Alice Orr: Nobody Wants a Sagging Middle: How to Avoid Writing a Muddled Story @AliceOrrBooks #MFRWauthor #amwriting

The struggle in your story is the drama of your story. That struggle must begin at your Dramatic Opening and continue forward without letup. The course of the struggle is the course of your plot. The more intense the struggle, the more intense the plot. That is the secret to writing a page-turner story. Escalate the power, the intensity and the drama of your main character's struggle, and you are in the winner's circle. What could screw that up for you? The middle, where you are likely, with unfortunate regularity, to find a muddle. Why? Because the middle is where the story line is likely to sag.

Nobody Wants a Sagging Middle: How to Avoid Writing a Muddled Story

When your story loses momentum in the middle you must make these crucial assumptions. You need to know more about your characters. And, therefore, you need to ask yourself three crucial questions.

• What hidden relationships could there be between my characters?
• What further conflict lies beneath the surface of their relationships?
• What further secrets do they have, and why have they kept them from me?

In my contribution to the MFRW magazine's February issue, "Well Begun is Well Done," an article on the Dramatic Opening, I used the classic film Casablanca as a story example. Let's continue with that example here of how to create the story middle that avoids a muddle.

At the Dramatic Opening of Casablanca we found Rick, played by Humphrey Bogart, bitter and disillusioned, but we are well into the story before we learn the source of his bitterness. At the opening, there are hints at the problems in Rick's history, but we still don't understand what's up with him. Then beautiful Ilsa arrives, played by Ingrid Bergman, and Rick reacts. We might say he overreacts because we still don't know what's really going on between them. Ilsa is with her husband Victor when we first encounter her, so we don't get an explanation until she returns later to the closed café where Rick is alone. Now we find out about Paris and the past love affair between Rick and Ilsa that sent him soaring then smashed him back to earth.

At this point, we are truly hooked because what began as a suspense plot, has turned into a love story as well. We are hooked in the heart by the love story even more deeply than our adrenaline was pumped by the danger of the suspense story. We are also at the middle of the story, and there's not a sign of a sag anywhere. Why? Because we have learned more about the characters. Because the story situation has begun to satisfy those three crucial questions I mentioned, with a hidden relationship, a deep conflict and a significant secret that had been kept from us concerning the main character. Your story situation can do the same.

To add even more anti-muddle momentum to your story middle, all you have to do is make two more crucial assumptions. First, the hot water you have dumped your characters into needs to get hotter, much hotter. And, second, for that to happen, you must ask yourself three more crucial questions.

• What additional misfortunes can happen to my characters?
• What powerful dangers surround my characters?
• What can happen that will jolt my main character?

In Casablanca, we find the motherlode of misfortune and danger, World War II and Nazis. We also have a powerful villain in the German Major Strasser. Nothing accelerates story tension better than a truly evil bad guy. There are high stakes too. Ilsa's husband Victor must be smuggled to neutral territory or he will be captured and tortured and his patriotic anti-Nazi work will end. Meanwhile, the jolt to main character Rick comes in the form of Letters of Transit. They are what Alfred Hitchcock called the Macguffin. The Macguffin is the thing everybody in the story wants, either for good or evil reasons, depending on who they are. Rick has these letters. They will decide Victor's fate. They will also decide the fate of Rick and Ilsa's rekindled passion. Da Da Da Dum!

Drama. High stakes. An uncertain outcome.

The middle of Casablanca provides all of this and more, and you can re-imagine your story middle to do the same. Simply re-imagine your characters. Dig beneath the surface of the way you see them now by answering the first three crucial questions. Dig beneath the surface of the way you now see your story by answering the second three questions. Do all of that, and you will excavate your own motherlode of page-turner storytelling. It is there already, beneath the surface you have already written. When you unearth that treasure, you will have banished your sagging middle forever.

Where to buy A Time of Fear and Loving

Publisher. Alice Orr Books
Amazon https://www.amazon.com/Time-Fear-Loving-Riverton-Road-ebook/dp/B075FHBNK2

About Alice Orr

Alice Orr is the author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. A former book editor and literary agent, Alice now lives her dream as a full-time writer. Her latest novel is A Time of Fear and Loving: Riverton Road Romantic Suspense - Book 5. Alice has two grown children and two perfect grandchildren and resides with her husband Jonathan in New York City.
Author Website: www.aliceorrbooks.com
Author Blog: www.aliceorrbooks.com
Facebook: https://www.facebook.com/aliceorrwriter
Twitter:  https://twitter.com/aliceorrbooks
Amazon Author Page: https://www.amazon.com/Alice-Orr/e/B000APC22E

Share your tweets on Retweet Day with #MFRWauthor and #MFRWorg

It's Retweet Day for MFRW on Twitter. All Marketing for Romance Writers are invited to set up tweets for their books.

