Vanquish Cartoon Villains – The Crux of a Crucial Story Relationship by Alice Orr @AliceOrrBooks #MFRWauthor #AmWriting

I love a good villain. He does so much for a story. He gives the reader someone to hate, which engenders emotional involvement, commitment to the story, pages turning. He gives your hero someone to struggle against. He personifies the conflict that electrifies your narrative.

With so much weight to carry, your villain must be formidable. Otherwise, your intelligent, active, resourceful hero would make short shrift of this adversary and be on her way. The story is over then, because, when the conflict resolves, reader interest wanes, your tale is done.

Introduce your adversary situation early. Get the conflict started straight off. If this is a mystery, don't reveal his identity till almost the end to keep the tension hook set deep in the reader. If this is suspense, unmask the villain earlier on, at least in part, to establish how formidable he is.

We see this evil force on a collision course with the protagonist. The character we have come to care most about and with whom we identify. She doesn't share our insight and has no idea who her adversary might be. She only knows she's in serious trouble, maybe physical danger too.

Our hero may know this person, may even trust him. Our apprehension for her mounts as she unwittingly exposes herself to peril. The story hook digs deeper into us with every page. Meanwhile, we must be just as deeply captured by the villain's motivation.

For this reason, a wise storyteller avoids the Devils-Made-Him-Do-It Villain. He's a psychopath or a sociopath, or on whichever path his sick psyche compels him to take. He's propelled along that path by his demons. He does evil because it is in his nature to do evil, and that's that.

He's scary for sure, but his motivation lacks complexity. What further fascinating depths does a head case provide for your writerly imagination to explore? And, we have seen him too often. There are far too many like him in the real world, and in the work of aspiring novelists.

The prevalence of human monsters in contemporary life encourages authors to portray them. But this villain has become fictionally boring. We've read so many like him that he's dejà vu. Your twist on his twistedness must be truly original to stand out from such a crowd.

Plus, I repeat for emphasis, he behaves the way he does because he has no real choice. No nuanced confession is legitimately required. He's a nut job, end of story, which makes him two-dimensional. He does evil because he gets an insane kick out of it. He is a cartoon.

What distinguishes a cartoon from a credible villain who shivers along our nerve endings? The difference is that we understand, on a mentally engaging level, the reasons for the credible villain's behavior. We don't have to sympathize with him, but we need to comprehend him.

You must conjure for us the genesis of this character's twistedness. You make him real, and, consequently, scarier than ever. Then, you must present him objectively. Your role is not to judge your adversary but to give him life on the page, which means you tell his story as he would tell it.

Here is my secret for imagining your way into the evil soul. Every villain is the hero of his own story. He is convinced his actions are justified because, in the world as he perceives it, they are. He has motivations that are clear, strong and believable, but warped.

The specific nature of that warp is yours to create. Brainstorm the possibilities. Choose the most original option. Think as your villain thinks. Dare to go there. Such characters are illuminated in dark places. The result is the opposite of a cartoon. He lives with chilling authenticity. Your reader longs to turn away, but cannot. There is no more riveting story hook than that.

For more insights into writing and publishing – Visit my blog at www.aliceorrbooks.com

ALICE ORR is the author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. A former book editor and literary agent, Alice now lives her dream as a full-time writer. Her latest novel is A Time of Fear and Loving: Riverton Road Romantic Suspense - Book 5. Alice has two grown children and two perfect grandchildren and resides with her husband Jonathan in New York City.
Author Website: www.aliceorrbooks.com
Author Blog: www.aliceorrbooks.com
Facebook: https://www.facebook.com/aliceorrwriter
Twitter: https://twitter.com/aliceorrbooks
Amazon Author Page: https://www.amazon.com/Alice-Orr/e/B000APC22E

It's All About Her Humanity – How to Create the Perfect Heroine for Your Story by Alice Orr @AliceOrrBooks #AmEditing #MFRWauthor

Mike Nichols was a master storyteller, one of the best that ever lived, in my opinion. I saw him in an interview once where he was asked to name the most important element in a story. His answer was this. "All we care about is the humanity."

How to Create the Perfect Heroine for Your Story

He was saying we must put the core of what makes us all human into the characters in our stories. Their dreams and hopes. Their disappointments and losses. Especially how they FEEL about their dreams, hopes, disappointments and losses. All portrayed in well-written scenes.

In Nichols' film Heartburn, from the novel and screenplay by another great storyteller, the fabulous Nora Ephron, humanity is at the burning heart. Rachel Samstat spends the entire story trying to get into, get through and eventually get out of the marriage of her hopes and dreams. She is toppled into disappointment, one she creates for herself by an error in judgment.

Her blunder sets her up for what feels at the moment like the most devastating loss of her life, the discovery that her husband Mark Forman has been unfaithful. Let me emphasize that Rachel FEELS like his infidelity is the greatest loss of her life and this is what matters. How the situation FEELS to the character. How what happens to her impacts her humanity.

We may know she is better off without this lying, philandering so-and-so, but she doesn't FEEL that truth. She triumphs, so to speak, in the end because she comes to grips with that truth, and we FEEL that triumph with her. We also FEEL her heartache. We FEEL her humanity.

The entire story really belongs to Rachel Samstat. It could have been titled The Adventures (or Misadventures) of Rachel Samstat. Similarly, each of our own stories could be titled The Adventures of ________ (fill in the name of your story heroine). Or more accurately The Emotional Adventures of ________.

It's All About Her Humanity

In the romance genre in particular, our audience, our readership, cares most about the humanity of our heroine, and how that humanity acts itself out in our story. How her humanity comes to life on the page in the way she behaves and talks and most of all FEELS. In other words, what our readers care about most is our heroine's Emotional Truth.

Emotional truth is what's really going on in your story. The real, underlying truth of what is happening to your heroine, and all of your characters. What your characters allow us to see and hear on their surfaces can conceal what they are truly feeling. Great stories are all about TRUE FEELINGS REVEALED.

This is exactly like real life, and real life is the mother lode from which you mine your own emotional truth and refine it into storytelling treasure. The precious coins of that treasure are the deeply felt emotions at the beating heart of your story, the deeply felt emotions that make your reader feel deeply too. Like we feel for Rachel Samstat, because we recognize her heartburn and her heartbreak, because at one time or another it has most likely been our own.

I write romantic suspense novels. Scary things happen in my stories. In my latest novel, A Time of Fear and Loving, my heroine, Amanda Miller Bryce, is terrorized by a brute. That same thing happened to me once. Fortunately, Amanda and I both survived. In the meantime, as I wrote the story, she and I both benefited from my emotional truth of that awful experience.

