Showing posts with label #WriteTip. Show all posts
Showing posts with label #WriteTip. Show all posts

Tuesday, August 4, 2015

Author-to-Author Tip: Find Your #Writing Zone @Siera_London #MFRWauthor

Not all roadblocks to writing are created equally and most are multi-faceted.
Don’t get sucked into an emotional black hole because your writing life isn’t where you want it to be. It’s okay. Admitting there is a problem opens you up to the possibility of moving from where you are to where you want to be as a writer.

Writers love questions, so here’s one for you.
What is hindering your ability to get the words out of your head and onto the page?
Is it time, space, motivation, fear, or lack of creativity, or something else?

Space.
Write where you feel the most comfortable. When I told my husband I wanted to be a writer, we built a house with an office. It’s a beautiful space with plenty of sunlight, a view of the backyard, and the surrounding trees. But guess what, I write more words with my feet up on the living room couch in front of the fireplace. Go figure? I have a friend that writes best in the bathtub. Do what works for you. Don’t force yourself into a mold that works against your productivity.

Motivation, Fear, & Creativity.
I struggle with two of these anti-writing demons on a weekly basis. This is where the ritual kicks in. My morning starts with a two minute tension tamer breathing exercise CD and prayer. These two behaviors act as a mental and physical reminder that I am preparing myself to write. I spend 15 minutes on social media, eat my breakfast, then I sit down to write. This routine helps me to focus on the task to come-writing, not the fear of what will I write today. I’m a pantser so if I’m having trouble with a scene, I stop and take my character on an adventure. I pick a central character and take them to lunch, a meeting or back to work. You decide where you want them to go, have them interact with another person in the story, and write down their dialogue. Maybe, I’ll use the scene later or maybe I won’t, but I’m still writing. You get the picture? Don’t be afraid to write a bad scene.  Writing a good story is a process. The first words you write are not the final words in the story. Notice, I didn’t have you jump to another WIP. A part of the process of becoming a prolific writer is finishing the work you started.

Goal setting.
What is it you want to change, improve or eliminate from your writing life? In my case, I wanted to write in sixty minutes intervals. Not staring at the computer screen for sixty minutes, not checking emails, chatting, tweeting or on Facebook. Set a realistic goal for yourself. I’m not going to tell you how much time to devote to your writing, but I’m going to strongly encourage you to commit to a daily word count and a timeframe to reevaluate your progress. This is a personal goal, do not set yourself up for failure by setting unrealistic goals at this stage. When I admitted to myself that I wasn’t using my available writing time wisely I started with a daily writing goal of 100 words per day, every day for a one month time period. Within two weeks I was writing more than 250 words per day. There were spelling errors, grammar no-no’s, and poor word choices, but I was writing every day. The story was out of my head and on the paper. Remember, your words are your own. You needn’t share them with a single, living sole until you are ready. So, it doesn’t matter if the words aren’t perfect, get the best words for the moment on the page.

Tactics & Implementation.
How are you going to accomplish this goal? We are writers, so you have to write your plan down. Mine was posted on a sticky note on the mirror in the bathroom. What are the action steps you are willing to take every day to achieve each of your writing goals? For me, I had to limit time on social media to specific intervals first thing in the morning for a total of 15 minutes, again in the afternoon and later at night- total of 45 minutes on social media at three different intervals. If you need to share your writing plan with another for additional support and encouragement, please do so. I prefer to keep new endeavors to myself initially. I approach new challenges like an undercover agent, too many prying eyes can jeopardize my mission. Give yourself some flexibility, if a component of the plan isn’t working, change it. No summit meeting required and you don’t have to wait till a designated evaluation date.

Evaluation.
Which parts of your writing ritual did you master the first time out of the gate? Which action steps didn’t work for you or your lifestyle? Again, you own this process, you decide what stays and what has to go. Sit down, take your time, and evaluate your accomplishment with each action step. Be honest about your progress. If you missed the mark on a few goals, don’t beat yourself up. It’s your plan, adjust the game plan and get back on track. Get feedback from your family or friends if you shared your plan with them. Did you seem more relaxed, more organized, or more focused while implementing your writing ritual? When I put myself on a writing ritual my husband was much happier. No more staying up until 2 am with my character’s soundtrack pumping through the sound system. Music helps me connect with my characters, but that’s for another blog.

If you met your daily word count for the designated time frame, share it with your social media family. Spread the word and help another writer establish a writing ritual. And remember, the writing ritual is not about editing, revising, or structure, it’s about getting your story out of your head and onto the paper.

