Building a Hero with Stature and What Not to Do by Alice Orr @AliceOrrBooks #MFRWauthor #amwriting

Building a Hero with Stature – What Not to Do

If your storytelling goal is wide audience appeal, build an admirable hero. A hero the reader will look up to, and remember that when I use the term hero, I'm referring to main characters of all genders.

I base my admirable hero assertion on two things. First, the bestseller lists. Most fiction titles you find there tell stories of admirable protagonists confronting great obstacles in admirable ways. Second, my experience as editor and literary agent, which too often illustrated what an admirable hero is not. Here are some examples, with names changed for discretion's sake.

Caroline is the hero of a Regency romance set in early nineteenth century England. We're told she's a woman of spotless character, which would be an appropriate portrayal. Most readers of this genre prefer their heroines intelligent, wise and, above all, dignified. An author seeking wide reader appeal would be wise herself to honor these preferences.

Unfortunately, Caroline is not the highly principled woman we are told she is. Instead, she shows herself to be of low moral character. Specifically, she joins a traveling theatrical company where her performance specialty is as a procurer or, in more forthright terms, a pimp. 

To make matters worse, Caroline lacks acceptable motivation for her choices. She's an unhappily married woman to be sure, but she is also from the landed gentry with ample financial means. She doesn't need to disgrace herself and her family to escape her husband, nor allow herself to be degraded as she does in this author's story.

A Regency era main character may find herself in dire straits. She may act to overcome her trials in many ways, but not at the expense of dignity and self-respect. Otherwise, she becomes too tawdry to qualify as a hero of this genre, and maybe as an admirable hero of any genre, at least for a non-established author. Bestsellers can afford to take chances, sometimes.

As for Sebastian, I wonder if even his author liked him very much. Sebastian is cold, distant and uncaring. His lack of compassion must be counteracted by noble qualities to make him an admirable hero. He could be written as remote on the surface with endearing depths beneath, but, in this portrayal, under his craggy surface beats a heart of unappealing stone.

Kendra has heroic qualities but is never called upon to use them. Her story is meant to be suspenseful. She should be in danger, real danger that, to maximize appeal, threatens her life. She is strong, resourceful and brave. We're eager to see those qualities tested by extreme circumstance. When no truly thrilling challenges arise, our reader expectations are dashed.

Kendra's author could have made stronger storytelling choices. A perilous situation, which Kendra only narrowly escapes. Better still, another character, vulnerable, like a child, faces serious threat, and Kendra risks her life to defy that threat. These scenarios would reveal her heroism in action and intensify the suspense. Instead, Kendra is a heroine waiting to happen, and the author squanders the dramatic potential of her story.

Shattered reader expectations, heartless main characters, dramatic potential squandered. Avoid these like the storytelling plagues they are, unless you're a bestselling author with maybe some room for risk. Build instead a hero with stature we can admire.

For more insights into writing and publishing – Visit my blog at www.aliceorrbooks.com.

About Alice Orr

Alice Orr is the author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. A former book editor and literary agent, Alice now lives her dream as a full-time writer. Her latest novel is A Time of Fear and Loving: Riverton Road Romantic Suspense - Book 5. Alice has two grown children and two perfect grandchildren and resides with her husband Jonathan in New York City.
Author Website www.aliceorrbooks.com
Author Blog www.aliceorrbooks.com
Facebook https://www.facebook.com/aliceorrwriter
Twitter https://twitter.com/aliceorrbooks
Amazon Author Page https://www.amazon.com/Alice-Orr/e/B000APC22E

Character Triage: Kick Out Your Characters by Alice Orr @AliceOrrBooks #MFRWauthor #amwriting

Join former literary agent and editor Alice Orr, author of No More Rejections, as she offers advice for character triage, kicking out characters who do not work in your story.

Character Triage

Who's In? Who's Out? Every character you start out with in your story may not carry enough storytelling weight to be allowed to stick around. Some will most likely have to go. Which characters do and do not belong in your story? How do you decide? First, let's make a couple of general lists. Then we'll move on to my personal specifics.

Character Triage –Characters Who Should Stay in Your Story

They sparkle with contradiction and controversy.

They enhance the main characters in the story, make them more intriguing.

They aggravate the main characters in the story, make them more conflicted.

They have often dark secrets the main characters would like to know, or should know, but don't.

They have hidden dreams the main characters would like to know, or should know, but don't.

In other words, they generate plot by adding more complications to the story.

Character Triage – Who's Out? Characters Who Should Leave Your Story

They don't make anything happen.

They get along with everyone, neither creating nor enhancing conflict.

We aren't interested in knowing more about them.

They are not connected with either the main characters or their stories.

In other words, they don't generate plot by adding more complications to the story.

Here are some specific character types I especially want to boot out the door.

#1 Exit Candidate: The Lackluster Character

Especially when you are creating the main characters of a series who must be extra unique and compelling. In fact, any continuing character must stand out in order to hold a reader's interest through several stories. Be careful not to focus on thrilling plot at the expense of thrilling characters. This can be fatal to storytelling success.

The Character Who Cloys

Especially as your romance heroine. She's cute enough to kill, and the alleged hero scampers along in her wake for far too long. At first, she may be lovable for the reader as well. Then, we become exasperated with her and, eventually, out and out irritated. She's a distraction from the story and undermines your hero's portrayal too.

The Character Who Fails at His Story Mission

Especially as your mystery-suspense hero. He's the detective who doesn't detect. A murder is committed, and he should be intent on finding the murderer but does too little to further that quest. He avoids real investigative questioning. He lets others to do the legwork. He slows the pace instead of enlivening it. He must thrust himself into danger and battle his way out again.

The Interchangeables

Especially as your secondary characters. For example, three sisters or friends or whoever that would be better as two. The extra sidekick clutters the story. She isn't distinctive enough and her lack of substance drains story vitality. She should be folded into one of the other characters to streamline plot and pacing or rewritten to reveal her individuality.

Character Triage: This is Only the Beginning

I've shared my personal sampling of characters who need to go if you want to write a strong story, and of course you do. Now, you must make your own list, from your own work, but don't be discouraged when you do. There are ways to save these characters from the no-hope heap. Every character, like every human being, has a story. Your job as storyteller is to dig deep, discover that story and give your creation life on the page. In other words, perform character triage. When you do that, all your characters will not just belong in your story, they will be embedded in your reader's heart.

