consequences for the protagonist.
• The protagonist desires something.
• The protagonist does something.
• There's enough of a setting to orient the reader as to where things are happening.
• It happens in the NOW of the story.
• Backstory? What backstory? We're in the NOW of the story.
• Set-up? What set-up? We're in the NOW of the story.
• What happens raises a story question-what happens next? or why did that happen?

I remember the first draft of my first story. I eagerly read it at literary group meeting to three well published authors. I had worked hard on the story especially the opening. I saw it as a movie. The first thing I see in a movie is the setting. So, I diligently, and meticulously, described the scene.

Are you laughing? They loved the description. They told me to save it for someplace else but to come up with something more compelling. It was replaced with a fight scene.

Let's Talk About It.
Think about some of the books you've read or written. How did they begin? What did you like, or not like about it?

Post contributed by Ruth A. Casie
Ruth writes contemporary and historical fantasy romance for Carina Press, Harlequin and Timeless Scribes Publishing. Formerly from Brooklyn, New York, she lives in New Jersey with her very supportive husband Paul.

Her latest book is Knight of Rapture, a Historical PNR Fantasy, with Timeless Scribes Publishing.

For months Lord Arik has been trying to find the precise spell to rescue his wife, Rebeka, but the druid knight will soon discover that reaching her four hundred years in the future is the easiest part of his quest.

Bran, the dark druid, follows Arik across the centuries, tireless in his quest for revenge. He’ll force Arik to make a choice, return to save his beloved family and home or stay in the 21st century and save Rebeka. He can’t save them both.

Rebeka Tyler has no recollection of where she’s been the past five months. On top of that, ownership of her home, Fayne Manor, is called into question. When accidents begin to happen it looks more and more like she is the target. Further complicating things is the strange man who conveniently appears wherever trouble brews—watching her, perhaps even….protecting her? Or is he a deliberate attempt to distract her? Rebeka can only be sure of one thing—her family name and manor have survived for over eleven centuries. She won’t let them fall… in any century.

website | blog | twitter

Tuesday, April 28, 2015

The Writing Process: Meeting your Editor #mfrwauthor #mfrworg

Okay so we’re going to speed up the time clock. You’ve done your homework and you have all your media sites set up. You’re ready for that first sale. For this month’s blog we’re going to deal with a publisher, small or large there are some basic things that every author should know.

The craziest things can affect the purchase of your book. It’s a very subjective world. If the acquiring editor read a book just like yours in a previous manuscript and they didn’t like it they could read yours with that book in mind. They could have a significant other who is a lot like your hero or heroine. If they had a fight recently that could affect the purchase of your book. The last book this editor bought was a lot like yours and it didn’t do well...you get the drift.

But today is your lucky day – you made it through all of that and they bought your book. Do the happy dance! Now comes the hard part. A total stranger is going to take your baby and edit it. They aren’t going to know how many times you edited it before you sent it in. Things you think are gems they might think need to be cut. That sentence that you agonized over for two days is reworded in an instant.\

Always remember this. They are not calling your baby ugly. They are trying to make your book the best it can be. As an author and an editor I know we’re too close to our own work. We’ve edited it to death and our eyes see things that aren’t there and don’t see the mistakes that are there. We all need fresh eyes to see our work.

Next month more on this editing process....

Barb:)

Barbara Donlon Bradley wears many hats. She’s a mother, wife, care-giver, author, and editor. She’s a senior editor for Melange Books, and writes for Phaze and Melange books/Satin Romances with over twenty titles under her belt.

Author Sites:

Publisher: http://www.phaze.com/author.php?author=21

Facebook: https://www.facebook.com/pages/Barbara-Donlon-Bradley/118673448173249

Pinterest: http://www.pinterest.com/barbaradbradley/

Goodreads: http://www.goodreads.com/user/show/7773192-barbara-bradley

B&N: http://www.barnesandnoble.com/s/Barbara-donlon-bradley

ARe:http://www.allromanceebooks.com/storeSearch.html?searchBy=author&qString=Barbara+Donlon+Bradley

Kobo: http://store.kobobooks.com/en-US/Search?Query=Barbara%20Donlon%20Bradley

Shelfari: http://www.shelfari.com/search/books?Keywords=barbara%20donlon%20bradley

Saturday, February 28, 2015

The Business of Writing: That Stupid Cover Letter

First I want to apologize for not posting last month. Something came up that got in the way of my post but I’m back and ready to talk about that cover letter.

* This image is from my pinterest account

To me the cover letter is harder to do than the synopsis. How do you sell yourself on one sheet of paper? Even if you are cold submitting via an e-mail you still need to keep it short and sweet. Your letter should be an intro paragraph, your book blurb, your accolades and a closing paragraph/sentence telling them you can’t wait to hear from them.

