Character Triage: Kick Out Your Characters by Alice Orr @AliceOrrBooks #MFRWauthor #amwriting

Join former literary agent and editor Alice Orr, author of No More Rejections, as she offers advice for character triage, kicking out characters who do not work in your story.

Character Triage

Who's In? Who's Out? Every character you start out with in your story may not carry enough storytelling weight to be allowed to stick around. Some will most likely have to go. Which characters do and do not belong in your story? How do you decide? First, let's make a couple of general lists. Then we'll move on to my personal specifics.

Character Triage –Characters Who Should Stay in Your Story

They sparkle with contradiction and controversy.

They enhance the main characters in the story, make them more intriguing.

They aggravate the main characters in the story, make them more conflicted.

They have often dark secrets the main characters would like to know, or should know, but don't.

They have hidden dreams the main characters would like to know, or should know, but don't.

In other words, they generate plot by adding more complications to the story.

Character Triage – Who's Out? Characters Who Should Leave Your Story

They don't make anything happen.

They get along with everyone, neither creating nor enhancing conflict.

We aren't interested in knowing more about them.

They are not connected with either the main characters or their stories.

In other words, they don't generate plot by adding more complications to the story.

Here are some specific character types I especially want to boot out the door.

#1 Exit Candidate: The Lackluster Character

Especially when you are creating the main characters of a series who must be extra unique and compelling. In fact, any continuing character must stand out in order to hold a reader's interest through several stories. Be careful not to focus on thrilling plot at the expense of thrilling characters. This can be fatal to storytelling success.

The Character Who Cloys

Especially as your romance heroine. She's cute enough to kill, and the alleged hero scampers along in her wake for far too long. At first, she may be lovable for the reader as well. Then, we become exasperated with her and, eventually, out and out irritated. She's a distraction from the story and undermines your hero's portrayal too.

The Character Who Fails at His Story Mission

Especially as your mystery-suspense hero. He's the detective who doesn't detect. A murder is committed, and he should be intent on finding the murderer but does too little to further that quest. He avoids real investigative questioning. He lets others to do the legwork. He slows the pace instead of enlivening it. He must thrust himself into danger and battle his way out again.

The Interchangeables

Especially as your secondary characters. For example, three sisters or friends or whoever that would be better as two. The extra sidekick clutters the story. She isn't distinctive enough and her lack of substance drains story vitality. She should be folded into one of the other characters to streamline plot and pacing or rewritten to reveal her individuality.

Character Triage: This is Only the Beginning

I've shared my personal sampling of characters who need to go if you want to write a strong story, and of course you do. Now, you must make your own list, from your own work, but don't be discouraged when you do. There are ways to save these characters from the no-hope heap. Every character, like every human being, has a story. Your job as storyteller is to dig deep, discover that story and give your creation life on the page. In other words, perform character triage. When you do that, all your characters will not just belong in your story, they will be embedded in your reader's heart.

For more insights into writing and publishing,visit my blog at www.aliceorrbooks.com

About Alice Orr

Alice Orr is author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. Hero in the Mirror: How to Write Your Best Story of You is in progress. A former book editor and literary agent, Alice now writes full-time. Her latest novel is A Time of Fear and Loving – Riverton Road Romantic Suspense Series Book 5. Find all of Alice Orr's books on Amazon. Alice has two grown children and two perfect grandchildren and lives with her beloved husband Jonathan in New York City.
Author Website www.aliceorrbooks.com
Author Blog www.aliceorrbooks.com
Facebook https://www.facebook.com/aliceorrwriter
Twitter https://twitter.com/aliceorrbooks
Amazon Author Page https://www.amazon.com/Alice-Orr/e/B000APC22E

Share book related tweets on Retweet Day with #MFRWauthor and #MFRWorg

It's Retweet Day for MFRW on Twitter. All Marketing for Romance Writers are invited to set up tweets for their books.

Go into Twitter and create a tweet. Make sure to use #MFRWauthor or #MFRWorg You can share up to 280 characters per tweet.

Once the tweet has been posted, click anywhere in the white background of the tweet. This will open it and allow you to highlight and copy the URL.

Navigate back to here and paste the URL in the comment section of this post.

Each month, the RT post goes live the Monday before RT day. You can post your tweet until Wednesday of the same week.

Retweet Day is on the second Wednesday of each month. Retweet everyone on the list who uses one of the hashtags.

HINT:

To help people find your tweet, click the the white background and then the down arrow (found on the right side). Choose "Pin to Your Profile Page." This will keep the tweet at the top of your Twitter feed so more people can find it.

Retweet Day Rules

1. Must have #MFRWauthor or #MFRWorg in the tweet. (This retweet day is to promote each other and our group.)

2. Do not use profanity or sexual explicit graphics. Keep it for all age groups.
3. Please do not use adult topics.
4. Limit hashtags to three (3) per post.

