Creating Conflict in Novels @kayelleallen #amediting #MFRWauthor

According to Wordweb, conflict has many shades of meaning, including a disagreement or argument about something important; opposition between two simultaneous but incompatible feelings; a state of opposition between persons, ideas, or interests; and opposition in a work of drama or fiction between characters or forces (especially one that motivates the development of the plot). The point being that conflict involves problems. No problems, no conflict.

No conflict, no story.

But what type of conflict works best for a solid story? Let's look at three major types: internal, external, and romantic.

Internal Conflict

An internal conflict often revolves around an emotional struggle. Generally, an internal conflict arises from a character's backstory. Something has occurred that threatens their ideal mental/emotional state. What they believe does not go along with their physical reality. Suppose your story was a romance set in a time when marriages were arranged. Your hero has no intention of being "married off" to a rich woman who does not respect him, or that he could not respect. However, his family fortune has been lost (not through his fault) and if he doesn't solve his immediate problem of finances in order to care for his younger siblings, they will all end up on the street. He must marry a woman of means, and fast. While he does have an external conflict (the threat of homelessness) his major conflict is internal (marrying someone he does not love and respect). How he behaves in this situation is driven by how he overcomes or resolves his internal conflict. It is not necessarily a direct solution to his inner conflict that ends the problem. He might find another way around the issue. In a gay romance, the internal conflict might be fear of rejection, facing reality as a gay person, or being ostracized from family. Overcoming the internal problem drives the resolution of the conflict. Therefore, it drives the plot.

External Conflict

For an external conflict, a force or problem exists outside the character. In the example above, the hero faced homelessness. A heroine might be in a situation where she must rescue someone. External conflicts mean that situations and/or physical threats or needs cause a problem. To solve it, the character must find a physical solution. A thriller or suspense might involve a race against the clock before a killer strikes again. A scifi might include an alien invasion threatening to decimate the planet. A medical thriller involves doctors racing to find a cure for a horrific virus, and so on. All these conflicts erupt due to an external cause. External conflict requires a threat from outside the main character(s). In a well written, multi-layered story, internal conflict exists as well, but the external problem drives the action.

Romantic Conflict

A romantic conflict involves struggle between the main characters. A strong external (physical) conflict collides with an equally strong internal conflict. The immovable object meets the irresistible force. Something must give or there will be no end of the conflict (and no romance).

Solving one conflict often still leaves the other, keeping the couple apart. Finding a reason to let down inner walls and trust the other person requires character growth and change. This leads to a resolution of the conflict.

Plot Forces Conflict

Plot is a scheme or plan. In a story, plot escalates the problems between the characters' internal and external conflicts. The situation of the hero needing a rich wife to provide for his siblings is made worse by the requirements of society. He must court the bride-to-be and appear to enjoy it. He must tread the tricky waters of a society ball and not allow his family's name to be sullied. He must hold up his head when hints of his lost fortune surface. The plot escalates when the youngest sister falls ill and needs medical attention, or the bank demands money, or the landlord begins showing the house before the family has moved out. Things are getting worse. The plot is what forces the hero into an external action despite his internal conflict. He must handle the situation and take care of the problem.

In a romance, finding an equitable end of the conflicts, internal and external, results in a love match that solves the problems brought up during the story.

When I wrote Bringer of Chaos: the Origin of Pietas, I had a huge challenge on my hands. I wasn't writing my usual genre, which is romance. This story is pure science fiction. Using a strong conflict helped me create a platform on which to layer the characterization and thereby create the conflict. Here's the plot:

Pietas is an Ultra, an all-but-immortal warrior who leads the fight against the oppressive human race that created his people. But when he's captured and exiled to an alien world, his only ally is Six, a human who's been as betrayed as he was. To cross the continent and rejoin the other Ultras, Pietas must overcome his distrust of humans, and rely on the mortal.

Simple, right? One would think. But I had to get two enemy warriors to depend on each other to cross half a planet on foot. To do that, I had to put them on an equal basis. When one character is a human (albeit a six-feet tall special ops soldier) and the other a seven-feet tall immortal best-of-the-best warrior, that's not easy. I had to amp up Six's abilities, and somehow reduce those of Pietas. How does one trap an immortal with unmeasurable strength, an eidetic memory, and a sixth sense for trouble? Solving that enabled me to spring the plot into action.

Conflict is Muscle

Plot is the spine, the various settings are its bones, characters are its flesh and beauty, and conflict is its muscle. When you end the conflict, you end the story. And your readers will live happily ever after.

About Kayelle Allen

Kayelle Allen is the founder of Marketing for Romance Writers, and author of the conflict-driven military scifi Bringer of Chaos: the Origin of Pietas.
Homeworld/Blog https://kayelleallen.com
Twitter https://twitter.com/kayelleallen
Facebook https://facebook.com/kayelleallen.author
Amazon http://amazon.com/author/kayelleallen
Romance Lives Forever Reader Group https://kayelleallen.com/bro

CONNECT with Other #MFRWauthors for #NaNoWriMo!

Are You NaNo-ing?
November is National Novel Writing Month, also known as #NaNoWriMo. It happens each November and many authors, both old and new, find it motivational.

It pushes authors to increase their word count higher for the month - and typically spurs on higher word counts for a few months afterwards too.

You can SIGN UP here. You should set up a profile and bookmark it because this is where you will go each day or so to update your writing stats.

You'll also earn badges and be able to see your writing progress, along with connecting with other authors.