I was also told if I met an editor at a conference and we hit on something personal like she/he likes cats, or she/he grew up where I did, that I should put that in the intro paragraph so the editor would remember me. The biggest thing that was drilled into my head was to send that submission as quickly as possible after the editor requests it.

All the advice was great but it didn’t help me when it came time to write one. I didn’t even know how to start one.

Dear editor – if you have their name use it

Intro paragraph – I would mention that I am multi-published and who I’m published with. I would also mention that I write lighthearted erotic romances and my writing style resembles authors like Johanna Lindsey.

The second paragraph – I’d then add my blurb

The third paragraph – I’d mention the contests my books have finaled in, I’d also mention any special review I might have had – something that was a little more than a five star review although if you have 5 star reviews you can mention those as well. I would also mention I was a member of RWA and the positions I held I would also mention MFRW and any volunteer position I have. In my case I would also mention I work with a publisher.

Last paragraph would be the thank you for your time...

This is very basic and if anyone has something they do that works for them please post it. The more we know the better those letters are.

Barb:)

Publisher: http://www.phaze.com/author.php?author=21

Facebook: https://www.facebook.com/pages/Barbara-Donlon-Bradley/118673448173249

Pinterest: http://www.pinterest.com/barbaradbradley/

Friday, February 20, 2015

Author-to-Author: On Writing Erotica @SuzDeMello #MFRWauthor

Scenes are the building blocks of your story, for acts are comprised of scenes. They're nothing
more than events, most often interactions between your characters. Scenes should fulfill at least one or two of the below purposes—best if you can include all four.

•Advance plot
•Reveal or develop character
•Complicate or resolve conflict
•Express setting, mood, theme

Everything in your manuscript should have a function, even every comma or em-dash.

How does this apply to the writing of erotica?

Too often, sex scenes are shoehorned into a story to increase the word count or the heat level, while those scenes don't fulfill any other function. To quote from Plotting and Planning again, Everything in a story should contribute to it, from the biggest monster to the tiniest comma.

If a scene doesn't contribute to the story, it doesn't belong there. It doesn't matter how well-written it is. It doesn't matter how hot it is. It doesn't matter how much you, the author, may love the beautiful prose or the scorching hot, kinky sex.

There's a piece of writerly advice out there: Kill your darlings.

No one's quite sure where this phrase originated, but it's been repeated often, by such notable authors as William Faulkner and Stephen King. (SOURCE)

But it doesn't matter who originated the phrase--it's great advice. We often fall in love with our prose and are loath to cut it, especially when we may have slaved over a particularly well-turned clause or exhaustively researched, say, the eating habits of the lesser lemur of Madagascar.

Fiction is no place to be a smarty-pants. Leave that for term papers, book reports and theses.

In terms of writing sex scenes, what do we leave in and what to we cut?
We leave in those scenes that fulfill at least one of the above purposes. Ideally, a well-written, thoughtfully planned encounter will fulfill more than one purpose.

Here's a brief example, from a story I wrote called Gypsy Witch. The backstory is that the heroine is dating a cop.

Ben propped himself up on his elbows to better see the naked woman beneath him. Sheened with sweat, Elena’s lush curves glowed in the reddish half-light of her bedroom, curtained in exotically patterned swaths of gauze and silk. A curl of smoke from a lit incense stick scented the air with sandalwood. Otherworldly New Age music flowed out of a boombox in the corner, irritating the hell out of him.

Though the paragraph is very sensual, there’s quite a bit of characterization and even a little conflict—and this is only the first paragraph of the story. We see that Ben is very “feet-on-the-ground” while Elena, his lover, is exotic and New-Agey. So character is described, setting is related and the romantic conflict is shown.

If you like what you read, find the story here: http://www.ellorascave.com/gypsy-witch.html.

As a romance novelist, I believe firmly that erotic scenes should never be gratuitous. If a writer keeps the purposes a scene must fulfill in mind while writing, the sex is never out of place but is a seamless part of a well-written story.

From my writing treatise, Plotting and Planning, available at http://tinyurl.com/deMelloPlotting.

ABOUT Suz deMello
Best-selling, award-winning author Suz deMello, a.k.a Sue Swift, has written seventeen romance novels in several subgenres, including erotica, comedy, historical, paranormal, mystery and suspense, plus a number of short stories and non-fiction articles on writing. A freelance editor, she’s held the positions of managing editor and senior editor, working for such firms as Totally Bound and Ai Press. She also takes private clients.

Her books have been favorably reviewed in Publishers Weekly, Kirkus and Booklist, won a contest or two, attained the finals of the RITA and hit several bestseller lists.

A former trial attorney, her passion is world travel. She’s left the US over a dozen times, including lengthy stints working overseas. She’s now writing a vampire tale and planning her next trip.