We shared the powerlessness we felt while the awfulness was happening. We shared the shock and numbness we felt after it was over. We also shared our awareness of the way others reacted around us. I didn't need to take notes. All of that was branded on my own, very personal humanity in indelible emotional ink. Now it is branded on my heroine's humanity.

We have all had emotionally indelible experiences. We have been changed by them, traumatized by them, sometimes stopped in our tracks by them. As writers, we get to pass those experiences on to our heroines. We get to convert our own emotional landscapes into the very raw material of very intense, very dramatic, very powerful storytelling.

You know what these stories are for you. Pass them on to your heroine. Write those stories the way your heart FEELS them to be true. Don't worry about whether or not these stories may differ from factual truth. Facts are verifiable. Feelings are not. Someone else's emotional truth may vary from yours, but that doesn't make your truth any less valid. Besides, you are creating fiction, which can be anything you, as creator, want it to be.

Emotional Truth is individual, for you and for your heroine. Her truths are what she honestly FEELS. That honesty gives your story authenticity and makes your heroine come to life on the page. That authenticity gives your heroine her humanity. It is what makes your story really matter, to you as you write it, and to your readers as they read it.

Dig Deep

So, dig down and dig deep. You will know when you hit the humanity mother lode because it will zing straight to your heart, just before you zing it straight onto the page, where you will create the perfect heroine for your story.

For more insights into writing and publishing, visit my blog at www.aliceorrbooks.com.

Alice Orr is author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. A former book editor and literary agent, Alice now writes full-time. Her latest novel is A Time of Fear and Loving – Riverton Road Romantic Suspense Series Book 5. Find all of Alice Orr’s books at amazon.com and other online retailers. Alice has two grown children and two perfect grandchildren and lives with her beloved husband Jonathan in New York City.
Author Website www.aliceorrbooks.com
Author Blog www.aliceorrbooks.com
Facebook https://www.facebook.com/aliceorrwriter
Twitter https://twitter.com/aliceorrbooks
Amazon Author Page https://www.amazon.com/Alice-Orr/e/B000APC22E

How to Write Characters Inside Out: The Exercise by Alice Orr @AliceOrrBooks #AmWriting #MFRWauthor #AmEditing

My Holiday Gift for You is an Alice Orr How-To! Write in the first person, using "I." Answer as your character. Speak with her voice from her experience. Record the ways you feel (as her) about how each exercise item relates to you. Answer from your gut, not your head. Be specific.

My Full Name is….

I was born in (place name)…. My heritage is (racial, ethnic),,,,

My birth (or adoptive) family's financial situation was…. Their community status was….

The family I grew up with consisted of (member names and relationships)….

The family member I am closest to is…. because….

The family member of my family I am most distant from is…. because….

As a Child.

I would describe myself as…. My most memorable childhood experience was….

As an adolescent, I was…. My most memorable adolescent experience was….

My first sexual experience was…. My attitude toward sex then was…. And now is….

My Appearance.

What I like about the way I look is…. What I hate about the way I look is….

I believe that other people think I look like…. My style of dress is…. because….

If you ask me what I am like as a person, I would say I am…. because….

My religious or spiritual beliefs are…. My political beliefs are….

My overall attitude toward life is….

My Self.

The most significant thing I have ever discovered about myself is….

I feel that my greatest talent is…. The thing I believe in most strongly is…. because….

The thing I have enjoyed most in my life is…. The thing I disliked most is…. because….

My most important goal in life is to…. because….

My Emotional Life.

My biggest inhibition is…. because…. My superstition is…. because….

My greatest disappointment in life is…. because…. I was most joyful when…. because….

My greatest frustration in life is…. because…. My biggest regret in life is…. because….

I was most enraged in my life when…. because…. I was most terrified when…. because….

I was most humiliated when…. because…. I was most heartbroken when…. because….

My deepest fear is…. because…. My darkest secret is…. because….

The biggest lie I ever told was…. I told it because…. I yearn most for…., because….

More Areas to Explore.

Friendships. Sexual history. Romantic history. Professional history. Educational history. Hobbies and leisure time activities. Health issues. Plus, anything else you should know to get inside your character and write her from that very intimate place.

Use the Above to Dig Deep into Each of Your Big Three characters.

Protagonist (hero), secondary protagonist (mate, sidekick, foil), antagonist (villain) – and any other character you need to know Inside Out. Do this and you will create the most compelling characters who have ever flowed from your imagination onto the very powerful pages of your best stories ever.

For more insights into writing and publishing, visit my blog at www.aliceorrbooks.com.

Alice Orr is author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. A former book editor and literary agent, Alice now writes full-time. Her latest novel is A Time of Fear and Loving – Riverton Road Romantic Suspense Series Book 5. Find all of Alice Orr’s books at amazon.com and other online retailers. Alice has two grown children and two perfect grandchildren and lives with her beloved husband Jonathan in New York City.
Author Website www.aliceorrbooks.com
Author Blog www.aliceorrbooks.com
Facebook https://www.facebook.com/aliceorrwriter
Twitter https://twitter.com/aliceorrbooks
Amazon Author Page https://www.amazon.com/Alice-Orr/e/B000APC22E

It's All About Her Humanity – How to Create the Perfect Heroine for Your Story by Alice Orr @AliceOrrBooks #AmEditing #MFRWauthor

Mike Nichols was a master storyteller, one of the best that ever lived, in my opinion. I saw him in an interview once where he was asked to name the most important element in a story. His answer was this. "All we care about is the humanity."

How to Create the Perfect Heroine for Your Story

He was saying we must put the core of what makes us all human into the characters in our stories. Their dreams and hopes. Their disappointments and losses. Especially how they FEEL about their dreams, hopes, disappointments and losses. All portrayed in well-written scenes.

In Nichols' film Heartburn, from the novel and screenplay by another great storyteller, the fabulous Nora Ephron, humanity is at the burning heart. Rachel Samstat spends the entire story trying to get into, get through and eventually get out of the marriage of her hopes and dreams. She is toppled into disappointment, one she creates for herself by an error in judgment.

Her blunder sets her up for what feels at the moment like the most devastating loss of her life, the discovery that her husband Mark Forman has been unfaithful. Let me emphasize that Rachel FEELS like his infidelity is the greatest loss of her life and this is what matters. How the situation FEELS to the character. How what happens to her impacts her humanity.