Let's CONNECT with other MFRW Authors!
1. After you register, come back HERE and put your NaNo Link in a comment.
2. Scroll through comments and follow others.
3. You can also find NaNoWriMo on these social media sites:

• On Facebook: @NaNoWriMo
• On Twitter: @NaNoWriMo
• On Tumblr: @NaNoWriMo
• On Instagram: @NaNoWriMo
• On Pinterest: @NaNoWriMo

Is it More About Writing, or About Being a Writer? #MFRWauthor

This will be a shorter than usual blog, since I'm borrowing from another blogger. Not to mention running late.
I ran across this blog from Screencraft, a site to advise screenwriters. The post resonated with me and I think will have the same effect on other writers Beware the Writing Zombies Check it out while I get more coffee.
Do you recognize anyone you know? All I had to do was look in a mirror, and also remember the time I spent researching to avoid actually writing. Whether it was to start a new book or continue on with a current project. And I would hate to admit how many times I've delayed starting so I could use the new project for a course.
Maybe I should title this 'Games Writers Play.' Or maybe I should just get back to edits?
Happy writing!

I need a photo here. I think I'll go with a New Mexico sunset, sharing the beauty of where I'm living.

Monica Stoner w/a Mona Karel
Website/Blog 
Mona's Amazon Page
Twitter


We retired to the high plains of New Mexico, where I finally put all those seminars and critique sessions to work, not to mention pulled together my courage to offer a story I'd beaten into submission. I am honored to help Marketing for Romance Writers with list moderation, and wherever else my skill set is of value

Beyond Aesthetic Attraction: The Romantic Relationship Is More Than Skin-Deep #MFRWauthor #WriteTip #Writers #Authors

We all appreciate beauty. How can we not, when it's all around us? From babyhood, we are attracted to pretty things, and as adults this partiality continues. As romance authors, we try to bring beauty to our readers. Who doesn't admire the stunning heroine? Or fall in love with the smoking-hot hero?

But is this what romance really is about? A simple equation with few variables easily solved? Stunning Heroine + Smoking-hot Hero + Major Hots For Each Other = Happy-Ever-After? If you're thinking: sure, why not? Keep reading.

Lust is not romance   

Let me ask you this...are you in a relationship? What made you fall in love with the person you're with? Was it his amazing eyes and fabulous hair? Her tinkling laugh, and impressive waist-to-hip ratio? I'm willing to guess that you fell in love with your beloved's core qualities. Don't get me wrong, attraction is a huge part of the falling-for-you stage of any relationship, but it isn't what makes us commit to a lifetime with this one person above all others. The same should be true for our hero and heroine. Have you ever read a story/book and wondered what on earth the H/h saw in the other person? I have! We might fall instantly in lust with the way someone looks, but getting to know that person dictates how we will feel about them long-term. The same ought to be said for our H/h. 

We might fall in lust with looks, but we fall in love with personalities 

If your hero is horrible to your heroine on almost every page the reader will wonder what on earth the heroine sees in him, and what sort of glutton for punishment she is.

I remember years ago when I was trying to crack a particular category romance line, I would read almost every book in that line each month and more often than not hate the heroes. They tended to be coldhearted toward the heroines--except when they wanted to cart them off the bed!--and I so desperately wanted to read about wonderful, caring heroes who showed the heroine love and affection while still having big enough internal conflicts to keep them apart. So I wrote these type of heroes, hoping to change the romance world with my wonderful, fun heroes. Needless to say, these guys never managed to get me picked up by the publisher. I still write this type of hero because this is the type of man I love. If I can't fall in love with my male lead, how can I expect my readers to love him?

So what makes people fall in love?           

We've already establish that it's beyond aesthetics. It's more than skin deep. It's the many layers that make up a person's character--their very essence. It's their hopes and dreams, virtues, interests and skills, ambition. It's the connection between the two central characters--yes, most definitely physical attraction should play a fundamental part, but also a meeting of their minds--mutual admiration (even while they butt heads), compassion, affection. Not only do you want your reader to see why these two people would fall in love, you want the reader to believe beyond a shadow of a doubt that your H/h's HEA will last forever, and not until the first hiccup that comes along after the reader has closed the book.  

A few years ago, my husband and I were on our way out for the day when we came to a set of traffic lights that were on red. We were six cars behind the first car. The lights changed to green and the first car didn't move. Being British, we waited politely until the light turned back to red and no one had moved. With some neck-stretching, and head bobbing and ducking, we managed to see that the driver of the first car was a woman and she had her friend with her. I know some men who would have started griping about women drivers, but not my hubby. He said he was going to check to make sure the women were okay and, as he got out of the car, I hopped into the driver's seat. 

I can't tell you how big my heart swelled in my chest as I watched my beloved walk past four other male drivers in front of us on his way to the first car in the queue containing the two women. My hero-hubby spoke to the woman driver, then as the light changed back to green he moved to the back of the woman's car and pushed her around the corner, and off the road. Would you believe me if I told you that none of the other men in that queue even attempted to help those women, or even helped my hubby to push the car??? 

At that moment, as I watched my beloved rescue the female driver, I fell deeper in love with him. Until that instant, I didn't think it was possible for me to love him any more than I already did.

Once back in our car, hubby told me the woman had flooded the engine and was so upset it brought her to tears. She kept thanking him for his kindness and help, and I suspect she probably fell a little in love with him, too.

It's these sort of actions that make our central characters fall for each other and creates the magnetic pull of deep attraction. And it's what makes our readers believe the love story we tell them.      

Give your characters scenes which show them in action doing the things that compel them to fall in love with each other. At the heart of your romance story is the relationship, and this relationship is a collection of layers that run far beneath the surface appreciation of beauty.