Go into Twitter and create a tweet. Make sure to use #MFRWauthor or #MFRWorg You can share up to 280 characters per tweet.

Once the tweet has been posted, click anywhere in the white background of the tweet. This will open it and allow you to highlight and copy the URL.

Navigate back to here and paste the URL in the comment section of this post.

Each month, the RT post goes live the Monday before RT day. You can post your tweet until Wednesday of the same week.

Retweet Day is on the second Wednesday of each month. Retweet everyone on the list who uses one of the hashtags.

HINT:

To help people find your tweet, click the the white background and then the down arrow (found on the right side). Choose "Pin to Your Profile Page." This will keep the tweet at the top of your Twitter feed so more people can find it.

Retweet Day Rules

1. Must have #MFRWauthor or #MFRWorg in the tweet. (This retweet day is to promote each other and our group.)

2. Do not use profanity or sexual explicit graphics. Keep it for all age groups.
3. Please do not use adult topics.
4. Limit hashtags to three (3) per post.

5. Return on Retweet Day and click each link in the comments.**

6. Click the heart on the tweet and then the retweet symbol and the Retweet button.

** To share a tweet, highlight the url, right click, and you will see an option to open the link or go to the url. Do that, and it should open in a new window and take you there.

Come back after sending the tweet and go through the entire list. 

Here's to a great day of retweets!

Kayelle Allen writes Sci Fi with misbehaving robots, mythic heroes, role playing immortal gamers, and warriors who purr. She is the author of multiple books, novellas, and short stories. She's also a US Navy veteran and has been married so long she's tenured.

https://kayelleallen.com

Come share tweets with another #MFRWauthor

It's Retweet Day for MFRW on Twitter. All Marketing for Romance Writers are invited to set up tweets for their books.

Go into Twitter and create a tweet. Make sure to use #MFRWauthor or #MFRWorg You can share up to 280 characters per tweet.

Once the tweet has been posted, click anywhere in the white background of the tweet. This will open it and allow you to highlight and copy the URL.

Navigate back to here and paste the URL in the comment section of this post.

Each month, the RT post goes live the Monday before RT day. You can post your tweet until Wednesday of the same week.

Retweet Day is on the second Wednesday of each month. Retweet everyone on the list who uses one of the hashtags.

HINT:

To help people find your tweet, click the the white background and then the down arrow (found on the right side). Choose "Pin to Your Profile Page." This will keep the tweet at the top of your Twitter feed so more people can find it.

Retweet Day Rules

1. Must have #MFRWauthor or #MFRWorg in the tweet. (This retweet day is to promote each other and our group.)

2. Do not use profanity or sexual explicit graphics. Keep it for all age groups.
3. Please do not use adult topics.
4. Limit hashtags to three (3) per post.

5. Return on Retweet Day and click each link in the comments.**

6. Click the heart on the tweet and then the retweet symbol and the Retweet button.

** To share a tweet, highlight the url, right click, and you will see an option to open the link or go to the url. Do that, and it should open in a new window and take you there.

Come back after sending the tweet and go through the entire list. 

Here's to a great day of retweets!

Kayelle Allen writes Sci Fi with misbehaving robots, mythic heroes, role playing immortal gamers, and warriors who purr. She is the author of multiple books, novellas, and short stories. She's also a US Navy veteran and has been married so long she's tenured.

https://kayelleallen.com

Share tweets with fellow authors @MFRW_ORG #MFRWauthor

It's Retweet Day for MFRW on Twitter. All Marketing for Romance Writers are invited to set up tweets for their books.

Go into Twitter and create a tweet. Make sure to use #MFRWauthor or #MFRWorg You can share up to 280 characters per tweet.

Once the tweet has been posted, click anywhere in the white background of the tweet. This will open it and allow you to highlight and copy the URL.

Navigate back to here and paste the URL in the comment section of this post.