5. Return on Retweet Day and click each link in the comments.**

6. Click the heart on the tweet and then the retweet symbol and the Retweet button.

** To share a tweet, highlight the url, right click, and you will see an option to open the link or go to the url. Do that, and it should open in a new window and take you there.

Come back after sending the tweet and go through the entire list. 

Here's to a great day of retweets!

Kayelle Allen writes Sci Fi with misbehaving robots, mythic heroes, role playing immortal gamers, and warriors who purr. She is the author of multiple books, novellas, and short stories. She's also a US Navy veteran and has been married so long she's tenured.

https://kayelleallen.com

Who's Driving Your Story? Make Sure the Proper Protagonist is at the Wheel by Alice Orr @aliceorrbooks #MFRWauthor #AmWriting

You have gifted yourself with an Idea from Heaven. You've learned to create a story idea that is potentially strong enough to hook your readers as a captive audience for the length of your entire book. Your idea engine is tuned up and ready to roll. Now, you must designate your driver very carefully...

The Proper Protagonist

A protagonist, main character, strong enough to set the hook deeper still. She is the center of your story around which all the rest revolves, from the first page to the last. She must be a person of substance, complex enough to command and hold reader attention from your dramatic opening to your satisfying ending.

She is your hero and the most fascinating person in your story. A passive reactor will not fit this bill. Your hero must decide to act, and do exactly that, thus setting the action of the story in motion. She is the driving principal that keeps the action moving.

Your main character is the person with the most at stake in your story situation. She has the most to lose if things go badly. Often, in a truly gripping story, other people could lose big time to. She must commit herself to preventing that, and this generosity of spirit makes her even more heroic, burying the story hook deeper into your reader's heart.

Your character needs a happy ending more desperately than she's ever needed anything. The crucial intensity of this desire, for others as well as herself, ties the reader more and more inextricably to your character's fate, sinking the story hook deeper yet again.

This is a heavy burden for any character to support. Is your main character equal to the challenge? Can she carry the weight? As this burden mounts with every chapter, bending her nearly to breaking point, will she soldier on? If she does, will your reader believe she is capable of such strength and endurance?

Could someone else in your story carry its burden more convincingly? Is your story most riveting with the main character you have chosen at its center? Or not? The success of your story depends on your honest, accurate answer to this question. No matter how attached you may be to your character, you must strive relentlessly toward this crucial truth.

Is Scarlett O'Hara the proper protagonist for Margaret Mitchell's Gone with the Wind? She escapes burning Atlanta, struggles home, finds her mother dead, her father deranged, Tara in shambles, and not a scrap of food anywhere. Scarlett staggers to the garden, scratches a root from the ground, attempts to eat it and vomits.

This is a black story moment if there ever was one. She might have collapsed into the dust and given up. Instead, she makes this black moment a turning point of her story. Despite exhaustion and despair, she pushes herself up from the dirt, lifts a grimy fist to heaven and cries, "As God is my witness, they're not going to lick me. As God is my witness, I'll never be hungry again."

Do we believe this behavior from this character? She's shown herself to be shallow, uncaring, vain, and selfish. Such traits are not considered character strengths, but she is also stubborn, relentless, and afire with determination. I, for one, don't doubt for an instant she has the grit to drag herself upright and vow to God that nothing will ever deter her again.

Is your hero's heroism equally believable? Would another major character, maybe a Melanie Hamilton, make a better central figure for your story? Critics have been debating that about GWTW for decades. Now, you must debate yourself about your characters. And, whatever Rhett Butler might say, frankly, dear author, for your story's sake, I encourage you to give a damn.

For more insights into writing and publishing – Visit my blog at www.aliceorrbooks.com.

About Alice Orr

Alice Orr is author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. Hero in the Mirror: How to Write Your Best Story of You is in progress. A former book editor and literary agent, Alice now writes full-time. Her latest novel is A Time of Fear and Loving – Riverton Road Romantic Suspense Series Book 5. Find all of Alice Orr's books on Amazon. Alice has two grown children and two perfect grandchildren and lives with her beloved husband Jonathan in New York City.

Author Website www.aliceorrbooks.com

Author Blog www.aliceorrbooks.com

Facebook https://www.facebook.com/aliceorrwriter

Twitter https://twitter.com/aliceorrbooks

Amazon Author Page https://www.amazon.com/Alice-Orr/e/B000APC22E

Time to share tweets -- Retweet Day with #MFRWauthor and #MFRWorg

It's Retweet Day for MFRW on Twitter. All Marketing for Romance Writers are invited to set up tweets for their books.

Go into Twitter and create a tweet. Make sure to use #MFRWauthor or #MFRWorg You can share up to 280 characters per tweet.