Until next time, write with clarity and style!

Monique x 

Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge. 

Monique loves to hear from her readers. You can contact her by visiting her HERE to learn more about her and check out her other books.

Why #MFRWauthors Write Romance... @ColleenSMyers #amwriting

Have you ever read a Romance novel and then been disappointed in the ending?
That is why I decided to write. I remember reading a book that I shall not name. I loved the characters, the plot, everything and then end just totally sucked. At least to me it did. And i decided then and there that I wanted to write my own.  I had written for years for pleasure but at that moment, it became my calling.

I think that no matter what you write, there is a little bit of the writer in every aspect. Knowingly or not, we tend to include real life quirks of ourselves and those around us in our writing.  I try to hide this from my family with varying degrees of success.

I write Fantasy and Romance in contemporary settings. I think everything needs a bit more love and whimsy in their lives.

I write what I like.

My first book comes out November 2nd and I can't wait.  I honestly don't know where the idea came from but before I started writing the first book, I had all three plotted out and the 'ending' ready. I created the lore of my world first and went from there...

Coming Soon...
Must Remember
Erotic New Adult Romance
Champagne Book Group

Nineteen-year-old Elizabeth ‘Beta’ Camden is a survivor.

When the E'mani—those pale alien freaks—destroy Earth with a plague of madness and scoop up the remains, Beta is one of the ‘lucky’ ones. For years, she endures their tortures, experiments and games. Then one day, she manages to escape their ship with her life, and no memory of her time with them.

Stranded on their world, Beta wanders the mountains, looking for a way home. She stumbles onto the Fost—the E'mani’s ancient enemy.  Their war with the E'mani is old and rooted in magic that the Fost once had and the E'mani crave. Magic Beta soon discovers she’s developing along with strange tattoos and disturbing glimpses of her past. The Fost take her in and train her in their ways. As she spends more time with them, she falls in love with their culture and with Marin—he of the hot hands and slit eyes.

But the E'mani took her for a reason and they want her back—dead or alive. If Beta doesn’t remember that reason soon, they’re all going to die.

ABOUT Colleen S. Myers
Colleen plays many roles. Not only is she a veteran, a mother, and a practicing physician, but she is a writer of science fiction and contemporary romances. Colleen’s dreams include surviving her son’s teenage years, exploring every continent on this planet, except Antartica, cause that’s way too cold, and winning the Nobel peace prize. Dream BIG! Currently she is getting ready to publish her first novel, MUST REMEMBER in November of this year (cover reveal soon.)  Until then look for her at Three Rivers Romance Writers, at Facebook, Pinterest, and on twitter at @ColleenSMyers.

Making Your Reader Like Your Characters #MFRWauthor #MFRWorg #WriteTip #Authors

Have you ever read a story and absolutely hated one or both of the main characters? 

This month I’m looking at how we can make our readers like our character.

The first thing the reader will want to know is who the character is and why should s/he root for them. Why should the reader care what happens to the character?

Recently I saw the film Interstellar with Matthew Mcconaughey, one of my favorite actors. If you haven’t seen this movie—a: I highly recommend it! It was amazing, so emotional and touching. And b: I’ll try not to ruin it for you so in the interest of giving you a heads-up…Spoiler Alert…

I was thoroughly enjoying the movie when it got to the part where one of the characters died. Sadly I didn’t care because I didn’t really know him, which is always a warning that that character will more than likely be the first to get bumped off. But what made it worse is that the character became too stupid to live (TSTL) just before he died. I positively disliked him for his sheer stupidity. After his untimely exit, I didn’t give him a second thought.

In contrast, when the main character almost died I was on the edge of my seat. The difference between these two characters? I never really got to know the first guy, so I wasn’t invested in him or really cared about him, and it was easy to dislike him for his stupidity because there was no reason for his actions. 

Meanwhile, I’d gotten to know the main character, empathized with him, cared about him, so I was invested and wanted him to survive. Plus he fought for his life. The other guy stood around like an idiot and did nothing! 

Don’t get me wrong, we want our characters to be flawed. Without flaws, our characters have no way of changing or growing. 

The flaw is the external representation of the internal fear. What I mean is the flaw is the result of the internal conflict, and internal conflict usually results from a past emotional scar.

For example, what if your hero is overprotective because somewhere in his past a loved one got injured or killed because of something he did or didn’t do. Say, maybe, as a teen he had a girlfriend and they got in a fight while driving home. She demands he pull over and let her out. He’s so mad he does exactly that and leaves her. She is attacked and possibly murdered. The hero has to live with this for the rest of his life. So now he won’t let the heroine out of his sight because he wants to protect her and make sure nothing bad ever happens to her. 

Now, if we make the flaw too dominant we will make the hero unlikable. In order to make your reader like him, you need to let the reader see the reason for his fear and you need to make your hero begin to fight the impulse to be overprotective along the way.  

Don’t make your characters’ issues so deep and dark that you create jerks. On the other hand, if you do have deep dark issues, you need to work extra hard to show the reader why the character is like this and give glimpses of a softer side—hint that this character can change. 

So How Do You Make Your Character Likable?

Start with the core competencies of your character, made up of three aspects: strengths, skills, and desires. As well as having bad experiences from the past that gives us our internal conflicts, we also have happy moments that might inspire us to do, or be something. I like to think that for every bad moment of the past there is a good. As authors we often focus on the bad in order to get a hold of the internal conflicts, but when we let the reader see the good moments that influenced our characters we allow the reader to bond with, and therefore, care about and like, our characters on a deeper level. 