We may know she is better off without this lying, philandering so-and-so, but she doesn't FEEL that truth. She triumphs, so to speak, in the end because she comes to grips with that truth, and we FEEL that triumph with her. We also FEEL her heartache. We FEEL her humanity.

The entire story really belongs to Rachel Samstat. It could have been titled The Adventures (or Misadventures) of Rachel Samstat. Similarly, each of our own stories could be titled The Adventures of ________ (fill in the name of your story heroine). Or more accurately The Emotional Adventures of ________.

It's All About Her Humanity

In the romance genre in particular, our audience, our readership, cares most about the humanity of our heroine, and how that humanity acts itself out in our story. How her humanity comes to life on the page in the way she behaves and talks and most of all FEELS. In other words, what our readers care about most is our heroine's Emotional Truth.

Emotional truth is what's really going on in your story. The real, underlying truth of what is happening to your heroine, and all of your characters. What your characters allow us to see and hear on their surfaces can conceal what they are truly feeling. Great stories are all about TRUE FEELINGS REVEALED.

This is exactly like real life, and real life is the mother lode from which you mine your own emotional truth and refine it into storytelling treasure. The precious coins of that treasure are the deeply felt emotions at the beating heart of your story, the deeply felt emotions that make your reader feel deeply too. Like we feel for Rachel Samstat, because we recognize her heartburn and her heartbreak, because at one time or another it has most likely been our own.

I write romantic suspense novels. Scary things happen in my stories. In my latest novel, A Time of Fear and Loving, my heroine, Amanda Miller Bryce, is terrorized by a brute. That same thing happened to me once. Fortunately, Amanda and I both survived. In the meantime, as I wrote the story, she and I both benefited from my emotional truth of that awful experience.

We shared the powerlessness we felt while the awfulness was happening. We shared the shock and numbness we felt after it was over. We also shared our awareness of the way others reacted around us. I didn't need to take notes. All of that was branded on my own, very personal humanity in indelible emotional ink. Now it is branded on my heroine's humanity.

We have all had emotionally indelible experiences. We have been changed by them, traumatized by them, sometimes stopped in our tracks by them. As writers, we get to pass those experiences on to our heroines. We get to convert our own emotional landscapes into the very raw material of very intense, very dramatic, very powerful storytelling.

You know what these stories are for you. Pass them on to your heroine. Write those stories the way your heart FEELS them to be true. Don't worry about whether or not these stories may differ from factual truth. Facts are verifiable. Feelings are not. Someone else's emotional truth may vary from yours, but that doesn't make your truth any less valid. Besides, you are creating fiction, which can be anything you, as creator, want it to be.

Emotional Truth is individual, for you and for your heroine. Her truths are what she honestly FEELS. That honesty gives your story authenticity and makes your heroine come to life on the page. That authenticity gives your heroine her humanity. It is what makes your story really matter, to you as you write it, and to your readers as they read it.

Dig Deep

So, dig down and dig deep. You will know when you hit the humanity mother lode because it will zing straight to your heart, just before you zing it straight onto the page, where you will create the perfect heroine for your story.

For more insights into writing and publishing, visit my blog at www.aliceorrbooks.com.

Alice Orr is author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. A former book editor and literary agent, Alice now writes full-time. Her latest novel is A Time of Fear and Loving – Riverton Road Romantic Suspense Series Book 5. Find all of Alice Orr's books at amazon.com and other online retailers. Alice has two grown children and two perfect grandchildren and lives with her beloved husband Jonathan in New York City.

Author Website www.aliceorrbooks.com

Author Blog www.aliceorrbooks.com

Facebook https://www.facebook.com/aliceorrwriter

Twitter https://twitter.com/aliceorrbooks

Amazon Author Page https://www.amazon.com/Alice-Orr/e/B000APC22E

Creativity Has Enemies – Do Battle Against Them by Alice Orr @aliceorrbooks #MFRWauthor #AmWriting

I'm writing this on a difficult day. I am surrounded by pressure, stress, and expectations – the first phalanx of the Enemies of Creativity. I/we long to let go and dive into the depths of our imaginations, but it's tough to let go when you feel yourself inundated by demands. A responsible person finds it difficult to ignore the lurking expectations of others.

Nonetheless, ask yourself these three questions.

1. Can I lower my standards in some non-writing areas?

2. Do I want my legacy to be the perfectly performed To Do List?

3. Would I prefer to be known for a shelf of books with my name on the spine?

Life is about choices.

The above choices must be made over and over each day in large and small ways. Defeating the external and internal demand-makers takes vigilance on behalf of your writing, and on behalf of your time to imagine and create.

The Puritan Ethic is in the front ranks of the Enemies of Creativity. Our culture too often sends the message that creative work, such as writing, isn't really work at all. Messages like, "If you love something passionately, you should feel guilty about pursuing it," or "If that same something feels natural as air to you, it can't be truly worthwhile."

The most lethal Enemy of Creativity is "Not-Good-Enough Syndrome." The verdict we too often pronounce upon our own writing work is "Not good enough, third rate, why even bother?" I suggest a strong dose of "Get-over-it" for this, and for all of the Enemies. However, I suspect a more concrete battle plan is in order.

Battle Strategy

#1: Calm Down. Anxiety erects a wall of nervousness between you and your own creative spirit. Find a chill-out technique. Deep breathing works for me.

Battle Strategy

#2: Make Your Inner Enemies Your Friends. When you find yourself jangly, insecure, fearful, angry, paranoid, resentful, vengeful, and/or hurt, use it to your writerly advantage. That darkness holds ideas and thoughts you won't have in your sunnier moments. Write them down.

Battle Strategy

#3: Turn Your Outer Life Conflict into Story Conflict. Trouble happens. Trouble is distracting and can go on disturbing your state of mind for quite some time. Yet again, write it down. The details. What was said and done, scraps of setting, what you felt with each of your senses. Exaggerate those feelings. Transfer them to a character in your current work.

Battle Strategy

#4: Do Nothing. Once a day, at least, stare at a wall and let the ideas come.

Employ these strategies against the Enemies of Creativity.

I guarantee that you, and your writing work, will emerge victorious every time.

For more insights into writing and publishing – Visit my blog at www.aliceorrbooks.com.