--Find her books at http://www.suzdemello.com
--For editing services, email her at suzdemello@gmail.com
--Befriend her on Facebook: http://www.facebook.com/suzdemello
--She tweets @Suzdemello; https://twitter.com/SuzdeMello
--Pinterest: http://www.pinterest.com/suzdemello/
--Goodreads: http://bit.ly/SuzATGoodreads
--Her current blog is http://www.TheVelvetLair.com

Thursday, January 22, 2015

Author-to-Author: #Thursday13 Benefits of Collaborative Writing @ErincMcRae @Racheline_M #MFRWauthor

Racheline Maltese & Erin McRae talk about COLLABORATIVE WRITING.

Erin McRae and Racheline Maltese’s gay romance series Love in Los Angeles, set in the film and television industry, is published by Torquere Press. The first novel, Starling, was released September 2014; its sequel, Doves, is scheduled for January 2015. The release date for book 3, Phoenix,will be announced soon. Racheline is a NYC-based performer and storyteller focused on themes of sex, gender, desire and mourning. Erin McRae is a writer and blogger based in Washington, D.C.

Joint Blog: http://Avian30.com
Joint Facebook Page: https://www.facebook.com/Erin.and.Racheline

13 Reasons We Love Collaborating:
1. Two brains takes writer's block off the table.
2. Having an audience from day one.
3. Knowing someone loves the characters as much as you do.
4. Someone to argue about commas with before the copy editor gets involved.
5. The work always gets done. If one of us can't, the other can.
6. Division of labor!
7. Saving our spouses from having to read first drafts.
8. Always having someone to say ""Don't read the comments!""
9. Making each other laugh while editing.
10. Always having someone on continuity.
11. Winning NaNoWriMo is so much easier!
12. Being able to do more events in more locations!
13. Sometimes it's spooky.Synchronicity, mind reading, coming up with the same story at the same time -- it's all best sort of writing magic.

Thier latest book, STARLING, is with Torquere Press.

Be careful what you wish for...

When J. Alex Cook, a production assistant on The Fourth Estate (one of network TV’s hottest shows), is accidentally catapulted to stardom, he finds himself struggling to navigate both fame and a relationship with Paul, one of Fourth’s key writers. Despite their incendiary chemistry, Alex’s inexperience and the baggage they’re both carrying quickly lead to an ugly break-up.

Because the stars aren't benign

Reeling from their broken hearts, Alex has an affair and Paul has an ill-advised reunion with an old flame. Meanwhile, the meddling of their colleagues, friends -- and even the paparazzi! -- quickly make Alex and Paul’s real life romance troubles the soap opera of the television season.

But while the entertainment value may be high, no one knows better than Alex and Paul that there are no guarantees when it comes to love in Los Angeles.

Can J. Alex Cook find his own happily ever after with the man of his dreams when the whole world is watching?

Amazon BUY LINK

"STARLING is a reader's treasure that completely engaged me from the very beginning. I found myself talking to my kindle, offering advice, yelling, cringing, cheering and processing each emotional experience as if it was my own. The realities of life, love and self discovery that are presented in this highly character driven story are exceptional. STARLING is well written and develops at a slow but steady pace that perfectly complements its raw emotionalism. I was thrilled with this first offering in the Love in Los Angeles series and am eagerly anticipating further additions by this exciting writing duo!"" - Carly's Book Reviews

EXCERPT

Alex finds him alone, eventually, in the kitchen.
“I‘m glad you came,” Paul tells him and offers him another beer.
Alex shrugs. “Thanks,” he says, both for the drink and for Paul actually meaning it.
Paul regards him in silence for a moment. “How are you?”
“Here,” Alex says, because it’s the simplest summation of his current state of being in all its forms.
Paul laughs, loud and surprised like he sometimes does. Alex grins back at him. When Paul’s smile stays and his eyes meet Alex’s and then linger, Alex knows he’s doing the stupid squinchy-eyed thing again. He turns his head away a little, because Margaret has told him what that look can do. He’s not sure what he should be expecting or wanting out of tonight yet.
“Hey, no.” Paul raises his hand and presses two fingertips, damp and cool, against Alex’s temple. He turns Alex’s head back until their eyes meet again, and then he drops his hand slowly. Alex knows it’s to give him a chance to stop him if he wants.
He doesn’t, and Paul’s hand settles on his waist. “Party’s out there,” he says, and tips his head back towards the living room.
“Wanna go join?”
It’s not an invitation Alex has any interest in saying no to."

Monday, January 5, 2015

Author-to-Author: Talking Dialogue @AuthorLyndaB #MFRWauthor

Talking About Dialogue

So, we’re talking about dialogue. In my humble opinion, dialogue is an intricate part of storytelling—of getting the reader into the story— because it’s an extension of the characters’ personalities. Dialogue isn’t something the reader should ever have to think about. It should just…be. It should be an even flow, a give and take of conversation. If the dialogue reads stilted or forced, the reader is probably not going to hang very long with the book.