Our overprotective hero from above may be a rescuer at his core. You can give him a job to reflect this and maybe he beats himself up so much because he feels guilty that he couldn’t save the past girlfriend. His black moment can come when we place him in a redemptive situation and give him an opportunity to redeem himself from the past by now saving the heroine. This guy can have a lot of layers, and if we show them to the reader, she will not only understand him, she will fall in love with him. 

The trick is to show the character’s niceness before you show the flaw. That way the reader is already invested and will stay to find out if this character finds her/his happy ever after. 

Do leave a comment in the comment section below. Even if you just want to say "Hi!", I'd be thrilled to know you stopped by.

Until next time, write with clarity and style!


Monique x 

Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge. 

Monique loves to hear from her readers. You can contact her by visiting her HERE to learn more about her and check out her other books.

Where Do Book Ideas Come From? ASK #MFRWauthor @VellaCMunn

What became the Seasons Heartbeat series started the fall afternoon a dear friend and I were watching a fierce storm head our way. Fueled by a glass of wine and the wind whipping the evergreens while the sky became dark purple, I started thinking about how much I'm impacted by the wilderness. In only a few minutes I had the series' basic concept in mind. I wrote four books with each one taking place during a different season plus a novella that covers a single day. Hopefully I've created flawed and complex people who allow their peaceful mountain surroundings to free them from their pasts and open them to love. 

Seasons Heartbeat:Spring
by Vella Munn
Contemporary Romance
Seasons Heartbeat Series

Alisha Hearne must decide whether to sell the family's mountain cabin or stay and tackle the necessary repairs and face painful memories. The nearby resort represents one thing to Nate Quaid—where he earns a living. Nothing means more to him than freedom and forgetting his past.

Despite their reservations, loneliness and need bring them together but are they capable of revealing their deepest secrets and exposing their vulnerabilities?

Do they dare risk falling in love?

BUY LINK

REVIEWS
Amazon: Seasons Heartbeat: Spring is romance at its best. Ms Munn's vivid descriptions of Lake Serene and her family's mountain cabin made me feel as though I was right there in that beautiful setting.
Amazon: The author's love of nature comes through so clearly in this book that I can almost imagine myself at Lake Serene. She has made the environment another character in the story and the book is richer for it.

EXCERPT
Taking her cue from the older man who’d already started toward the shore, she trailed behind him. Doc was right. The crazy boat driver appeared to be checking out the fifty-some small docks belonging to private cabin owners. At least he’d slowed to trolling speed. At the rate he was going, he’d reach her dock in a couple of minutes so she planted herself as close to the listing structure as she dared. She didn’t care what he thought of her dock. She just wanted to give him a piece of her mind about his disregard for what this high mountain lake stood for. As she waited, she studied Mount Steens across the lake. The top was still buried under snow and thus intimidating to her. By late summer the sharp edges would show. She'd never climbed it, but when she was growing up, she used to tell herself she could tackle it no problem. She just wasn't sure whether she'd have to carry a sleeping bag and plan on having to stay the night.
Night alone near the top of the area's most imposing mountain. Away from all responsibility.
The motor’s high growl triggered something inside that she didn’t want to examine. She’d been under a lot of tension lately and didn’t need this idiot adding to it. She wanted him gone and the quiet back. Not just quiet. She needed to smell what was left of the snow, the water, pine and dirt. To be renewed.
Now that he was close, she realized this wasn’t one of the nearly-derelict boats she remembered the resort renting out. At least twenty-feet long, it had both a trolling motor and an outboard she figured was least ninety horsepower. Judging by the shiny sides and immaculate pedestal fishing seat, the craft was new. Envy nibbled at her. Being in control of the craft would be a ball.
As it eased around partly-submerged trees and closed in on her dock, she forced herself to stop imagining she was putting it through its paces and concentrated on the man with his hand on the steering wheel. It was hard to be certain, but she guessed him to be in his early thirties. The wind had been having its way with his longish dark brown hair while his slightly canted nose and cheeks were wind-chapped. He had a square jaw, deep-set eyes shielded by shaggy brows, and a serious slant to his mouth that made her wonder if there might be more to him than a hell-raiser after all.
Over a blue T-shirt sporting a motorcycle logo he wore an unsnapped grey windbreaker that speed had pushed away from a chest made for physical labor. This was no indulged teenager, not this man with his broad shoulders and big, strong, tanned hands. Because he was sitting low in the boat, she couldn’t see his lower half.
“Where’s your life vest?” Doc called out.
When the man didn’t immediately respond, she wondered if he was debating answering. If he gave Doc a hard time, she’d give him a piece of her mind.
He shifted into neutral and indicated behind him.
“Crazy as you’ve been driving, I’m surprised you thought of safety,” Doc grumbled. “There’s a speed limit here.”
The man shrugged. She wanted to examine his expression, but now that the wind was in charge, the boat had started to turn away from the shore. It swayed with the waves it had created. She imagined him a drifter, a lost soul without any idea how to put his life on course. He spent one week here, another week there, never planning beyond following impulse.
Then he put the motor back into gear and came alongside the dock, making her decide he had some sense of direction after all. He stood and reached out so he could grab the one remaining cleat. He wrapped a tie rope around it and sat back down.
“This yours?” he asked Doc, indicating the listing dock.
“No,” she said. “It’s mine.”
“Needs work.”
The understatement almost made her laugh. “Thanks for pointing that out. Winter’s been a little rough on it.”
He’d turned his attention to her while she was talking, surely time enough for her to get used to the intensity in his eyes. There was something arresting about him, something on the wild side perhaps. She half expected him to jump out of the boat and take off at a dead run because that was his way of dealing with the energy boiling inside him. This wasn’t a man for sitting and contemplating his navel. Just sitting inside a motionless boat was testing the limits of his self-restraint.