About Alice Orr

Alice Orr is author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. Hero in the Mirror: How to Write Your Best Story of You is in progress. A former book editor and literary agent, Alice now writes full-time. Her latest novel is A Time of Fear and Loving – Riverton Road Romantic Suspense Series Book 5. Find all of Alice Orr's books on Amazon. Alice has two grown children and two perfect grandchildren and lives with her beloved husband Jonathan in New York City.
Author Website www.aliceorrbooks.com
Author Blog www.aliceorrbooks.com
Facebook https://www.facebook.com/aliceorrwriter
Twitter https://twitter.com/aliceorrbooks
Amazon Author Page https://www.amazon.com/Alice-Orr/e/B000APC22E

How to Get an Edit Bird on Your Shoulder @AliceOrrBooks #MFRWauthor #amediting

Writing advice from thriller author and former editor Alice Orr

Every writer I know has endured rejection. If you’ve escaped that fate, you should be writing this, because my work has been rejected many times. On the occasion of my first major rejection, the editor implied, or maybe told me straight out, that I had no idea what I was doing.

My big mistake was agreeing to a sushi lunch. I didn’t know sushi from tsunami, but, to appear cooperative, I replied, “Sure. Sushi’s good.” Had I understood the purpose of the lunch, I’d have made a different response. I didn’t have a clue, though I probably should have.

I was writing my second novel for this editor. The first didn’t set the world afire. The second had dragged through two extensive revisions, and I’d pretty much lost track of what the story was originally about. As I took a wobbly chopstick grip on my third portion of something raw wrapped in seaweed, my editor let me know she felt the same.

“This just doesn’t work for us,” she said. I plunged into shock, but I was also suddenly no longer clueless. I was stone-cold certain. There would be no more revision chances. Novel #2 had gone down the plumbing and months of my work along with it. The sushi slipped from its precarious perch between my chopsticks and plummeted to the edge of my plate.

“You seem to think a little bird sits on your shoulder and tells you how to write,” my editor was saying. “Like you don’t have anything to do with it.” I couldn’t respond. I excused myself, dashed to that upscale restaurant’s upscale ladies’ room, and leaned my clammy forehead against the cool tiles of the black marble stall, struggling to keep my insides under control.

Bird on my shoulder? What was she talking about? I’d never been aware of anything, with or without feathers, telling me how to write a book. What I had always been aware of was my helplessness. Because of the way the publishing world works, I had no control over the destiny of my writing career. Now, I understood how perilous cluelessness can be.

If you’ve ever submitted a manuscript, you know what I mean. You labor over your work, send it out into what feels like a void. then wait for a thumbs up or down on your efforts, your ambitions, your hope. You endure this because you have no idea what else you can do. You are as clueless as I was in that ladies’ room with my forehead pressed against tile as black as I believed my future to be.

A couple of years later, I became an editor myself. That choice had a lot to do with power. I was determined to regain mine, and to share it. As an editor, then a literary agent and teacher, I would be that bird. I’d sit on a writer’s shoulder and whisper in her ear the words she needed to hear to avoid demoralizing rejection scenes of her own. I could do that because my years on the other side of the desk taught me a lot about creating publishable fiction.

Now I write articles and blog posts to share that knowledge. Still, the dread words are out there, “This just doesn’t work for us.” Words that hit their mark hard for any writer. I wish I could guarantee they will never be heard again, but I can’t. What I can offer is my experience and expertise, and to be a bird on the shoulder with an empowering song to sing.

About Alice Orr

Alice Orr is the author of 16 novels, 3 novellas, a memoir and No More Rejections: 50 Secrets to Writing a Manuscript that Sells. A former book editor and literary agent, Alice now lives her dream as a full-time writer. Her latest novel is A Time of Fear and Loving: Riverton Road Romantic Suspense - Book 5. Alice has two grown children and two perfect grandchildren and resides with her husband Jonathan in New York City.
Author Website: www.aliceorrbooks.com
Author Blog: www.aliceorrbooks.com
Facebook: https://www.facebook.com/aliceorrwriter
Twitter: https://twitter.com/aliceorrbooks
Amazon Author Page: https://www.amazon.com/Alice-Orr/e/B000APC22E

A Dozen Tips for the Art and Science of Editing, by Kayelle Allen @kayelleallen #AmEditing #MFRWauthor

Editing is an art, and some have a better knack than others. However, editing is also a science. There are rules in grammar regarding form and content. That means every author can take steps to strengthen the ability.

Here are a dozen things I keep in mind when I'm editing my final draft. After all, I'm writing for a very picky immortal king. I have to be careful. I mean, look at this guy. Would you want to make him look bad? Ok, here we go.

12 Editing Suggestions

1. Edit for passive construction. Omit words like am, was, were, be, being, been.
2. Use an active verb rather than a conditional one. Example:
   He would do anything his lord asked, without quarrel or quibbling.
   He did anything his lord asked, without quarrel or quibbling.
3. Substitute concrete terms for abstract ones. Thought vs. mused, guess vs. hypothesis.
4. Omit vague and abstract terms such as would, could, some, anything, about, only, better, less, etc.
5. Look for long phrases and shorten them.
6. Watch out for sentences that begin with conjunctions. (as, because, but, and).
7. Count the number of times you use the words has, had, and have. Change the tenses of verbs around to eliminate their need.
8. Make a list of your personal no-no words. These are words you use as crutch words to move you from one point to another as you write, but edit later. Go over your list before you submit it to your editor, critique group, or beta readers. What kinds of words? I've provided a link to a pdf I created for my critique group that contains 128. http://kayelleallen.com/media/WordstoWatchWhenEditing.pdf Feel free to pass it along to friends.
9. Ask yourself what is the worst thing that can happen to a character, and then focus on words that fit that description.
10. Grab a good tool. Try the Emotion Thesaurus: A Writer's Guide To Character Expression by Angela Ackerman and Becca Puglisi. This book provides phrases, terms, and other descriptors you can use to convey character emotions. No author should be without this tool. When you grab your own copy, start making a list of phrases you use as well. Each of us has something good to offer. Make the most of your own ability and record these phrases in a workbook, notepad, or document on your computer for later reference.
11. Any rule can ignored. If you are writing a complex, well-spoken character, you may need his/her speech to contain larger words, or a timid character to use a more passive vocabulary.
12. Edit with words that fit what your readers understand. It doesn't hurt to have a character who uses words that are difficult or complex, as long as there is context so readers can figure out what's going on. It can help strengthen the complexity of the character to do so. In my Bringer of Chaos series, Pietas is immortal, far beyond "well educated" and a brilliant scientist. Six, his constant companion, is far less knowledgeable. Here's a snippet to illustrate:

"Six, look! These tracks are from ungulates." Pietas knelt and ran his fingers along the tracks. "These are popular with terraformers. They put them on every colonized world. Artiodactyla, to be precise. Bovidae. I suspect a derivative of aepyceros melampus."