For more insights into writing and publishing,visit my blog at www.aliceorrbooks.com

About Alice Orr

Alice Orr is author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. Hero in the Mirror: How to Write Your Best Story of You is in progress. A former book editor and literary agent, Alice now writes full-time. Her latest novel is A Time of Fear and Loving – Riverton Road Romantic Suspense Series Book 5. Find all of Alice Orr's books on Amazon. Alice has two grown children and two perfect grandchildren and lives with her beloved husband Jonathan in New York City.
Author Website www.aliceorrbooks.com
Author Blog www.aliceorrbooks.com
Facebook https://www.facebook.com/aliceorrwriter
Twitter https://twitter.com/aliceorrbooks
Amazon Author Page https://www.amazon.com/Alice-Orr/e/B000APC22E

Who's Driving Your Story? Make Sure the Proper Protagonist is at the Wheel by Alice Orr @aliceorrbooks #MFRWauthor #AmWriting

You have gifted yourself with an Idea from Heaven. You've learned to create a story idea that is potentially strong enough to hook your readers as a captive audience for the length of your entire book. Your idea engine is tuned up and ready to roll. Now, you must designate your driver very carefully...

The Proper Protagonist

A protagonist, main character, strong enough to set the hook deeper still. She is the center of your story around which all the rest revolves, from the first page to the last. She must be a person of substance, complex enough to command and hold reader attention from your dramatic opening to your satisfying ending.

She is your hero and the most fascinating person in your story. A passive reactor will not fit this bill. Your hero must decide to act, and do exactly that, thus setting the action of the story in motion. She is the driving principal that keeps the action moving.

Your main character is the person with the most at stake in your story situation. She has the most to lose if things go badly. Often, in a truly gripping story, other people could lose big time to. She must commit herself to preventing that, and this generosity of spirit makes her even more heroic, burying the story hook deeper into your reader's heart.

Your character needs a happy ending more desperately than she's ever needed anything. The crucial intensity of this desire, for others as well as herself, ties the reader more and more inextricably to your character's fate, sinking the story hook deeper yet again.

This is a heavy burden for any character to support. Is your main character equal to the challenge? Can she carry the weight? As this burden mounts with every chapter, bending her nearly to breaking point, will she soldier on? If she does, will your reader believe she is capable of such strength and endurance?

Could someone else in your story carry its burden more convincingly? Is your story most riveting with the main character you have chosen at its center? Or not? The success of your story depends on your honest, accurate answer to this question. No matter how attached you may be to your character, you must strive relentlessly toward this crucial truth.

Is Scarlett O'Hara the proper protagonist for Margaret Mitchell's Gone with the Wind? She escapes burning Atlanta, struggles home, finds her mother dead, her father deranged, Tara in shambles, and not a scrap of food anywhere. Scarlett staggers to the garden, scratches a root from the ground, attempts to eat it and vomits.

This is a black story moment if there ever was one. She might have collapsed into the dust and given up. Instead, she makes this black moment a turning point of her story. Despite exhaustion and despair, she pushes herself up from the dirt, lifts a grimy fist to heaven and cries, "As God is my witness, they're not going to lick me. As God is my witness, I'll never be hungry again."

Do we believe this behavior from this character? She's shown herself to be shallow, uncaring, vain, and selfish. Such traits are not considered character strengths, but she is also stubborn, relentless, and afire with determination. I, for one, don't doubt for an instant she has the grit to drag herself upright and vow to God that nothing will ever deter her again.

Is your hero's heroism equally believable? Would another major character, maybe a Melanie Hamilton, make a better central figure for your story? Critics have been debating that about GWTW for decades. Now, you must debate yourself about your characters. And, whatever Rhett Butler might say, frankly, dear author, for your story's sake, I encourage you to give a damn.

For more insights into writing and publishing – Visit my blog at www.aliceorrbooks.com.

About Alice Orr

Alice Orr is author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. Hero in the Mirror: How to Write Your Best Story of You is in progress. A former book editor and literary agent, Alice now writes full-time. Her latest novel is A Time of Fear and Loving – Riverton Road Romantic Suspense Series Book 5. Find all of Alice Orr's books on Amazon. Alice has two grown children and two perfect grandchildren and lives with her beloved husband Jonathan in New York City.

Author Website www.aliceorrbooks.com

Author Blog www.aliceorrbooks.com

Facebook https://www.facebook.com/aliceorrwriter

Twitter https://twitter.com/aliceorrbooks

Amazon Author Page https://www.amazon.com/Alice-Orr/e/B000APC22E

Alice Orr: Nobody Wants a Sagging Middle: How to Avoid Writing a Muddled Story @AliceOrrBooks #MFRWauthor #amwriting

The struggle in your story is the drama of your story. That struggle must begin at your Dramatic Opening and continue forward without letup. The course of the struggle is the course of your plot. The more intense the struggle, the more intense the plot. That is the secret to writing a page-turner story. Escalate the power, the intensity and the drama of your main character's struggle, and you are in the winner's circle. What could screw that up for you? The middle, where you are likely, with unfortunate regularity, to find a muddle. Why? Because the middle is where the story line is likely to sag.

Nobody Wants a Sagging Middle: How to Avoid Writing a Muddled Story

When your story loses momentum in the middle you must make these crucial assumptions. You need to know more about your characters. And, therefore, you need to ask yourself three crucial questions.

• What hidden relationships could there be between my characters?
• What further conflict lies beneath the surface of their relationships?
• What further secrets do they have, and why have they kept them from me?

In my contribution to the MFRW magazine's February issue, "Well Begun is Well Done," an article on the Dramatic Opening, I used the classic film Casablanca as a story example. Let's continue with that example here of how to create the story middle that avoids a muddle.

At the Dramatic Opening of Casablanca we found Rick, played by Humphrey Bogart, bitter and disillusioned, but we are well into the story before we learn the source of his bitterness. At the opening, there are hints at the problems in Rick's history, but we still don't understand what's up with him. Then beautiful Ilsa arrives, played by Ingrid Bergman, and Rick reacts. We might say he overreacts because we still don't know what's really going on between them. Ilsa is with her husband Victor when we first encounter her, so we don't get an explanation until she returns later to the closed café where Rick is alone. Now we find out about Paris and the past love affair between Rick and Ilsa that sent him soaring then smashed him back to earth.

At this point, we are truly hooked because what began as a suspense plot, has turned into a love story as well. We are hooked in the heart by the love story even more deeply than our adrenaline was pumped by the danger of the suspense story. We are also at the middle of the story, and there's not a sign of a sag anywhere. Why? Because we have learned more about the characters. Because the story situation has begun to satisfy those three crucial questions I mentioned, with a hidden relationship, a deep conflict and a significant secret that had been kept from us concerning the main character. Your story situation can do the same.