ABOUT Vella Munn
Vella Munn has been writing ever since she created a comic book with a horse as the hero. She has had over 60 books published and can't imagine doing anything else. She lives in rural Oregon with her family and two rescue dogs.

http://www.vella-munn.com/
https://www.facebook.com/vella.munn
http://www.amazon.com/Vella-Munn/e/B0047Q6IB8/ref=sr_tc_2_0?qid=1433111489&sr=1-2-ent

What's Your Critique Group Experience? @kayelleallen #MFRWauthor #amwriting

Tarthian Empire Companion 

I live in a small town in Georgia, and honestly thought I'd never find a writer's group where I would fit. I write non-fiction, contemporary romance, scifi, scifi romance, gay romance, and I'm moving into mainstream with all my books simply to broaden my reader base. So instead of erotic content, I'm writing with a focus on character relationships and other story aspects.

When I found a group on MeetUp that brought together local writers, I intended to stay "in the closet" as far as my erotic writing went. I was focusing on other aspects anyway. They'd never see my spicy scenes. Members knew going in that I wrote gay romance, and that was never an issue with anyone. Considering it is such a small town, I was a little surprised when no one even blinked when I said what I write. About three months later, we got a new member from California who was writing a lesbian romance series. It's literary fiction with characters who happen to be lesbians. She's an incredible writer -- one of the most gifted I've ever read. She's become my friend.

When she asked if the group could meet an additional day of the week just for critiques, we took a vote. Everyone who was interested began meeting on the new day as well. Later, we gained another writer who writes romance, but who has a serious love for gay romance. I'm still amazed at how diverse this group is for such a tiny town. I never expected to find this. We have one writer in her 70s who's probably the most open-minded person I've ever met. She just isn't shocked at anything, unless it's us saying something nice about her work. We have a 20-something guy who's a new writer honing his love of pony fanfic. And we have a serious literary writer who uses multimillion dollar words and you would think is pretentious until you realize he's being himself. He speaks the way he writes. If I made these characters up for a book people would think I had an outrageous imagination. But they are real, and I get to hang out with them every week.

My point is that no matter where you live, there is probably someone like you, looking for a writer friend. Ask at the library if you can put out flyers to start a writers' group. Take out an ad in the local paper. Reach out on social media. Try MeetUp like I did, and see what happens. But get out there and meet writers. The fun and camaraderie of working together is too good to miss.

What is your experience? Have you belonged to a critique group in the past? Are you in one now? Please share in the comments.

--- 

Kayelle Allen, author of the Tarthian Empire Companion
A World-Building Bible and Guide to Writing a Science Fiction Series
Amazon http://bit.ly/companion-az Smashwords http://bit.ly/companion-smw
Website http://kayelleallen.mobi Blog http://kayelleallen.com/blog
Twitter http://twitter.com/kayelleallen Facebook http://facebook.com/kayelleallen.author
Google+ https://plus.google.com/+KayelleAllen/

The Writing Process: Self Publishing #mfrworg

So this month we’ll talk about self publishing...something I haven’t done so don’t know much about, but I’ll do my best.

There are a lot of places where you can publish your own work. I googled it and found a slew of places. A few I recognized were Lulu, Createspace, IUniverse, Xlibris and of course Amazon, but there are a ton more out there. I found out there is even a Readers Digest book on self publishing companies. Each has their good and bad points and you need to find the one that works best for you.

After you’ve done your research you should reach out to other authors who have self published. Find out why they went that route and what worked and didn’t work for them. Which publishers they have tried and which ones they ended up using.

You’ll also need to find a cover artist and editor. Most of these publishers will offer a package deal that cover most, if not all, of what you want. Others seem to do things ala cart. You can also find companies that make covers, have editors – they do everything but publish your book. I did search but couldn’t6 find what I was looking for so those of you who know companies like this please chime in...

I asked some of my self published friends out there what an author should do and Kayelle Allen gave me these five suggestions:

1. Create a company name for your publishing endeavor (she uses Romance Lives Forever Books).

2. Set up accounts well ahead of your first book. You'll want to be on Amazon KDP, Barnes and Noble, Smashwords, etc.

3. Create a PayPal account you can use for your books, especially if you want to sell them yourself from your site or at conventions.

4. Find a good cover artist and a good editor. Don't skimp on either one.

5. Make a marketing plan for your books that goes from pre-release through to the next book.

Next month – more on editing...

Barb:)

Bio:
Barbara Donlon Bradley wears many hats. She’s a mother, wife, care-giver, author, and editor. She’s a senior editor for Melange Books, and writes for Phaze and Melange books/Satin Romances with over twenty titles under her belt.

Author Sites:

Website: http://www.barbaradonlonbradley.com/

Publisher: http://www.phaze.com/author.php?author=21

Blog: http://barbaradonlonbradley.blogspot.com/

Facebook: https://www.facebook.com/pages/Barbara-Donlon-Bradley/118673448173249

Twitter: https://twitter.com/barbbradley

Pinterest: http://www.pinterest.com/barbaradbradley/

Goodreads: http://www.goodreads.com/user/show/7773192-barbara-bradley

Amazon: http://www.amazon.com/-/e/B0072OTZJE

B&N: http://www.barnesandnoble.com/s/Barbara-donlon-bradley

ARe:http://www.allromanceebooks.com/storeSearch.html?searchBy=author&qString=Barbara+Donlon+Bradley

Kobo: http://store.kobobooks.com/en-US/Search?Query=Barbara%20Donlon%20Bradley

Shelfari: http://www.shelfari.com/search/books?Keywords=barbara%20donlon%20bradley

Monique DeVere's Secret to Great Dialogue #MFRWauthor #MFRWorg #WriteTips #Authors

Over the years, one of the compliments I often receive is for my dialogue skills. While contemplating the subject for my column this month, I decided to share my "secret" for writing great dialogue. I would love to unveil some amazing trick that I alone have uncovered. 