"You know, Pi, when you say things like that, you think you're explaining, but you're really not."

"Animals with split hooves. Even-toed. Lightweight impalas. Antelopes."

"What, you couldn't say antelopes?"

Pietas got up, dusting off his pants. "I just did."

Edit with the end in mind

What is the mood of the story? Explore ways to make your writing match it. Use good tools, and take notes about how other authors handle scenes and situations. Find a passage of a book that you enjoy and rewrite it in your own words, trying to make it stronger. See if you can improve it. Then, take a passage of one of your previously published books, and try the same thing.

Editing is a science, but it's also an art, and art takes practice. Never stop trying.

---
 Kayelle Allen is the founder of Marketing for Romance Writers. She pens Sci Fi with misbehaving robots, mythic heroes, role playing immortal gamers, and warriors who purr. She's also a US Navy veteran and has been married so long she's tenured.

https://kayelleallen.com

Creating Conflict in Novels @kayelleallen #amediting #MFRWauthor

According to Wordweb, conflict has many shades of meaning, including a disagreement or argument about something important; opposition between two simultaneous but incompatible feelings; a state of opposition between persons, ideas, or interests; and opposition in a work of drama or fiction between characters or forces (especially one that motivates the development of the plot). The point being that conflict involves problems. No problems, no conflict.

No conflict, no story.

But what type of conflict works best for a solid story? Let's look at three major types: internal, external, and romantic.

Internal Conflict

An internal conflict often revolves around an emotional struggle. Generally, an internal conflict arises from a character's backstory. Something has occurred that threatens their ideal mental/emotional state. What they believe does not go along with their physical reality. Suppose your story was a romance set in a time when marriages were arranged. Your hero has no intention of being "married off" to a rich woman who does not respect him, or that he could not respect. However, his family fortune has been lost (not through his fault) and if he doesn't solve his immediate problem of finances in order to care for his younger siblings, they will all end up on the street. He must marry a woman of means, and fast. While he does have an external conflict (the threat of homelessness) his major conflict is internal (marrying someone he does not love and respect). How he behaves in this situation is driven by how he overcomes or resolves his internal conflict. It is not necessarily a direct solution to his inner conflict that ends the problem. He might find another way around the issue. In a gay romance, the internal conflict might be fear of rejection, facing reality as a gay person, or being ostracized from family. Overcoming the internal problem drives the resolution of the conflict. Therefore, it drives the plot.

External Conflict

For an external conflict, a force or problem exists outside the character. In the example above, the hero faced homelessness. A heroine might be in a situation where she must rescue someone. External conflicts mean that situations and/or physical threats or needs cause a problem. To solve it, the character must find a physical solution. A thriller or suspense might involve a race against the clock before a killer strikes again. A scifi might include an alien invasion threatening to decimate the planet. A medical thriller involves doctors racing to find a cure for a horrific virus, and so on. All these conflicts erupt due to an external cause. External conflict requires a threat from outside the main character(s). In a well written, multi-layered story, internal conflict exists as well, but the external problem drives the action.

Romantic Conflict

A romantic conflict involves struggle between the main characters. A strong external (physical) conflict collides with an equally strong internal conflict. The immovable object meets the irresistible force. Something must give or there will be no end of the conflict (and no romance).

Solving one conflict often still leaves the other, keeping the couple apart. Finding a reason to let down inner walls and trust the other person requires character growth and change. This leads to a resolution of the conflict.

Plot Forces Conflict

Plot is a scheme or plan. In a story, plot escalates the problems between the characters' internal and external conflicts. The situation of the hero needing a rich wife to provide for his siblings is made worse by the requirements of society. He must court the bride-to-be and appear to enjoy it. He must tread the tricky waters of a society ball and not allow his family's name to be sullied. He must hold up his head when hints of his lost fortune surface. The plot escalates when the youngest sister falls ill and needs medical attention, or the bank demands money, or the landlord begins showing the house before the family has moved out. Things are getting worse. The plot is what forces the hero into an external action despite his internal conflict. He must handle the situation and take care of the problem.

In a romance, finding an equitable end of the conflicts, internal and external, results in a love match that solves the problems brought up during the story.

When I wrote Bringer of Chaos: the Origin of Pietas, I had a huge challenge on my hands. I wasn't writing my usual genre, which is romance. This story is pure science fiction. Using a strong conflict helped me create a platform on which to layer the characterization and thereby create the conflict. Here's the plot:

Pietas is an Ultra, an all-but-immortal warrior who leads the fight against the oppressive human race that created his people. But when he's captured and exiled to an alien world, his only ally is Six, a human who's been as betrayed as he was. To cross the continent and rejoin the other Ultras, Pietas must overcome his distrust of humans, and rely on the mortal.

Simple, right? One would think. But I had to get two enemy warriors to depend on each other to cross half a planet on foot. To do that, I had to put them on an equal basis. When one character is a human (albeit a six-feet tall special ops soldier) and the other a seven-feet tall immortal best-of-the-best warrior, that's not easy. I had to amp up Six's abilities, and somehow reduce those of Pietas. How does one trap an immortal with unmeasurable strength, an eidetic memory, and a sixth sense for trouble? Solving that enabled me to spring the plot into action.

Conflict is Muscle

Plot is the spine, the various settings are its bones, characters are its flesh and beauty, and conflict is its muscle. When you end the conflict, you end the story. And your readers will live happily ever after.

About Kayelle Allen

Kayelle Allen is the founder of Marketing for Romance Writers, and author of the conflict-driven military scifi Bringer of Chaos: the Origin of Pietas.
Homeworld/Blog https://kayelleallen.com
Twitter https://twitter.com/kayelleallen
Facebook https://facebook.com/kayelleallen.author
Amazon http://amazon.com/author/kayelleallen
Romance Lives Forever Reader Group https://kayelleallen.com/bro

#MFRWauthor-to-author: Benefits of Self Publishing @gemwriter Claire Gem

Why Claire Gem Chose Self Publishing
I began my published author career with not one, not two, but three small publishers. My experience with them taught me many things, the least of which was patience. Which I don't have a lot of.

The first publisher did an awesome job editing, gave me the cover I asked for, and then nothing else.

The second did a crappy editing job but gave me a wonderful cover.