To add even more anti-muddle momentum to your story middle, all you have to do is make two more crucial assumptions. First, the hot water you have dumped your characters into needs to get hotter, much hotter. And, second, for that to happen, you must ask yourself three more crucial questions.

• What additional misfortunes can happen to my characters?
• What powerful dangers surround my characters?
• What can happen that will jolt my main character?

In Casablanca, we find the motherlode of misfortune and danger, World War II and Nazis. We also have a powerful villain in the German Major Strasser. Nothing accelerates story tension better than a truly evil bad guy. There are high stakes too. Ilsa's husband Victor must be smuggled to neutral territory or he will be captured and tortured and his patriotic anti-Nazi work will end. Meanwhile, the jolt to main character Rick comes in the form of Letters of Transit. They are what Alfred Hitchcock called the Macguffin. The Macguffin is the thing everybody in the story wants, either for good or evil reasons, depending on who they are. Rick has these letters. They will decide Victor's fate. They will also decide the fate of Rick and Ilsa's rekindled passion. Da Da Da Dum!

Drama. High stakes. An uncertain outcome.

The middle of Casablanca provides all of this and more, and you can re-imagine your story middle to do the same. Simply re-imagine your characters. Dig beneath the surface of the way you see them now by answering the first three crucial questions. Dig beneath the surface of the way you now see your story by answering the second three questions. Do all of that, and you will excavate your own motherlode of page-turner storytelling. It is there already, beneath the surface you have already written. When you unearth that treasure, you will have banished your sagging middle forever.

Where to buy A Time of Fear and Loving

Publisher. Alice Orr Books
Amazon https://www.amazon.com/Time-Fear-Loving-Riverton-Road-ebook/dp/B075FHBNK2

About Alice Orr

Alice Orr is the author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. A former book editor and literary agent, Alice now lives her dream as a full-time writer. Her latest novel is A Time of Fear and Loving: Riverton Road Romantic Suspense - Book 5. Alice has two grown children and two perfect grandchildren and resides with her husband Jonathan in New York City.
Author Website: www.aliceorrbooks.com
Author Blog: www.aliceorrbooks.com
Facebook: https://www.facebook.com/aliceorrwriter
Twitter:  https://twitter.com/aliceorrbooks
Amazon Author Page: https://www.amazon.com/Alice-Orr/e/B000APC22E

Have you asked your character these questions? Kayelle Allen @kayelleallen #amwriting #MFRWauthor

Marketing for Romance Writers was created for a group of romance writers, but quickly gained members in every sort of genre. As writers, one thing we all have in common is the need to create strong characters. To that end, here is a questionnaire you can use to get to know the people in your story.

Questions for the Character to Answer

How do you dress?

If we could only hear your voice (but not see you) what characteristic would identify you?

Please tell us about your education.

Are you book-smart, self-taught, widely-experienced?

Do you get by, live comfortably, live extravagantly?

What is your viewpoint on wealth?

On what special skills do you rely?

Are any of your skills a source of pride or embarrassment, and if so, which ones and why?

What kinds of things do you always carry (in pockets or purse)?

What is your family like?

Are you close to family?

Do you have children?

Are you involved in your community?

How well do you know your neighbors?

Do you see morality as black-and-white, or with shades of gray?

How do others perceive you based upon looks, and is this assumption accurate?

Do you care about what others assume about you?

If someone from your past showed up, who would you most want it to be, and why?

If someone from your past showed up, who would you most NOT want it to be, and why?

Can you keep a secret? Why or why not?

What secrets do you know about people around you that you do NOT share?

What inner doubt causes you the most difficulty?

What past event causes you the most fear?

What is your biggest need?

What are your biggest hopes and dreams?

What would help you face hardship and meet any challenge?

If you could make any one thing happen, what would it be?

What is your biggest personal flaw?

When there is a setback, what doubt or flaw surfaces?

How do you handle challenges?

What is your breaking point?

How do you express disappointment?

How emotionally expressive are you to others?

When (if) you lie or are upset, what gives you away?

Who in your life has the power to hurt you the most and why?

What would you like to tell your writer?

What would you like people who hear your story to know?

Questions for the Writer to Answer

(Change gender to fit your character)

Your character is at a party. Considering his story, describe the party.

How does the character feel about being this particular party, and what body language is he displaying that gives it away?

Is he more likely to mingle or remain aloof?

If he drinks, what is his drink of choice at this party?

How much drink is his usual?

The character figures out where the hiding places are and then goes there. Is it to hide, to avoid someone, or to go drag a friend back to the party?

Is he likely to latch onto a friend and stay with him/her and ignore others, or is he the friend that others latch onto?

If someone picked a fight at this party, how is the character going to handle it?

Is the character the one most likely to get tossed out of the party, or the one who does the tossing?

Will he know when to leave, or stay late and make a nuisance of himself?

This is not an exhaustive list of questions, but it should give you some insight into creating a unique and memorable character.

Come share your character on my book blog, Romance Lives Forever. Readers find something new every day on RLF. www.rlfblog.com Look for Signup in the menu. You can set your own date and even get automated reminders.

Kayelle Allen
author of Bro, the Antonello Brothers series prequel
https://kayelleallen.com/bro/

6 Ways to Write More and Stress Less - Kayelle Allen @kayelleallen #MFRWauthor #Amwriting

When the world is screaming for your attention, it's hard to write more. A few years ago, I had a bout of chest pain that landed me in the hospital for a week and forced me to re-examine some priorities. It wasn't a heart attack. It was stress.

The event provided a life lesson: focusing on the important (versus the mundane). Hard to do. I struggle with it often.

Here are six things I've learned that eliminate stress and let me write more. I hope they help.

Write more by saying no to what is not important

How hard is this? Very, if you can not figure out what's important. As a writer, time to write is the top priority. Are you a writer if you don't write? I'm thinking not. Bears some thinking about, doesn't it? When you write, write. When you do other things, do them with all your strength, but don't try to do both at the same time. It will add stress and you won't do either one as well as you could if you focused.

Stress less by asking for help

You can't do everything. Your friends, coworkers, kids, and editor know this. Goodness knows your spouse knows this. Why don't you know it? Could it be a little bit of a stubborn streak? The superman/woman complex? Break down your tasks and see what parts of each you can delegate.

Write more by hiring help

Yes, you can do things for yourself and you do them. Especially if you're an indie author. But here's a thought. You can hire someone to help you with Facebook, deal with your website, set up a profile on social media, etc. But guess what? No one else can write your book. Hire help where you can so you free up time to write. Fiverr is a great place to look.

Stress less by facing the hard things

Do something difficult first thing every day. If you face a hard thing first, the rest of the day will be downhill.