Alas, it is not to be. 

My simple trick is to write the dialogue first. I write in scenes and chapters. I never view the book I'm writing as a whole until I reach the end. Therefore, each day I sit to write my scenes and sequels, I visualize only the scene/sequel I'm about to write. Like all authors, I see my characters in conversation, what they're talking about and whether it's what I need them to talk about in order to fulfil my requirements for that part of the story. At this stage, I'm not worried about what my character is thinking, feeling, smelling, eating, seeing or anything else.  I just need to know that they're involved in dialogue that excites me enough to make me want to write it.

I've found that writing dialogue first, so you have only dialogue nothing else to start, gives me a clear indication on whether what my characters are saying is worth listening to AKA reading. Then I can turn my attention to fleshing out the scene with introspection, emotion, the senses, internal conflict, traits and everything else I need in order to create a rounded and complete scene. 

I'm sure you know dialogue in romance has five main functions. When we write dialogue first we're able to see at a glance if we've achieved the objective. 

Five Functions of Dialogue

1. To move the plot forward. 
2. Create conflict. 
3. To inform or reveal something pertinent to the plot.
4. Reveal character.
5. Create tension--sexual/emotional.

I have found that by writing dialogue first--think talking heads--it allows me to see if I've left questions unanswered, taken a side road in the conversation or have fallen into the trap of writing pointless conversation--think boring bits when people talk about nothing. The sort of yakety-yak that goes nowhere.

"Hi, how are you?"
"I'm fine. How are you?"

That sort of thing.

Dialogue is my absolute favourite part of a book. I just love the way we can create situations that pit two characters against each other in wit and banter. The way the characters can argue even while we let the tension simmer underneath. The way we can let them just say whatever they're thinking and see how it creates fireworks. Even letting the characters dodge questions is pretty fun to write. I love cheeky heroes who say the most scandalous things, and sassy heroines who gives him back just as good.

Dialogue is the heart of the novel. Without good dialogue, the most thoroughly planned out and executed story can become a drag to read.

So the next time you sit down to write, take a good hard look at your dialogue. Picture or write only the dialogue and see if it makes a difference to your end result. Then take a look at your character's introspection and see whether you're hiding some of your best dialogue in your character's thoughts. Why not let her/him say what s/he's thinking and see if you can't up the conflict a little.

Do you have any secrets on writing great dialogue? I'd love to hear them. Please share your thoughts in the comments section below. I look forward to reading and learning new dialogue tricks.


Until next time, write with clarity and style!
Monique 

Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge.  

Monique loves to hear from her readers. You can contact her by visiting her http://moniquedevere.blogspot.co.uk to learn more about her and check out her other books.

Author-To-Author: First Page Check List #MFRWauthor @RuthACasie #amwriting

A First Page Check List
I've been catching up with my inbox. It was getting out of hand. Between being in my cave writing, Thanksgiving and the holidays well, lets just say I needed an intervention. 

One of the gems I unearthed was a post by Ray Rhamey of the Flogged Quill. (follow the link to see original article)




The Challenge: Does This Narrative Compel You To Turn the Page?
It's the first page that grabs the reader. Many times its the first sentence.

Here is Ray's first-page checklist:

• It begins connecting the reader with the protagonist.
• Something is happening. On a first page, this does NOT include a character musing about whatever.
• What happens is dramatized in an immediate scene with action and description plus, if it works, dialogue.
• What happens moves the story forward.
• What happens has consequences for the protagonist.
• The protagonist desires something.
• The protagonist does something.
• There's enough of a setting to orient the reader as to where things are happening.
• It happens in the NOW of the story.
• Backstory? What backstory? We're in the NOW of the story.
• Set-up? What set-up? We're in the NOW of the story.
• What happens raises a story question-what happens next? or why did that happen?

I remember the first draft of my first story. I eagerly read it at literary group meeting to three well published authors. I had worked hard on the story especially the opening. I saw it as a movie. The first thing I see in a movie is the setting. So, I diligently, and meticulously, described the scene.

Are you laughing? They loved the description. They told me to save it for someplace else but to come up with something more compelling. It was replaced with a fight scene.

Let's Talk About It.
Think about some of the books you've read or written. How did they begin? What did you like, or not like about it?

Post contributed by Ruth A. Casie
Ruth writes contemporary and historical fantasy romance for Carina Press, Harlequin and Timeless Scribes Publishing. Formerly from Brooklyn, New York, she lives in New Jersey with her very supportive husband Paul.

Her latest book is Knight of Rapture, a Historical PNR Fantasy, with Timeless Scribes Publishing.

For months Lord Arik has been trying to find the precise spell to rescue his wife, Rebeka, but the druid knight will soon discover that reaching her four hundred years in the future is the easiest part of his quest. 

Bran, the dark druid, follows Arik across the centuries, tireless in his quest for revenge. He’ll force Arik to make a choice, return to save his beloved family and home or stay in the 21st century and save Rebeka. He can’t save them both.