The third did outstanding edits, but forced me to change the title and sprung a cover on me I still have nightmares about.

Which is why I created Erato Publishing, published HEARTS UNLOCHED in eBook, Paperback, and Audiobook, and will never, ever look back. I am a control freak who also happens to be lucky enough to have a sister who is a graphic designer (and loves designing book covers) and a husband who is patient (and smart) enough to stay out of my way when I'm struggling with formatting issues.

My new release, HEARTS UNLOCHED, is a story that came to me, quite literally, already written. My husband grew up in the area of the Catskills in New York where the book is set: Sullivan County. We were visiting the area last fall when he began reiterating the urban legend about Loch Sheldrake—a lake so deep nobody has ever found the bottom.

So deep, it was the perfect place for the mob to dump bodies back in the day.

Sullivan County is littered with abandoned hotels, resorts, and convention centers. Back in the 50s and up until about 1970, the area enjoyed a prolific tourist trade from folks who lived in nearby NYC, only about two hours away. But after plane travel became more affordable, the tourist trade dried up and died. Many of the hotels were taken over by Jewish religious organizations, burned to the ground, or still stand forgotten and rotting.

As we drove around the lake, I began a ""what if"" conversation with myself. What if there was an abandoned hotel on the shores of the ill-rumored lake? What if there was a Jewish interior designer from Manhattan who owned a weekend house on the lake? Who was also psychic?

What if a sexy Italian investor bought a crumbling hotel on the shores of Loch Sheldrake? What if, after bumping into each other and producing some rather impressive sexual sparks, the investor hires the designer to renovate his hotel? But what if there's a ghost—a poltergeist—connected with the property who has a very personal interest in the psychic designer? Kate's aunt disappeared from the place fifty years ago.

Hearts Unloched

Interior designer Kate Bardach loves her single girl’s lifestyle—living in Manhattan and spending weekends at her lake house. She’s passionate about her career, reinventing old buildings. But there are some projects she can’t take on because of the spirits trapped there. Kate is psychic—she sees dead people.

Marco Lareci is one of Wall Street’s most successful investment brokers who’s achieved all of his life’s goals—except for finding his soulmate.  His latest project, an abandoned resort on Loch Sheldrake, needs a savvy designer to transform the crumbling complex into a boutique hotel. When Marco meets Kate, he can’t believe his luck. She’s the perfect match for his business and his heart.
Marco’s body excites Kate even more than does his renovation project. But the haunting there, a bonafide poltergeist, affects her on an intensely personal level. Kate’s aunt disappeared from the place fifty years ago.

Will the spirit doom Kate and Marco’s love, or drive them closer together?

BUY LINK

ABOUT Claire Gem
Claire turns the paranormal romance genre on its ear by combining the elements of gothic horror, mystery/thriller, and romantic suspense—in present-day settings. It’s a genre she calls New Gothic.

She also writes intensely emotional contemporary romance with a touch of humor under the Claire Gem Contemporary line.

website  |  blog  |  facebook  |  pinterest  |  amazon  |  goodreads

#MFRWauthor-to-author Tips: Writing Resources @ColleenSMyers

Writing Resources I Found Helpful
I  thought about all the things I ended up stumbling onto as a new writer and decided to try to make a decisive -yet somewhat short- list of things I found useful as I was getting started.
If anyone has any resources they want to share, please add in the COMMENTS.

Books:
Stephen King, On Writing: A Memoir of the Craft
William Strunk and E.B. White,  The Elements of Style
Debra Dixon, GMC: Goal, Motivation, and Conflict

Websites:
Writers Digest – It really is the one stop shop for classes and information.
Romance Writers of America – Membership, contests, and writing groups support. Truly amazing. This is romance specific.
Science Fiction & Fantasy Writers of America -- Organization that supports Sci-Fi/Fantasy writers.
National Novel Writing Month--- Sign up and write a novel each November.

Agent Querying Resources:
Query 101: The Basics: Where Do I Begin -- A nice article to get you started.
AgentQueryConnect.com-- Resources for writers.
Query Sharkor Nathan Bransford’s Query Forum -- Both let you post queries, get feedback.
Twitter – I’m serious, there are a bazillion places to connect and get critiques.

Twitter hashtags:
#amwriting,  #askagent,  #tenqueries,  #querytip,  #pubtip
#MSWL (manuscript wish list)
Contests:  #pitmad,  #pitchmadness,  #qeurykombat,  #pitcharama
#writeclub – someone always doing word sprints here -- or #1k1hr

Twitter peeps to follow:
@brendadrake – She runs pitmad/pitchmadness – Awesome lady
@MKDB – Margaret Bail, literary agent, queen of tenqueries
@michelle4laughs -- Michelle Hauck, author and host of Query Kombat
@sc_author -- Blogger, founder of #WriteInclusively.

Special mention to Brenda Novak’s Diabetes Auction where there are unlimited donated treats for authors for a good cause!

Critique groups:
Yes, you do need one. There is #cpmatch done about every 6 months. Always get a second pair of eyes looking at your MS. My group is full of awesome people: @patchi_writes, @earthrelic,  @chellewrites,  @ainsleywynter
Facebook also has a lot of resources for this. Check it out.
Go local. Yahoo has lots of groups where you can find local groups or meet ups. I moderate my local RWA chapter Three Rivers Romance Writers.

Editors:
When writing your first novel, I recommend you get an editor. Mine was Mary Harris.
Another editor I had look at my query letter and synopsis was @Cslakin

And, of course, all things MFRW are a necessity!

This is a work in progress as I learn more. I deliberately kept it short so it would one page anyone can reference but if you have anything to add, please contact me.
Happy writing!

ABOUT Colleen S. Myers
Colleen plays many roles. Not only is she a veteran, a mother, and a practicing physician, but she is a writer of science fiction and contemporary romances. Colleen’s dreams include surviving her son’s teenage years, exploring every continent on this planet, except Antartica, cause that’s way too cold, and winning the Nobel peace prize. Dream BIG! Currently she is working on Whole Again, a contemporary romance that she hopes to see published in the future.

Colleen's latest book is Can't Forget with Champagne Books.

Is it better to be safe or loved?

BUY LINK

Winner of the New England Readers Award!

Four months have passed since the E’mani—those pale alien freaks—destroyed the Earth and scooped up the remains. Elizabeth “Beta” Camden was one of those taken. But she escapes and confronts her prior captors successfully with the help of their enemies. Yet she knows the Imani won’t forget about her. She should stay vigilant and ready. Her heart refuses to listen. Beta falls in love with Marin—he of the hot hands and slit eyes.