Write more by going outside

Sounds counterintuitive, but it's true. Spend time outside. Sure, you need the BICHOK rule to write (butt in chair, hands on keyboard), but sunshine does wonders for your body and soul. It's a natural source of vitamin D, which is good for bones. Your body can't make it without help. And oh my... there is nothing like the feel of grass under your feet when you've been cooped up in the house. Is it snowing? Step out, breathe some icy air, and duck back inside. But change your environment and you'll stress less and write a whole lot more.

Stress less by not letting dust bother you

Do you need a house that's a hospital or a house that's hospitable? Families (and single people, and couples) need a house that's enjoyed and filled with laughter and love. So what if there's dust? Break out the dustcloth half as much, write twice as much, and see which makes you feel better. Stack the dishes neatly in the sink and let them wait. I promise they will still be there when you get back from writing for an hour. No dishes I ever owned have washed themselves. Chances are, yours won't either. Housework can be done by anyone.

Remember, only you can write your book.

Here's to a stress free life with plenty of joy and laughter. Oh... and more time writing.

---

Kayelle Allen writes Sci Fi with misbehaving robots, mythic heroes, role playing immortal gamers, and warriors who purr. She's also a US Navy veteran and has been married so long she's tenured.
Author of At the Mercy of Her Pleasure, a sweet and rollicking science fiction romance. 

https://kayelleallen.com 

A Dozen Tips for the Art and Science of Editing, by Kayelle Allen @kayelleallen #AmEditing #MFRWauthor

Editing is an art, and some have a better knack than others. However, editing is also a science. There are rules in grammar regarding form and content. That means every author can take steps to strengthen the ability.

Here are a dozen things I keep in mind when I'm editing my final draft. After all, I'm writing for a very picky immortal king. I have to be careful. I mean, look at this guy. Would you want to make him look bad? Ok, here we go.

12 Editing Suggestions

1. Edit for passive construction. Omit words like am, was, were, be, being, been.
2. Use an active verb rather than a conditional one. Example:
   He would do anything his lord asked, without quarrel or quibbling.
   He did anything his lord asked, without quarrel or quibbling.
3. Substitute concrete terms for abstract ones. Thought vs. mused, guess vs. hypothesis.
4. Omit vague and abstract terms such as would, could, some, anything, about, only, better, less, etc.
5. Look for long phrases and shorten them.
6. Watch out for sentences that begin with conjunctions. (as, because, but, and).
7. Count the number of times you use the words has, had, and have. Change the tenses of verbs around to eliminate their need.
8. Make a list of your personal no-no words. These are words you use as crutch words to move you from one point to another as you write, but edit later. Go over your list before you submit it to your editor, critique group, or beta readers. What kinds of words? I've provided a link to a pdf I created for my critique group that contains 128. http://kayelleallen.com/media/WordstoWatchWhenEditing.pdf Feel free to pass it along to friends.
9. Ask yourself what is the worst thing that can happen to a character, and then focus on words that fit that description.
10. Grab a good tool. Try the Emotion Thesaurus: A Writer's Guide To Character Expression by Angela Ackerman and Becca Puglisi. This book provides phrases, terms, and other descriptors you can use to convey character emotions. No author should be without this tool. When you grab your own copy, start making a list of phrases you use as well. Each of us has something good to offer. Make the most of your own ability and record these phrases in a workbook, notepad, or document on your computer for later reference.
11. Any rule can ignored. If you are writing a complex, well-spoken character, you may need his/her speech to contain larger words, or a timid character to use a more passive vocabulary.
12. Edit with words that fit what your readers understand. It doesn't hurt to have a character who uses words that are difficult or complex, as long as there is context so readers can figure out what's going on. It can help strengthen the complexity of the character to do so. In my Bringer of Chaos series, Pietas is immortal, far beyond "well educated" and a brilliant scientist. Six, his constant companion, is far less knowledgeable. Here's a snippet to illustrate:

"Six, look! These tracks are from ungulates." Pietas knelt and ran his fingers along the tracks. "These are popular with terraformers. They put them on every colonized world. Artiodactyla, to be precise. Bovidae. I suspect a derivative of aepyceros melampus."

"You know, Pi, when you say things like that, you think you're explaining, but you're really not."

"Animals with split hooves. Even-toed. Lightweight impalas. Antelopes."

"What, you couldn't say antelopes?"

Pietas got up, dusting off his pants. "I just did."

Edit with the end in mind

What is the mood of the story? Explore ways to make your writing match it. Use good tools, and take notes about how other authors handle scenes and situations. Find a passage of a book that you enjoy and rewrite it in your own words, trying to make it stronger. See if you can improve it. Then, take a passage of one of your previously published books, and try the same thing.

Editing is a science, but it's also an art, and art takes practice. Never stop trying.

---
 Kayelle Allen is the founder of Marketing for Romance Writers. She pens Sci Fi with misbehaving robots, mythic heroes, role playing immortal gamers, and warriors who purr. She's also a US Navy veteran and has been married so long she's tenured.

https://kayelleallen.com

What is a Hashtag? by Kayelle Allen @KayelleAllen #writerslife #MFRWauthor

Do you know what this abbreviation "etc." means? It's the word et cetera which is Latin for "additional unspecified odds and ends; more of the same." It's intended to reduce the number of characters (or sentences) needed to explain an item.

That abbreviation is a perfect example of not wasting time. We don't write an entire list, or even the entire word. Although, here's a question: why is the word abbreviation so long? Hmmm. Another post for a different day.

Since 2012, I host over 350 authors a year on my Romance Lives Forever blog, and I've seen trends come and go. One that's endured is adding hashtags to the subject. Why is this valuable? Because when the post is shared on social media, those hashtags will enable people to find it. Here's an analogy that might help you understand.

What is a Hashtag

This symbol: # is called a hashmark. It's also the abbreviation (there's that word again) for number. On Twitter (and most other social media) when you add that symbol in front of a word, it changes the word to a search program.

Let's say you want to look up the word "tweet" on Twitter. In the Twitter search box, you type #tweet. The URL that pops up is this:

https://twitter.com/search?q=%23tweet&src=typd and all the tweets with that hashtag are listed.

Why Do I Need Hashtags

I'm a busy person. I know you are too. Imagine if you needed to pick up something at the grocery store, so you run in, grab a cart, and head for the produce department. When you get there, you discover a case for milk next to the lettuce. Not the milk you buy, unfortunately. Then next to the milk is a shelf with bread, but the brand you prefer isn't there either. Then comes oatmeal. The quick cooking type--but your kids like the instant version.