Rebeka Tyler has no recollection of where she’s been the past five months. On top of that, ownership of her home, Fayne Manor, is called into question. When accidents begin to happen it looks more and more like she is the target. Further complicating things is the strange man who conveniently appears wherever trouble brews—watching her, perhaps even….protecting her? Or is he a deliberate attempt to distract her? Rebeka can only be sure of one thing—her family name and manor have survived for over eleven centuries. She won’t let them fall… in any century.

website  |  blog  |  twitter 

The Writing Process: Meeting your Editor #mfrwauthor #mfrworg

Okay so we’re going to speed up the time clock. You’ve done your homework and you have all your media sites set up. You’re ready for that first sale. For this month’s blog we’re going to deal with a publisher, small or large there are some basic things that every author should know.

The craziest things can affect the purchase of your book. It’s a very subjective world. If the acquiring editor read a book just like yours in a previous manuscript and they didn’t like it they could read yours with that book in mind. They could have a significant other who is a lot like your hero or heroine. If they had a fight recently that could affect the purchase of your book. The last book this editor bought was a lot like yours and it didn’t do well...you get the drift.

But today is your lucky day – you made it through all of that and they bought your book. Do the happy dance! Now comes the hard part. A total stranger is going to take your baby and edit it. They aren’t going to know how many times you edited it before you sent it in. Things you think are gems they might think need to be cut. That sentence that you agonized over for two days is reworded in an instant.\

Always remember this. They are not calling your baby ugly. They are trying to make your book the best it can be. As an author and an editor I know we’re too close to our own work. We’ve edited it to death and our eyes see things that aren’t there and don’t see the mistakes that are there. We all need fresh eyes to see our work.

Next month more on this editing process....

Barb:)

Barbara Donlon Bradley wears many hats. She’s a mother, wife, care-giver, author, and editor. She’s a senior editor for Melange Books, and writes for Phaze and Melange books/Satin Romances with over twenty titles under her belt.

Author Sites:

Website: http://www.barbaradonlonbradley.com/

Publisher: http://www.phaze.com/author.php?author=21

Blog: http://barbaradonlonbradley.blogspot.com/

Facebook: https://www.facebook.com/pages/Barbara-Donlon-Bradley/118673448173249

Twitter: https://twitter.com/barbbradley

Pinterest: http://www.pinterest.com/barbaradbradley/

Goodreads: http://www.goodreads.com/user/show/7773192-barbara-bradley

Amazon: http://www.amazon.com/-/e/B0072OTZJE

B&N: http://www.barnesandnoble.com/s/Barbara-donlon-bradley

ARe:http://www.allromanceebooks.com/storeSearch.html?searchBy=author&qString=Barbara+Donlon+Bradley

Kobo: http://store.kobobooks.com/en-US/Search?Query=Barbara%20Donlon%20Bradley

Shelfari: http://www.shelfari.com/search/books?Keywords=barbara%20donlon%20bradley

Novel Theme. Author Theme. What’s The Difference, and Do You Have One? #MFRWauthor #MFRWorg #WriteTip @MoniqueDeVere

Mention theme and some writers will groan. There’re so many, aren’t there? There’s theme, then there’s theme, and then there’s... well, theme. We have the story theme, author theme, and tropes—which some writers/readers call book theme.

Today I’m going to be talking about author theme, but first let’s take a quick look at the other two.

Story theme

Story theme is the same as the novel’s theme and can  usually be described in a single sentence. Something like, “action speaks louder than words”. It’s what the story is about, the message beneath the surface and it has nothing to do with your plot points on an obvious level. For instance, you might have a character, or even set of characters, who constantly say one thing but do another. That would be the story theme “action speaks louder than words”. 

I normally look to Idioms to find a nice pithy statement for my story themes. But there’re other places we can also look. I’ll list a few in case you might like a bit more of an example.
Story themes can be boiled down to traditional sayings.

Idioms – a phrase with a different figurative and literal meaning.
Exp: “Rags to Riches.” Or “Keep a stiff upper lip.”

Adage – a memorable, traditional saying that has gained credibility through long use.
Exp: “Where there’s smoke, there’s fire.” Or “Things are not always what they seem.”

Proverb – a short saying which expresses common sense or a basic truth.
Exp: “A monkey in silk is a monkey no less.” Or “It’s no use locking the stable door after the horse has bolted.”

Maxim – a well known saying that expresses a truth or rule about life or conduct.
Exp: “Opposites attract.” Or “Nothing ventured, nothing gained.”

Epigram – a clever statement expressed in the form of a concise amusing or satire poem.
Exp: “I can resist anything except temptation.” Or “No one can make you feel inferior without your consent.”

Tropes

Another book “theme” people speak of, is the story trope. These are tried and tested, reoccurring literary devices used to instantly tell the reader what sort of romance she’s picking up. Such tropes are: the second chance/reunion romance, secret baby, friends-to-lovers, older brother’s best friend, matchmaker, office romance, one-night-stand, sexy protectors and the list goes on. Used in category romance/commercial fiction, tropes drive the story.   

And now we come to...

Author Theme

Recently, I found myself thinking about the way I approach my stories, and it suddenly dawned on me that while I usually know my story theme, I don’t think I’ve ever stopped to work out my author theme. 

This started to bug me. 

What did I really write about? 

Okay, you might be thinking, “Huh? Author theme, what on earth is that?”