Too bad she was right.

This time the E’mani don’t come in force. This time the E’mani slip in silently. And any hope she had of a peaceful life is lost. Beta knows what she has to do and it isn’t play house. She leaves in the dead of night to find the E’mani stronghold and end them once and for all. But love is a tricky bitch. And Marin refuses to let her throw her life away. It takes a threat to his safety to make her realize, if she can’t forget her past, she won’t have a future.

Connect with Colleen
https://twitter.com/ColleenSMyers
https://www.facebook.com/ColleenSMyers/
https://www.instagram.com/csmyers3637/
https://www.pinterest.com/csmyers3637/

Wordy Phrases and How to Find Them #MFRWauthor #amediting @kayelleallen

I'm going to wear my editor hat today and share tips I use on finding words that don't work as hard as you want them to. Every writer has pet phrases used to get the story from the head to the screen (or paper) such as "she rolled her eyes" or "he wet his lips." Some phrases are clichés; others are stock fillers we use while we're developing a scene. We figure we'll edit them later.

The problem is, we forget they're there. They become part of the background noise, and we fail to see them. Sometimes, even helpful words can slow down our writing, and take away the punch of a well-written sentence. How do we find them when they become invisible because we've seen them too often?

One good way is to use a program like SmartEdit. This software provides things such as an adverb list, repeated phrases, words, and usage of clichés. It shows dialogue tags and more. The Author's Secret is not affiliated with them, but I recently found this program myself and feel it's tightened up and strengthened my writing. I recommend it.

While a program is helpful, a simple list of your own no-no words will come in handy. I compiled a list of oft-used phrases that author friends report are their crutch words. Some of them are mine too. Here's the list. 

Phrases to Consider

Substitute gender pronouns (his/her, etc.) when searching.

• all the (also all of the)
• back against
• back to the
• be able
• both arms / hands
• can't wait
• come to
• did you
• do you think / want / need
• ducked his head
• every part of
• going to
• have no (look for: have no time, have no idea, have no reason, etc.)
• he opened / pulled
• his cheek
• his fingers / fingertips / hands
• I have
• I / you want
• I / you will
• look at
• on the floor
• outside of (outside is fine on its own)
• up against
• wet his/her lips
• you want (also look for what you want, what he/she wants, etc.)

Whatever you write, don't forget to run a spell check, and have a peer check your work. A good editor can help you find and eliminate crutch words, and suggest precise language, but your own experience and attention to detail can make their job easier, and save you money in editing fees.

Do you have a list of your own? Feel free to tell us about it in the comments. If you've found this post helpful, please share it on your social media.
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Bringer of Chaos: the Origin of Pietas
YA (older young adult), action adventure, science fiction, military science fiction, genetic engineering, space opera, space marineHeat level: Mainstream
Download the first full chapter.

Two enemy warriors: one human, one immortal. Different in belief, alike in spirit, marooned together on an alien world.

Imprisoned and in isolation over a year without food or water, the immortal Pietas survives. Though broken in body, his intellect and will are intact, thanks to Six, the special ops warrior who captured him, but kept him sane. The warrior had no hand in his deprivation and, like Pietas, was betrayed by his own kind. When Pietas is abandoned on an alien world with nothing but his honor--and Six--he must find and rejoin other immortal exiles. After centuries of war, Pietas detests humans and kills them on sight, but he is too damaged to continue on his own. Though he despises needing help, he allows Six to nurture and restore him to full strength, and then accompany him. As they cross the planet together on foot, the immortal begins to wonder if he has found his first human friend, or if Six is loyal only because Pietas could keep the others from tearing him to shreds. This human will either be his closest living friend, or the one whose betrayal will trigger all-out vengeance by the most powerful immortal ever born.

Immortal. Warrior. Outcasts. Traitors took everything. Except their honor.
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Amazon http://amzn.to/1R8DAbb
Amazon print http://amzn.to/1SSmueB
CreateSpace http://bit.ly/boc-origin-cspGoodreads http://bit.ly/boc1-good
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Follow Kayelle Allen's Amazon Author Page and get one alert from Amazon when a new book is available. Sign up for AuthorAlarms and the app will send you one email when Kayelle releases a new book. You can add and remove authors at any time.

The Editing Process - Track Changes

I know, I know, I should have loaded this earlier, but it’s still the 28^th right? I was having a hard time on how to conclude this…

*

Okay so you’ve just got your book back from the editor. Your heart beats hard in your chest as you download it into your computer and hope they like it. You open it up and start to look through it.

I have a couple of tips to make your life easier as you work your way through the edits.

Do you have the same program as your publisher? Can you see the track changes? Can you see the comments the editor made? Questions they might have asked? I bring this up because most publishers use MS Word and if you don’t have that program you might not be able to see the comments they could make.

Do you know how to use track changes? In MS Word if you look up at the top of the screen you’ll see a line of words – file, home, insert, page layout, reference, mailings, review, and view.  If you click on the word review you’ll see the bar below it change. About half way across in that lower bar is track changes. If it is on the background it sits on turns yellow. When it’s off it is white. I found out when I get my ms’s back from my editor and I turn it off I can still accept and reject their changes. The great thing is that if I find something I need to fix that the editor didn’t mark I can make my changes without having to approve everything I alter.

 I also like the using the accept and reject section in the toolbar when I have a few of those pesky track changes I can’t seem to find. That shows it to me every time. Normally, I just right click on the underlined section and a box will appear that allows me to do the same thing the tool bar does.

Really early versions of Word put the comments in the body of the documents but as they kept upgrading the program it moved to the side of the document – the one nice thing is they are easy to delete when you have completed the comment or to add to it if you need to. Just right click to delete if you don’t want to use the tool bar up top.

I still haven’t figured out how to end this particular blog. I hope this info helps you and I’ll be continuing with the editing process next month.

Barb:)

Bio:
Barbara Donlon Bradley wears many hats. She’s a mother, wife, care-giver, author, and editor. She’s a senior editor for Melange Books, and writes for Phaze and Melange books/Satin Romances with over twenty titles under her belt.