At this point, you stop, look around, and realize the entire store has been completely rearranged. There is no rhyme or reason to its layout. It's just whatever the store received that day in the back went out onto the sales area. No more aisles with bread, or aisles with canned veggies, or aisles with cereal. You have to walk up and down every aisle hoping to find what you need. How fast would you push that cart back to the exit and go elsewhere? Yeah. Me too.

Twitter is a store for information, news and opinions. It puts out whatever comes in as the info arrives. There is no order. You get what you get. If you want to find something on Twitter, you either look for a person who interests you, or a hashtag that does.

Hashtags are to Twitter what aisles are to a store. They are the "departments" where you can find what you need and what you're looking for. I recommend having 1-2 hashtags in the title of a blog post, near the end of the subject. Use 1-2 in a tweet also. Generally, using over 3 hashtags is considered "spammy."

You could just scroll on Twitter and read, but what if you went there to find out if others are watching the same TV show you are? What is the show's hashtag? Enter that in the search box and pow! There are all the show's tweets. How cool to discover the cast is live tweeting! You can actually interact with fans, actors, and writers. Without a hashtag, you'd be lucky to stumble across even one tweet.

What hashtags are best for writers?

Find out which hashtag is being used most in your genre and use it. There are Twitter bots (legal) that pick up certain hashtags and retweet them to their followers. #SciFi is one of them. Make sure you're using a hashtag that is actually in use already. If no one is searching for it, the hashtag is pointless. My favorite place to discover whether a hashtag is popular is www.ritetag.com It's free. I don't use any hashtags till I've checked them out there.

Generally, use the single version of a word vs. the plural #book is better than #books for example. Check out this RiteTag listing of results for the word #romance:

https://ritetag.com/best-hashtags-for/romance

Other good writer hashtags include #amwriting #amediting #MFRWauthor #writerslife #author -- share yours in the comments.

A word about Triberr

First, let me say it's Tri-berr not Tribb-er. It's has 1 B and 2 Rs. Not Tribber - Triberr. Okay, stepping away from the soapbox...

The site Triberr is a blog amplifier. What that means is when you link your blog to the site, it allows other people to share your post with their social media. Try it for 30 days and you will not want to go back.

On Triberr, hashtags matter. You will gain a hundred-fold more readers with Triberr, so leverage that by using appropriate hashtags. Don't add your own @name to the title. It will be included in every tweet that Triberr sends, even though you can't see it on the site. Look at your mentions on Twitter and you will.

Should I use my name as a hashtag?

Is it better to write #KayelleAllen or @kayelleallen in a tweet? (fyi - the @kayelleallen is also called your at-name and is written as @name). These are referred to as mentions. (Mary mentioned you on Twitter means that Mary sent out a tweet that had your @name in it)

I don't recommend using your name as a hashtag. Why not? You will get far more mileage from the @name because when anyone clicks that, it pops up a link so they can follow you. If they click it again, it takes them to your profile page. A hashtag with your name is only going to open a search for the name. It will not necessarily show your profile, which means it's less likely to get you followers.

When you tweet, don't add your own @name either. Obviously, if the tweet is from you, then the person can click your name since you are the sender. If your publicity person is talking about you, then yes, they should use your @name.

Hashtag Research

Here are three good links to check out for hashtag dos and don'ts:

https://blog.hootsuite.com/how-to-use-hashtags/

https://www.tintup.com/blog/7-examples-of-successful-hashtag-campaigns/

http://www.adweek.com/digital/ethan-martin-bukwild-guest-post-hashtags/

Now that you know what a hashtag is and how it works, what are you going to do with them? Do you have questions? Please share in the comments.

---
Kayelle Allen writes Sci Fi with misbehaving robots, mythic heroes, role playing immortal gamers, and warriors who purr. She's a US Navy veteran who's been married so long she's tenured. https://kayelleallen.com  Join the Romance Lives Forever Reader Group Download four free books and get news about books coming soon. You can unsubscribe at any time.

What should authors blog about? Kayelle Allen @kayelleallen #MFRWauthor #amwriting

What do I blog about? What am I supposed to say? Shouldn't I be writing a book instead of blogging?

Let's start with that last question and work back to the first. You blog because it's a way to keep your website fresh. Having a blog on your website means your information is constantly updated. This means search engines (like Google) will find new activity, which will raise your site's importance in search results. A site that hasn't updated in a year will fall out of sight, whereas one that changes weekly brings new readers.

Why do you have a website? For readers to find out about you and your books. You can also use them to obtain readers for your newsletter and to blog. In fact, a blog should be an organic extension of your books. Your posts can provide reasons to read your books, information about your characters, sales and special events, blog hop posts, and much more. A great way to get that information out is to blog.

What do I blog about?

So what can you talk about? What keeps readers coming back? Here's a list you can use for ideas. (download the PDF of this at the end)

Talk about the benefits provided by your book

• Learn
• Laugh
• Thrill
• Pleasure
• Experience
• Good cry

Inspiration behind writing the book

Protagonist info so readers get to know them

Antagonist info so readers know what to expect

Prologue to the events of the book

Short story in the past or future

Events which relate to the book

The world of the book

Hero's home

Heroine's home

Profile the evil leaders

Related story including a secondary character

Create an entirely new character from the world

Lists related to things featured in the book

Maps of the world

Photos taken by you (conventions, etc.)

Trees on this world

Topography and land area

What is it that drives you to write

Graphics you create

Videos and Podcasts

By adding videos or podcasts, you can bring a whole new level to your website. Download Audacity (a free program) to create your own readings. You can use the microphone on your computer to record your voice.

Illustrations and drawing

Trailers

Do a video reading

A podcast reading

A podcast of names and how to say them

Podcast of the language

In short, anything and everything related to your book is fair game when creating a blog post. Start a list of items mentioned in your books and talk about them. Do you write historical novels? How were hairbrushes different back then? How did people dress? What was the main meal like each day? If you write science fiction, how is your world different from ours? What are the rules regarding social interaction? What is day-to-day transportation like? Most of the questions for historical or sci fi can be interchanged.

Look for ways you can share the world of your book and open the eyes of readers. Don't give away the plot, but do entice them with snippets and details. When you start making a list, you'll soon find you have more things to blog about than you ever imagined.

About Kayelle Allen

Kayelle Allen writes Sci Fi with misbehaving robots, mythic heroes, role playing immortal gamers, and warriors who purr. She's a US Navy veteran who's been married so long she's tenured.
https://kayelleallen.com
Twitter https://twitter.com/kayelleallen
Facebook https://facebook.com/kayelleallen.author
Join the Romance Lives Forever Reader Group Download four free books and get news about books coming soon. You can unsubscribe at any time.