Or you might be thinking, “Who doesn’t know their author theme?” Well done for figuring yours out already, smarty-pants, thumbs-up to you. :)

Now, for the rest of us mere mortals who never really thought about our author theme. It's the core topic every writer writes about. The same fundamental subject that runs through all of her stories. Something like perhaps an author who always write about orphans in some way. Maybe one of her books is about a character whose parents died and she ended up in foster care. Another book might be about a character who felt abandoned because the parents were always working, and yet another book might be about having to grow up fast and look after a parent or siblings because the parent was sick or had a substance abuse problem. You get the idea, right? While none of these stories are the same, one similarity remains at the core—this character is an orphan.

So I started to think I didn’t have an author theme. What do you do when you get stuck? 

Phone a friend. 

In my case, I emailed my dear, dear friend who I met in a critique group around ten years ago and we've remained friends every since. She’s read most of my books and she has such a wonderful, sharp eye. When I asked her what she thought my author theme was she said, “You write about daddy issues.” 

Right there, in words that leaped from the email reply, was my answer. At first (for about thirty seconds) I thought, nah, I’m sure I write about something else. Something far more profound—haha, yeah right. But as I ran my books through my mind I realised she was spot on! Every one of my books contained characters that had some sort of daddy issue. The novel I'm writing right now features a heroine with daddy issues. 

What does that say about me? You guessed it, I have daddy issues. My parents got divorced when I was eight and suddenly my daddy—the light of my life—was no longer there. Oh, man, I feel like I’m baring my soul here. Is it any wonder that we as authors experience such a deep sense of hurt when someone tips a negative hat to our books? How many times have you heard a writer say, “I poured my soul into that book!” Because we actually do.  

Going forward, I believe my books will be stronger for me having this knowledge. I will certainly make sure my character’s have their chance to forgive and heal.

I challenge you to find your author theme if you don’t yet know it. I bet, armed with this knowledge, you’ll be able to strengthen your books and jump to the next level in your writing.  

So, what do you think about author theme? Do you already know yours? Are you going to leave here and spend some time pondering your author theme? I'd love to hear your take on this subject.

Until next time, write with clarity and style!
Monique 

 Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge.  

Monique loves to hear from her readers. You can contact her by visiting her http://moniquedevere.blogspot.co.uk to learn more about her and check out her other books.

5 Tips for #Writing Emotionally Charged Heroes #MFRWauthor @kayelleallen

Negative Traits Thesaurus 

I recently bought the book Negative Traits Thesaurus, by Angela Ackerman and Becca Puglisi. It's subtitled, "A Writer's Guide to Character Flaws." The book is a strong resource for creating a three-dimensional hero or heroine, but can also help you write strong villains. Creating an emotionally charged hero or villain means giving him/her more than a laundry list of flaws or strengths. Developing those in a relatable way is important too.

However, after studying this book for a bit, I've noticed there are five basic things that determine whether a character is a hero or a villain. Ask these questions about your hero/ine to make them more relatable.

• What are the emotional attributes of your hero?
• What are the emotional wounds of your hero?
• What are the emotional flaws of your hero?
• What fears drive your hero?
• What morals prevent the above items from making your hero a villain?

Tarthian Empire
Companion 

Now ask these questions about your villain, and ask yourself what morals prevent him/her from becoming a hero.

If you write science fiction or fantasy, my new book Tarthian Empire Companion, an illustrated World-Building Bible and Guide to Writing a Science Fiction Series might be helpful. It includes info on organizing a story bible to track timelines; character development; a section for military ranks, ships, and naming protocols, plus other aspects of writing a scifi. Amazon ($3.99) http://bit.ly/companion-az

Can Novellas Be As Memorable As Full-Length Novels? #MFRWauthor #WriteTip #MFRWorg #Writers #Authors

Novels v Novellas 

This week I had the pleasure of writing “Ends” on a novella I need to send off to my publishers. This is a novella, and while it was a treat to write, it was no less work than a novel. 

I am curious about what others think about the novella. I write short stories, novels, and novellas. 

The difference is the number of scenes and whether there’s space for subplots and extra characters. Novella’s weigh in at around 20-30K, but this in no way allows the author to cut corners on story just because the word count is smaller. After all, a novella is not the poor relation to the novel. It’s a slim-lined cousin with a dynamic edge. 

The honey you grab when you want to be entertained, but you don’t have all day about it. The quick, simple read that gives you the same impact and enjoyment as a longer novel but in a fraction of the time, because really it’s about the story—not the length. And isn’t an excuse to give your readers less.

Word count doesn’t matter if the story still packs a punch. A novella can produce compelling characters. If it’s well-written, a novella will keep your readers glued to its pages. Like a full-length novel, it should make your reader laugh-out-loud, wipe away tears, get angry on your main character’s behalf, and sigh when she gets to your Happy Ever After. 

Regardless of which length fiction we write, one thing remains the same. We have to ensure we hit all of the turning points, give our characters depth, show the reader their wounds, GMC, Wants and Needs, Int and Ext Conflicts, the Black Moment, Climax and Resolution.  The Sexual Tension and the pull push of the plot.

Like a novel, a novella’s plot needs depth and all the same attention to detail. In a novella, there’s no space for a ton of extras with speaking parts. Of course, our characters will come into contact with other people. They'll have friends and family, but this cast will be more off stage than on and will be there to add atmosphere. To let the reader know your H/h lives in a world which is not a total bubble.

As I said before, there are not as many scenes—obviously—and the scenes must move along. No time to wander, or for meandering intros. It’s a matter of get in, do the job, and get out. 

What is your take on novellas? Do you like reading them? Or do you prefer the longer novel? Share your comments below, I'd love to hear from you.


Monique

Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge.  


Monique loves to hear from her readers. You can contact her by visiting her http://moniquedevere.blogspot.co.uk to learn more about her and check out her other books.