Author Sites:

Website: http://www.barbaradonlonbradley.com/

Publisher: http://www.phaze.com/author.php?author=21

Blog: http://barbaradonlonbradley.blogspot.com/

Facebook: https://www.facebook.com/pages/Barbara-Donlon-Bradley/118673448173249

Twitter: https://twitter.com/barbbradley

Pinterest: http://www.pinterest.com/barbaradbradley/

Goodreads: http://www.goodreads.com/user/show/7773192-barbara-bradley

Amazon: http://www.amazon.com/-/e/B0072OTZJE

B&N: http://www.barnesandnoble.com/s/Barbara-donlon-bradley

ARe:http://www.allromanceebooks.com/storeSearch.html?searchBy=author&qString=Barbara+Donlon+Bradley

Kobo: http://store.kobobooks.com/en-US/Search?Query=Barbara%20Donlon%20Bradley

Shelfari: http://www.shelfari.com/search/books?Keywords=barbara%20donlon%20bradley

the image I used came from my pinterest account - and from writer-write-creative-blog.posthaven.com

The Writing Process: Self Publishing #mfrworg

So this month we’ll talk about self publishing...something I haven’t done so don’t know much about, but I’ll do my best.

There are a lot of places where you can publish your own work. I googled it and found a slew of places. A few I recognized were Lulu, Createspace, IUniverse, Xlibris and of course Amazon, but there are a ton more out there. I found out there is even a Readers Digest book on self publishing companies. Each has their good and bad points and you need to find the one that works best for you.

After you’ve done your research you should reach out to other authors who have self published. Find out why they went that route and what worked and didn’t work for them. Which publishers they have tried and which ones they ended up using.

You’ll also need to find a cover artist and editor. Most of these publishers will offer a package deal that cover most, if not all, of what you want. Others seem to do things ala cart. You can also find companies that make covers, have editors – they do everything but publish your book. I did search but couldn’t6 find what I was looking for so those of you who know companies like this please chime in...

I asked some of my self published friends out there what an author should do and Kayelle Allen gave me these five suggestions:

1. Create a company name for your publishing endeavor (she uses Romance Lives Forever Books).

2. Set up accounts well ahead of your first book. You'll want to be on Amazon KDP, Barnes and Noble, Smashwords, etc.

3. Create a PayPal account you can use for your books, especially if you want to sell them yourself from your site or at conventions.

4. Find a good cover artist and a good editor. Don't skimp on either one.

5. Make a marketing plan for your books that goes from pre-release through to the next book.

Next month – more on editing...

Barb:)

Bio:
Barbara Donlon Bradley wears many hats. She’s a mother, wife, care-giver, author, and editor. She’s a senior editor for Melange Books, and writes for Phaze and Melange books/Satin Romances with over twenty titles under her belt.

Author Sites:

Website: http://www.barbaradonlonbradley.com/

Publisher: http://www.phaze.com/author.php?author=21

Blog: http://barbaradonlonbradley.blogspot.com/

Facebook: https://www.facebook.com/pages/Barbara-Donlon-Bradley/118673448173249

Twitter: https://twitter.com/barbbradley

Pinterest: http://www.pinterest.com/barbaradbradley/

Goodreads: http://www.goodreads.com/user/show/7773192-barbara-bradley

Amazon: http://www.amazon.com/-/e/B0072OTZJE

B&N: http://www.barnesandnoble.com/s/Barbara-donlon-bradley

ARe:http://www.allromanceebooks.com/storeSearch.html?searchBy=author&qString=Barbara+Donlon+Bradley

Kobo: http://store.kobobooks.com/en-US/Search?Query=Barbara%20Donlon%20Bradley

Shelfari: http://www.shelfari.com/search/books?Keywords=barbara%20donlon%20bradley

Monique DeVere's Secret to a Polished Manuscript #Novel #MFRWauthor #MFRWorg #EditTip

Last month I shared my secret to writing great dialogue. This month, I'm going to share my secret to a polished manuscript. This is my prized resource for catching mistakes, plot holes, story flow/pacing, clarity, and the dozen other errors we as authors miss because we're so close to our work.

I'm sure it comes as no surprise when I tell you that every author would be prudent to find a way to HEAR her/his story read aloud. You've heard this advice a thousand times before, right? So have I, and I've heard other authors say they print out their MS and read it aloud so they can hear it. Or they read it aloud while recording their voice so they can replay it. I don't know about you, but that seems so last century to me.

I can't imagine sitting around reading my MS for hours on end hoping to hear mistakes. Surely, it's almost impossible to read and listen so carefully as to pick out errors at the same time. Personally, I don't believe we can effectively catch mistakes this way since we're still too close to what we've written. Then we encounter the problem of wasted hours of reading aloud that we'll never get back.

My solution? My biggest helper--outside of my CP--is my beautiful Kindle Keyboard. I love that baby. All I need to do is email my word doc to my Kindle, turn on Text-to-Speech and I can easily listen while I do the school run or clean the house. When I hear something I wish to change, I pause the Kindle, bookmark the page and make a note of what I need to change. If this happens while I'm driving, I'll make a mental note and write it down as soon as I reach my destination. On occasion, I've been known to pull over to the side of the road and make notes. But I'm sure you guys do that too. :)

I've found that using Kindle to read my story while I listen is the best option for me. I've tried using read aloud in PDF but the voice is far too tinny and computer generated for my taste. It distracts and irritate me, and I end up missing mistakes. Plus I lose the on-the-go editing option that I love so much.

Now don't get me wrong, I'm not saying this is fool proof. I'm simply saying it's another wonderful editing resource to add to our creative arsenal. For instance, you won't notice homophones, but you'll certainly notice flow and pacing. You'll notice tone and characterization, plot problems or whether you spend too much time in your characters' heads, whether your dialogue sounds natural, and a host of other niggles you might've otherwise overlooked.

The Kindle Keyboard isn't the only Kindle that has the Text-to-Speech function. According to the Text-to-Speech: Enabled link in the Product details section of my books on Amazon, Text-to-Speech is available for Kindle Fire HDX, Kindle Fire HD, Kindle Touch, Kindle Keyboard, Kindle (2nd generation), and Kindle DX. That's a huge choice of read aloud choices I never knew existed until lately. I haven't researched it, so I can't say if the other devices also have a read aloud function. If you know of any other reader besides the ones I listed, please tell us about it in the comments section below.

What do you use to help you polish your MS? Do you listen to your WIP via your reading device? Have you any special, trusted and adored methods for polishing your MS? If so, please share, I'd love to hear your secrets. 

Do leave a comment in the comment section below. Even if you just want to say "Hi!", I'd be thrilled to know you stopped by.

Until next time, write with clarity and style!


Monique x 

Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge. 

Monique loves to hear from her readers. You can contact her by visiting her HERE to learn more about her and check out her other books.