Once the tweet has been posted, click anywhere in the white background of the tweet. This will open it and allow you to highlight and copy the URL.

Navigate back to here and paste the URL in the comment section of this post.

Each month, the RT post goes live the Monday before RT day. You can post your tweet until Wednesday of the same week.

Retweet Day is on the second Wednesday of each month. Retweet everyone on the list who uses one of the hashtags.

HINT:

To help people find your tweet, click the the white background and then the down arrow (found on the right side). Choose "Pin to Your Profile Page." This will keep the tweet at the top of your Twitter feed so more people can find it.

Retweet Day Rules

1. Must have #MFRWauthor or #MFRWorg in the tweet. (This retweet day is to promote each other and our group.)

2. Do not use profanity or sexual explicit graphics. Keep it for all age groups.
3. Please do not use adult topics.
4. Limit hashtags to three (3) per post.

5. Return on Retweet Day and click each link in the comments.**

6. Click the heart on the tweet and then the retweet symbol and the Retweet button.

** To share a tweet, highlight the url, right click, and you will see an option to open the link or go to the url. Do that, and it should open in a new window and take you there.

Come back after sending the tweet and go through the entire list. 

Here's to a great day of retweets!

Kayelle Allen writes Sci Fi with misbehaving robots, mythic heroes, role playing immortal gamers, and warriors who purr. She is the author of multiple books, novellas, and short stories. She's also a US Navy veteran and has been married so long she's tenured.

https://kayelleallen.com

How to Get an Edit Bird on Your Shoulder @AliceOrrBooks #MFRWauthor #amediting

Writing advice from thriller author and former editor Alice Orr

Every writer I know has endured rejection. If you’ve escaped that fate, you should be writing this, because my work has been rejected many times. On the occasion of my first major rejection, the editor implied, or maybe told me straight out, that I had no idea what I was doing.

My big mistake was agreeing to a sushi lunch. I didn’t know sushi from tsunami, but, to appear cooperative, I replied, “Sure. Sushi’s good.” Had I understood the purpose of the lunch, I’d have made a different response. I didn’t have a clue, though I probably should have.

I was writing my second novel for this editor. The first didn’t set the world afire. The second had dragged through two extensive revisions, and I’d pretty much lost track of what the story was originally about. As I took a wobbly chopstick grip on my third portion of something raw wrapped in seaweed, my editor let me know she felt the same.

“This just doesn’t work for us,” she said. I plunged into shock, but I was also suddenly no longer clueless. I was stone-cold certain. There would be no more revision chances. Novel #2 had gone down the plumbing and months of my work along with it. The sushi slipped from its precarious perch between my chopsticks and plummeted to the edge of my plate.

“You seem to think a little bird sits on your shoulder and tells you how to write,” my editor was saying. “Like you don’t have anything to do with it.” I couldn’t respond. I excused myself, dashed to that upscale restaurant’s upscale ladies’ room, and leaned my clammy forehead against the cool tiles of the black marble stall, struggling to keep my insides under control.

Bird on my shoulder? What was she talking about? I’d never been aware of anything, with or without feathers, telling me how to write a book. What I had always been aware of was my helplessness. Because of the way the publishing world works, I had no control over the destiny of my writing career. Now, I understood how perilous cluelessness can be.

If you’ve ever submitted a manuscript, you know what I mean. You labor over your work, send it out into what feels like a void. then wait for a thumbs up or down on your efforts, your ambitions, your hope. You endure this because you have no idea what else you can do. You are as clueless as I was in that ladies’ room with my forehead pressed against tile as black as I believed my future to be.

A couple of years later, I became an editor myself. That choice had a lot to do with power. I was determined to regain mine, and to share it. As an editor, then a literary agent and teacher, I would be that bird. I’d sit on a writer’s shoulder and whisper in her ear the words she needed to hear to avoid demoralizing rejection scenes of her own. I could do that because my years on the other side of the desk taught me a lot about creating publishable fiction.

Now I write articles and blog posts to share that knowledge. Still, the dread words are out there, “This just doesn’t work for us.” Words that hit their mark hard for any writer. I wish I could guarantee they will never be heard again, but I can’t. What I can offer is my experience and expertise, and to be a bird on the shoulder with an empowering song to sing.

About Alice Orr

Alice Orr is the author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. A former book editor and literary agent, Alice now lives her dream as a full-time writer. Her latest novel is A Time of Fear and Loving: Riverton Road Romantic Suspense - Book 5. Alice has two grown children and two perfect grandchildren and resides with her husband Jonathan in New York City.
Author Website: www.aliceorrbooks.com
Author Blog: www.aliceorrbooks.com
Facebook: https://www.facebook.com/aliceorrwriter
Twitter: https://twitter.com/aliceorrbooks
Amazon Author Page: https://www.amazon.com/Alice-Orr/e/B000APC22E