Each month, the RT post goes live the Monday before RT day. You can post your tweet until Wednesday of the same week.

Retweet Day is on the second Wednesday of each month. Retweet everyone on the list who uses one of the hashtags.

HINT:

To help people find your tweet, click the the white background and then the down arrow (found on the right side). Choose "Pin to Your Profile Page." This will keep the tweet at the top of your Twitter feed so more people can find it.

Retweet Day Rules

1. Must have #MFRWauthor or #MFRWorg in the tweet. (This retweet day is to promote each other and our group.)

2. Do not use profanity or sexual explicit graphics. Keep it for all age groups.
3. Please do not use adult topics.
4. Limit hashtags to three (3) per post.

5. Return on Retweet Day and click each link in the comments.**

6. Click the heart on the tweet and then the retweet symbol and the Retweet button.

** To share a tweet, highlight the url, right click, and you will see an option to open the link or go to the url. Do that, and it should open in a new window and take you there.

Come back after sending the tweet and go through the entire list. 

Here's to a great day of retweets!

Kayelle Allen writes Sci Fi with misbehaving robots, mythic heroes, role playing immortal gamers, and warriors who purr. She is the author of multiple books, novellas, and short stories. She's also a US Navy veteran and has been married so long she's tenured.

https://kayelleallen.com

5 Aspects for Creating Strong Character Arcs -- Kayelle Allen @KayelleAllen #amwriting #MFRWauthor

I try to create complex heroes, and one thing that helps is creating strong character arcs. For deeper understanding, I recommend reading Character Arcs by KM Weiland. That book gave me great insights into my characters. This post uses he/she. Feel free to apply your preferred gender pronouns.

Creating a Strong Character Arc

The main character must face conflict, deal with emotions, and experience change. All those things arise out of the following five aspects.

What does your hero want?

If your hero lives a great life, with all he or she wants and no real needs, then there is no conflict. You must have conflict in order to move the story forward. Your hero should want something badly enough to change in order to get it. That want will be a major driver of your story.

What are your hero's personal preconceptions?

When your hero looks in the mirror, who is looking back? Chances are, he/she is already a hero to someone. But how does he feel about himself? When he looks in the mirror, does he see his failures? Or perhaps he sees himself as a hero when others see him in an entirely different light.

What does your hero do wrong?

Sure, no one's perfect, but the personal flaws facing your hero must provide a reason for your character to change and must be a lynchpin in driving that change. Example: a young woman with reasons in her past that make her distrust people in general, and men in particular meets a man who makes her long to trust. But because of her flaws, her misconceptions and inhibitions, she can't. She must overcome those flaws in order to find love -- to reach her goal.

What abilities does your hero possess?

The hero in any story will need to accomplish certain tasks. It might be anything from scaling a wall to performing before a crowd, but he needs to complete them in order to overcome the conflict and reach his goal. When the story opens, he can't do them, but by the end, he can. Not only has he changed the story, the story has changed him.

What scares your hero?

I have an immortal king in multiple stories. Pietas can come back from almost any death. He's nearly 2000 years old and is as big and brave as they come. But because he's isolated himself by virtue of his position as well as personal choice, he's never needed friends and never wanted one. The problem is, he's made one who's the target of assassins--and mortal. Now that he's had a friend, how can he face eternity alone? For the first time in his long, barren existence, Pietas fears the very isolation he has spent his life cultivating, and he will do absolutely anything to prevent it.
The point of scaring your hero is that if your hero is afraid, it means the stakes are high enough to make him change. If you create a hero who undergoes change, you create a complex character.

Ask yourself if you have developed a hero who has tangible wants and needs, preconceptions that don't necessarily match his reality, faults that make him relatable, and the ability to adapt and learn new skills. Don't forget to give him one or more fears that he must overcome or remove. A layered approach to creating your hero will hook your readers and bring them back for more.
 

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Bringer of Chaos: Origin of Pietas
An immortal king must doom his people to exile or place his faith in that which he most hates: a human.
Bringer of Chaos: Forged in Fire
An exiled, immortal king, a ginormous panther "kitty" and the most dysfunctional family since forever.

Kayelle Allen writes Sci Fi with misbehaving robots, mythic heroes, role playing immortal gamers, and warriors who purr. She's also a US Navy veteran and has been married so long she's tenured.
https://kayelleallen.com