Download the pdf: https://marketingforromancewriters.org/media/what-authors-blog-about.pdf

4 Common Questions Authors Ask About Self Published Books @kayelleallen #MFRWauthor #Author

I am often asked about self publishing. Since I have 13 self published multiple books, it's easy to see why. I also lead Marketing for Romance Writers, so I get certain questions on a regular basis. Based on my experience, here are the answers to four of the most common things authors ask.

Should I put my self published ebook in print?

Definitely. You don't have to pay to have your book printed. Use CreateSpace which will allow you to make POD versions (Print on Demand). This way if you need 10 copies for a book signing, you can get just 10 copies. CreateSpace costs you nothing. They make money when you sell a book. Because it's digital until it's ordered and printed, they can afford to keep books "in print" far longer than a traditional publisher would. The biggest reasons to have your book in print: 1) some people will only read print books, 2) The difference in price between a print book and ebook often drives sales of the ebook. If you can get an ebook for $2.99 or a print book for $8.99, which would you buy? 

How should I price my book?

Amazon suggests a range depending on your book. When you go to your book's detail page on KDP, look at the pricing section. Click the link and read everything. It's helpful. If you charge under $2.99 or over $9.99 you will get 35% royalty. Between those ranges, you get 70%. The BEST way to determine your price is to study the competition. Look up other books in your genre and see what the top 10 are doing price wise. CreateSpace will give you a minimum price - the price which they must charge to cover their costs. I make my print books as low as possible. For every print book I sell, I sell 500 ebooks. Print is nice, but it's not what sells and they are extremely expensive to pre-print and distribute. If you use CreateSpace, you can match it to the book on Amazon and sell it there too. 

Should I use social media?

Social media is for being social. You can meet people on Twitter, Facebook, Pinterest etc. that you would never meet otherwise. People buy from people they know. Be on social media to be seen, not to sell books. Yes, you should post about book stuff. But share other material as well. Offer things of interest and people will follow you. The goal is to reach more people, not sell books. If people know and like you, they will buy your books. 

Do I need to buy an ISBN?

The site you upload to (Smashwords, Amazon, CreateSpace) will provide one at no cost. Save your money for more important things, like marketing. All the ISBN tells people is a number for your specific book and which service you used to print/publish it. They are a legacy of the old publishing system. The Libary of Congress uses them, but since you can get one for free, why spend a fortune? They are not cheap. Here's a good FAQ page from the only place where you can buy an ISBN. They own the system. http://www.isbn.org/faqs_general_questions

If you have questions about self published books, please leave a comment below. I'll do my best to answer or to point you toward someone who can.

---

Kayelle Allen writes Sci Fi with misbehaving robots, mythic heroes, role playing immortal gamers, and warriors who purr. She's a US Navy veteran who's been married so long she's tenured.
https://kayelleallen.com
Twitter https://twitter.com/kayelleallen
Facebook https://facebook.com/kayelleallen.author
Join the Romance Lives Forever Reader Group Download four free books and get news about books coming soon. You can unsubscribe at any time.

10 Reasons Why Not to Read Romance @kayelleallen #humor #romance #MFRWauthor

After careful consideration, and much placing of tongue in cheek -- no, not French kissing, get your mind out of the gutter -- I have decided that Romance books are not good for me and have decided to give them up. (yeah, right!) Here are ten reasons why.

1. Reading Romance might lead women to believe men can be more sensitive and caring, and this unrealistic expectation could lead to unhappiness. I might think that I could find a perfect love and have a happily ever after, and that isn't realistic. Just ask a psychiatrist.
2. In fact, living happily ever after probably isn't good for the economy. You wouldn't need anti-anxiety medication or drugs for depression, and since this is a huge market in the United States, living happily ever after could actually cause a loss of jobs in the pharmaceutical industry.
3. Realism is better for the world. The sooner we face the fact that life is tough, the better we can deal with it. Best not to get your hopes up.
4. Women are in danger when reading these books. I read that "...marriage therapists caution that women can become as dangerously unbalanced by these books’ entrancing but distorted messages as men can be by the distorted messages of pornography." (Shaunti Feldhahn quoting another source)
5. If I read Romance novels I might end up being dumb. According to at least one blogger, these kinds of novels are children's stories with adult themes, and don't deserve any real attention anyway. They are not "true literature." (referenced tongue in cheek by Leia Shaw, on Susan Hanniford Crowley's blog)
6. Romance books about ménage partners, same sex partners, and other non-one woman/one man Romances might destroy the fabric of America. I mean gee, aren't those kinds of stories somehow wrong? (don't look at the books I write, by the way. Just go with it. *cough*)
7. Women have better things to do than sit around reading Romance books. There are kitchens to clean, floors to scrub, and there is laundry to be done. In fact, reading anything other than cookbooks or articles about child-rearing and being a good wife is probably just a waste of a woman's time.
8. Taking a Romance novel to the beach to read might lead me to make bad choices. (Eryn Brown, LA Times quoting Journal of Family Planning and Reproductive Health Care)
9. Hunky male models on the cover of Romance novels might make me less than satisfied with my own husband. I might be unable to differentiate between a photo of a man on the cover of a novel and a real man who's sitting beside me.
10. While we're talking about hunky male models, looking at the covers of Romance books with hot models on them might cause me to engage in lust. *crickets chirping* Okay, you got me. That one's true!

I hope no one has taken any of this seriously. Please do not write letters, folks. This is humor, okay? Thank you. :) So... do YOU think Romance is bad for you? Please tell me about it in the comments.

---

Kayelle Allen is a a best-selling American author. Her unstoppable heroes and heroines include contemporary every day folk, role-playing immortal gamers, futuristic covert agents, and warriors who purr. When you're immortal, Romance Lives Forever.
https://kayelleallen.com
Join the Romance Lives Forever Reader Group Download four free books and get news about books coming soon. You can unsubscribe at any time.

Difference Between KDP and KDP Select by Kayelle Allen @kayelleallen #writerslife #MFRWauthor

Have you ever wondered what the difference between KDP and KDP Select is? Authors who self publish on Amazon use Kindle Direct Publishing. Once you upload, you're asked if you also want to join Kindle Select. This is an exclusive contract with Amazon and will place your book into Kindle Unlimited (KU). The contract runs 90 days from signing and auto renews unless you cancel prior to that date. It will put your book in Kindle Unlimited for readers. Members pay $9.99 a month and can read as much as they want of all books in KU system. In addition, you will get paid by the page count of pages read.

Breaking it down

Kindle Direct Publishing (KDP) - all self-pub authors on Amazon

Kindle Direct Publishing (KDP) + Kindle Select (also called KDP Select) - exclusive contract, no sales outside Amazon (except print), includes Kindle Unlimited

I sell my books on my own site but only the print books for the ones on Select. It's exclusively exclusive. No ebook sales anywhere else.