The first rule to writing believable dialogueis to make sure it jives with whatever time period you’re using in the story. If you’re writing a Regency story or a Civil War saga featuring slaves, you better be on your game with regard to those vernaculars. I got dinged in a review of my historical western romance because the reader felt I used 2012 terminology for a story set in the 1880s. Ouch! The last thing you want as an author is to have your reader yanked from the story.

Maybe that’s why I choose to write contemporary romance. No need to worry about the proper Scottish dialect for me. But even with contemporaries, you have to be careful. I personally love to use words like “gonna,” “hafta” and “kinda” in dialogue—Spell/Grammar Check be damned. This is how people talk in real life so it’s how my characters are gonna talk. Think about Morgan Freeman in Driving Miss Daisy. Did he say, “I am trying to take you to the grocery story.”? Uh, no. He said, “I’m tryin’ ta take ya to da store.” Huge difference.

The other thing to keep in mind when writing dialogue is, if your character can say something in five words, have them say it in four. Short, snappy lines makes the reading go faster because more pages are getting turned. It also puts more *white space* on the page. And readers loooooove white space.

As a reader, one of my pet peeves is when the author uses a bunch of he said/she said or he asked/she asked in dialogue. Rather than having Sally say blah, blah, blah, have Sally do something. If she’s upset, have her stomp a foot or glare at the hero. If she’s being coy or shy, have her swish side to side or twist her fingers together. Remember that pesky, yet brilliant advice: show, don’t tell. Don’t tell me who’s talking, but show me by having some action during the dialogue. It helps to solidify the characterizations and makes for a (hopefully) more enjoyable read.

Okay, so I’ve voiced my opinion about dialogue. Do you agree with me or am I barking up the metaphorical tree? Shout out your thoughts and opinions.

Contributed by MFRW author Lynda Bailey.
I’ve always loved stories, especially romances. For me the only thing better than reading a romance is writing one. That and drinking red wine while eating dark chocolate.

My romances are full of passion, with heat levels that range from hot to sizzling! I'm proud to have been a 2010 finalist in the prestigious Golden Heart®. Please join me for laughter and love, and where the good guys always win in the end.

I live in Reno with my husband of thirty+ years and our two pampered pooches.

Lynda's latest book is Shattered Trust, a contemporary BDSM erotic romance.

Kate Landry trusted the wrong man and paid dearly for her mistake. But she survived and raised her daughter alone. At forty-two, Kate has a good living as the owner of the Bluebird Saloon. But she’s forgotten how to live. That is until he comes into her bar…

Liam St. James loved a girl once. And only once. After an accident paralyzed her, she didn’t trust he’d continue to love her. Liam left and discovered a world where women did trust him—to be their Dominant. He’s a master – literally, but the request from the stoic bar owner will pose his greatest challenge yet…

Kate and Liam embark on a journey to uncover repressed urges and to discover new desires. They also fall in love. But when you’ve been shattered as badly as they have, loving is easy. Trusting is harder, especially when the heart is involved…

Learning to love is the easy part...

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Sunday, December 28, 2014

The Business of Writing: That Dreaded Synopsis

That dreaded synopsis. I know there are lots of blogs, articles, and handouts on these things. I’ll be honest I hate them. I can do a blurb. It’s not always easy trying to squish your story into a paragraph or two but It does keep you from putting too much in. In romances it’s your two main characters, and your major plot.

The synopsis is where you need to put in more detail. You can add some of your larger secondary characters here and maybe a secondary plot or two. You do have to be careful not to put too much in and that drives me crazy. I don’t know what is too much.

You also need to know the type of synopsis the publisher wants. There are some publishers who only want a page. Maybe two. That’s like a giant blurb. Some want ten pages. That’s like rewriting the book to me.

Writing Tip:

There is no quick and easy solution to writing the synopsis but I can tell you what has worked for me and maybe it will work for you as well. My publisher asks for an outlined synopsis to be sent in when I fill out the forms to get the book into production. I break it down chapter by chapter then put it all together. I find it easier to give a little more detail without giving too much.

Barb:)

Bio:
Barbara Donlon Bradley wears many hats. She’s a mother, wife, care-giver, author, and editor. She’s a senior editor for Melange Books, and writes for Phaze and Melange books/Satin Romances with over twenty titles under her belt.

Barb's Links:

Publisher: http://www.phaze.com/author.php?author=21

Facebook: https://www.facebook.com/pages/Barbara-Donlon-Bradley/118673448173249

Pinterest: http://www.pinterest.com/barbaradbradley/

Goodreads: http://www.goodreads.com/user/show/7773192-barbara-bradley