My recommendation is to go with "wide distribution" for your first book Sign up at these sites:

Amazon
Smashwords
CreateSpace

Here's what you'll get with each.

Amazon - total reach across all of Amazon

Smashwords - reach across all venues (you can publish from here to Amazon but why would you? You'd be cutting out your own royalty base b/c you'd share it with Smashwords.) You will get Barnes and Noble, Kobo, Apple iTunes (iBooks), plus many others.

CreateSpace - you'll be in print on any and all sites where you want to share it. You can go exclusive on Amazon and still sell the print on Smashwords.

If, after six months, you don't see awesome sales at non-Amazon distributors, consider going KDP Select and advertise as "free on Kindle Unlimited" (KU). You will get paid for purchases as well as pages read by those who only "borrow" the books.

What I Do

I have a number of books in that system. I make more in one month on Amazon than I do in a year on the other venues combined. It's different for every person. Be sure to advertise and include places where readers can buy your books. Don't say "I'm on Amazon" when you have an opportunity to write the actual URL to the book's page. Notice the banner above shows the icons for Amazon and CreateSpace, plus the hashtags #ScifiRom and #KindleUnlimited. These are cues to the reader what your book is about and when shared, gives them a way to know what hashtags to use on Twitter or Facebook.

Try everything with your books. They're yours. What works for others might not work for you. Whatever you decide, good luck with sales!

If you've used KDP Select, please share your opinions and tips in the comments.

---

Kayelle Allen is a best-selling American author. Her unstoppable heroes and heroines include contemporary every day folk, role-playing immortal gamers, futuristic covert agents, and warriors who purr.

Homeworld/Blog https://kayelleallen.com
Twitter https://twitter.com/kayelleallen

Join the Romance Lives Forever Reader Group Download four free books and get news about books coming soon. You can unsubscribe at any time.

5 Tips to Avoid Author Burnout @kayelleallen #writertips #amwriting #MFRWauthor

Burnout: Melt, break, or become otherwise unusable. If you've experienced burnout, you know how hard it is on the mind, body, and spirit. No simple process can eliminate it, but even little things can help. 

Burnout is dangerous.

When writers get it, they stop writing. Teachers stop teaching. Mothers stop mothering. Wives stop... well, being wifey. Avoid burnout if possible. If you've got it, deal with it. Here are five things you might not have considered.

Put off decisions.

Rather than say "no" say "I'll think about it." Then write it down, so that your mind isn't busy trying to remember. When burned out, the mind stops being able to focus, so we put off doing things because we don't have the energy or ability to decide. We stress when we have unmade decisions. Listen to your body. Allow yourself the freedom to put off making a decision until you've rested. Write it down and then come back to it later.

Permit yourself to take a break.

Notice that I didn't say "take a break." I said to "permit yourself to do it." One of the reasons we don't fully rest is that we feel guilty for taking time off. When you get away from the computer, or your job, or your family, or whatever is burning you out, let yourself relax. Give yourself mental permission for that break. You'll feel better than if you walk away but then mentally pace until you can get back to your desk.

Put things in order.

Straighten your desk. Make your bed. Fold the towels and put them away. Sweep the kitchen. Wipe down one shelf of the refrigerator. Doing mundane tasks that make your environment neater, cleaner, and more organized can free your mind for other tasks. When you're folding laundry, your mind isn't focused on the task, yet you are accomplishing something important.

Purchase something you've wanted but normally wouldn't have bought.

Not talking about a diamond bracelet, although if you can afford it and want it, then why not? I'm talking about some little thing that you would get as a impulse gift for a friend that you might not indulge in for yourself. I bet when you read that line you thought of something right away. Why not let yourself have it? You deserve a goodie.

Pay attention to something insignificant.

Pet a kitten and notice the underlying stripes in its fur. Feed a goldfish and watch it swim. Toss a ball for a toddler and watch how their legs move when they run. Unwrap a straw and look at the way the paper is fastened around it. These things are minute details, but each has meaning in its own way. Doing this can give your mind the kind of break it needs to think about other things.

Want another source of ideas on handling burnout? I was inspired recently by a blog called The Freedom Experiment. There were many articles on self care. One of them inspired this post.

How do you avoid burnout? Share it in the comments.

---

Kayelle Allen, author of unstoppable heroes and warriors who purr
https://bit.ly/kayelle-books
Twitter https://twitter.com/kayelleallen
Facebook https://facebook.com/kayelleallen.author

Is it ever too early to market a book? @kayelleallen #MFRWauthor

Should you wait until a book is finished and sold before you try to market it? No. Here's why.

When a new movie comes out, do studios wait until the day it opens to begin telling people about it? No. How many months did people see info about the last Star Wars movie before it came out? Star Wars is a brand stamped across everything associated with the series of films.

Likewise, your brand is something you should always be marketing. What is your brand? Your name. Readers should get to know you by name and associate you with good things. You can't get that by remaining in the shadows.

Overnight success takes a long time.

It's never too early to market a book because the best marketing is developing relationships. Look online for people who have interests similar to yours. For example, I love the Hobbit films, especially the Elven King, Thranduil. I discovered a group on Twitter who regularly share fanart and fanfiction around this character. I've gotten to know them and have added my own fanart to the group. One of the group who features fanart on her site showcased my DeviantArt account where I have the art. That means people can also see my other work, including book covers, banners, and other art related to my story world. You might not have artwork that you can share, but do you have research images? Create a board on your Pinterest account to share them.

Did you ever bookmark articles that helped you make your story more realistic? Did you

read any books that helped you write better? What was the thinking behind the plot of your books? Who are your characters? What is the theme of the story? Blog about the above.

I get thousands of views on my site because I blog. I use the topics above plus others. I don't talk writing on my blog very often, because I'm trying to pull in readers as well as authors (who are also readers, btw). Blog posts are fresh content that keep readers interested in you and your story world. I discovered recently that the largest views of my site are on my blog posts. Only about 8% of visitors go to the other pages. You can bet I changed my blogging strategy!

Do you have a blurb and tagline? If not, write them now. You will use them endlessly. Likewise with your bio. Write it in 4 sizes: twitter bio (160 characters) to use on blog posts, 200 words for your official website and author bio, and one that's about 75-80 to share in interviews. You want a short one (30 words or less) that captures your writing style or tag (I use the one below). You want to say who you are, what you write, a fact about yourself as a person, and optionally, a general idea of your whereabouts (I say the Atlanta GA area). This helps people place you, not pinpoint you. Reuse your basic wording in each version.

Here's my short bio:

Kayelle Allen is a best-selling American author. Her unstoppable heroes and heroines include contemporary every day folk, role-playing immortal gamers, futuristic covert agents, and warriors who purr.

Longer bio:

Science Fiction and Fantasy author Kayelle Allen is the winner of the 2010 EPIC award for Science Fiction, and the 2008 Honorable Mention for Science Fiction Fantasy. Her unstoppable heroes and heroines include contemporary every day folk, role-playing immortal gamers, futuristic covert agents, and warriors who purr. Kayelle is the founder of Marketing for Romance Writers, a peer-mentoring group, and the owner of The Author's Secret, a support company for writers. She is married, has three grown children, and five grandchildren. She and her husband met and married while they were both on active duty in US Navy.

Marketing isn't saying "buy my book" over and over.

The best marketing is sharing, talking, listening. Pick some social media sites you love and get good at them. I love Twitter and do ok on Facebook, and spend lots of time on Pinterest. Build a following now. When you release your book it will be to people who are following because they already like you.

It's never too early to make friends.
----
This post began as a discussion on Marketing for Romance Writers. I invite you to join us. Was this helpful to you? If so, please leave a note in the comments.

Kayelle Allen Social Media

Homeworld/Blog https://kayelleallen.com
Twitter https://twitter.com/kayelleallen
Facebook https://facebook.com/kayelleallen.author
Join the Romance Lives Forever Reader Group Download three free books and get news about books coming soon. One book downloads immediately and two full-color illustrated books arrive the next day. You can unsubscribe at any time.

At the Mercy of Her Pleasure (Available at Amazon, free on Kindle Unlimited)

Creating Conflict in Novels @kayelleallen #amediting #MFRWauthor

According to Wordweb, conflict has many shades of meaning, including a disagreement or argument about something important; opposition between two simultaneous but incompatible feelings; a state of opposition between persons, ideas, or interests; and opposition in a work of drama or fiction between characters or forces (especially one that motivates the development of the plot). The point being that conflict involves problems. No problems, no conflict.

No conflict, no story.

But what type of conflict works best for a solid story? Let's look at three major types: internal, external, and romantic.

Internal Conflict

An internal conflict often revolves around an emotional struggle. Generally, an internal conflict arises from a character's backstory. Something has occurred that threatens their ideal mental/emotional state. What they believe does not go along with their physical reality. Suppose your story was a romance set in a time when marriages were arranged. Your hero has no intention of being "married off" to a rich woman who does not respect him, or that he could not respect. However, his family fortune has been lost (not through his fault) and if he doesn't solve his immediate problem of finances in order to care for his younger siblings, they will all end up on the street. He must marry a woman of means, and fast. While he does have an external conflict (the threat of homelessness) his major conflict is internal (marrying someone he does not love and respect). How he behaves in this situation is driven by how he overcomes or resolves his internal conflict. It is not necessarily a direct solution to his inner conflict that ends the problem. He might find another way around the issue. In a gay romance, the internal conflict might be fear of rejection, facing reality as a gay person, or being ostracized from family. Overcoming the internal problem drives the resolution of the conflict. Therefore, it drives the plot.

External Conflict

For an external conflict, a force or problem exists outside the character. In the example above, the hero faced homelessness. A heroine might be in a situation where she must rescue someone. External conflicts mean that situations and/or physical threats or needs cause a problem. To solve it, the character must find a physical solution. A thriller or suspense might involve a race against the clock before a killer strikes again. A scifi might include an alien invasion threatening to decimate the planet. A medical thriller involves doctors racing to find a cure for a horrific virus, and so on. All these conflicts erupt due to an external cause. External conflict requires a threat from outside the main character(s). In a well written, multi-layered story, internal conflict exists as well, but the external problem drives the action.

Romantic Conflict

A romantic conflict involves struggle between the main characters. A strong external (physical) conflict collides with an equally strong internal conflict. The immovable object meets the irresistible force. Something must give or there will be no end of the conflict (and no romance).

Solving one conflict often still leaves the other, keeping the couple apart. Finding a reason to let down inner walls and trust the other person requires character growth and change. This leads to a resolution of the conflict.

Plot Forces Conflict

Plot is a scheme or plan. In a story, plot escalates the problems between the characters' internal and external conflicts. The situation of the hero needing a rich wife to provide for his siblings is made worse by the requirements of society. He must court the bride-to-be and appear to enjoy it. He must tread the tricky waters of a society ball and not allow his family's name to be sullied. He must hold up his head when hints of his lost fortune surface. The plot escalates when the youngest sister falls ill and needs medical attention, or the bank demands money, or the landlord begins showing the house before the family has moved out. Things are getting worse. The plot is what forces the hero into an external action despite his internal conflict. He must handle the situation and take care of the problem.

In a romance, finding an equitable end of the conflicts, internal and external, results in a love match that solves the problems brought up during the story.

When I wrote Bringer of Chaos: the Origin of Pietas, I had a huge challenge on my hands. I wasn't writing my usual genre, which is romance. This story is pure science fiction. Using a strong conflict helped me create a platform on which to layer the characterization and thereby create the conflict. Here's the plot:

Pietas is an Ultra, an all-but-immortal warrior who leads the fight against the oppressive human race that created his people. But when he's captured and exiled to an alien world, his only ally is Six, a human who's been as betrayed as he was. To cross the continent and rejoin the other Ultras, Pietas must overcome his distrust of humans, and rely on the mortal.

Simple, right? One would think. But I had to get two enemy warriors to depend on each other to cross half a planet on foot. To do that, I had to put them on an equal basis. When one character is a human (albeit a six-feet tall special ops soldier) and the other a seven-feet tall immortal best-of-the-best warrior, that's not easy. I had to amp up Six's abilities, and somehow reduce those of Pietas. How does one trap an immortal with unmeasurable strength, an eidetic memory, and a sixth sense for trouble? Solving that enabled me to spring the plot into action.

Conflict is Muscle

Plot is the spine, the various settings are its bones, characters are its flesh and beauty, and conflict is its muscle. When you end the conflict, you end the story. And your readers will live happily ever after.

About Kayelle Allen

Kayelle Allen is the founder of Marketing for Romance Writers, and author of the conflict-driven military scifi Bringer of Chaos: the Origin of Pietas.
Homeworld/Blog https://kayelleallen.com
Twitter https://twitter.com/kayelleallen
Facebook https://facebook.com/kayelleallen.author
Amazon http://amazon.com/author/kayelleallen
Romance Lives Forever Reader Group https://kayelleallen.com/bro