Saturday, July 11, 2015

Sign OFF for Simple Painless Promo #MFRWOrg

How often have you checked out a post from someone and thought "Interesting, I'd like to know more about this person" or you've seen an invitation, on a discussion group, to share blogs, but no e-mail or blog address. Sure you can reply publicly...which in some groups is not encouraged. Or you can hope the individual e-mail will show up when you click on reply.

That's a lot of work, even when one of our goals as writers is to be available to those who want to communicate. How can we easily provide our contact information without a constant shout out, or without typing it in every time we post.

Simple. Just sign off with everything you want people to know.

When we are in author mode, we need to be thinking about ways to let people get in touch with us. That's as opposed to writer mode, where we just want people to leave us alone so we can write. Even then, if we stick our head up out of our story to check our e-mail (yeah, shame on us but it happens!) we want to get the best return on our posts.

So, we want to let people know WHO we are, WHERE to find us, and HOW to get in touch. In my case, it would be  [Monica Stoner w/a Mona Karel http://mona-karel.com/ tsent@ix.netcom.com Discover the Enchantment in Romance https://twitter.com/MonaKarel] which also includes my tagline. When we use one e-mail for more than one purpose (for me, I'm Mona the Writer, Monica the AKC Delegate, and also the day to day Monica) we can develop a unique sign off for each identity.

How do I handle this? My e-mail server allows multiple signatures. For each one, I set up a signature line. Monica Henderson Stoner is Delegate to the Saluki Club of America; Mona's signature line is above. Monica has a cute snippet: We only have a little spark of madness, we must preserve it. ALL of these signatures have at least an e-mail if not also a website contact. The only thing I have to remember to do is change the "from" bar when I start a message.

Almost painless, yes? Guaranteed to make it easier for people to stay in touch, which is a very good thing.

You can go further, of course. You can list every book you've ever written, add their covers, include glowing reviews. You can make your signature line bigger than your message.  And some people will happily read that information, at least the first time. If you're participating in an online discussion and no one is trimming their message, that display of information will be seen over and over and...which is one of the reasons you want to be trimming your messages!

Make it easy on readers and on yourself to stay in touch. Have a bright day!

Monica Stoner w/a Mona Karel http://mona-karel.com/ tsent@ix.netcom.com Discover the Enchantment in Romance https://twitter.com/MonaKarel
MFRW Staff, Blog Hop Coordinator


BIO
I think my first story written was in sixth grade, something to show my penmanship for the county fair. Penmanship, me. Right. I wrote Beatles fan fiction, and horrible Gothic romances, then set aside writing for my other obsession, horses. I worked in horses and dogs (and restaurants) until my mid thirties when I discovered real jobs in materials management, and married Tom.
We were married for 25 years, most of them spent in Los Angeles county. It had to be true love for me to live there that long. New Mexico was our ultimate goal and we had five wonderful years on the high plains. For all that time, I wrote. Writing helped me deal with living around too many people, and then helped me express the joy of the high plains, and deal with the shock of losing my best friend. I write to share my dreams...and the beautiful New Mexico skies.

Wednesday, May 6, 2015

Author-To-Author: First Page Check List #MFRWauthor @RuthACasie #amwriting


A First Page Check List
I've been catching up with my inbox. It was getting out of hand. Between being in my cave writing, Thanksgiving and the holidays well, lets just say I needed an intervention. 

One of the gems I unearthed was a post by Ray Rhamey of the Flogged Quill. (follow the link to see original article)




The Challenge: Does This Narrative Compel You To Turn the Page?
It's the first page that grabs the reader. Many times its the first sentence.

Here is Ray's first-page checklist:

It begins connecting the reader with the protagonist.
Something is happening. On a first page, this does NOT include a character musing about whatever.
What happens is dramatized in an immediate scene with action and description plus, if it works, dialogue.
What happens moves the story forward.
What happens has consequences for the protagonist.
The protagonist desires something.
The protagonist does something.
There's enough of a setting to orient the reader as to where things are happening.
It happens in the NOW of the story.
Backstory? What backstory? We're in the NOW of the story.
Set-up? What set-up? We're in the NOW of the story.
What happens raises a story question-what happens next? or why did that happen?

I remember the first draft of my first story. I eagerly read it at literary group meeting to three well published authors. I had worked hard on the story especially the opening. I saw it as a movie. The first thing I see in a movie is the setting. So, I diligently, and meticulously, described the scene.

Are you laughing? They loved the description. They told me to save it for someplace else but to come up with something more compelling. It was replaced with a fight scene.

Let's Talk About It.
Think about some of the books you've read or written. How did they begin? What did you like, or not like about it?

Post contributed by Ruth A. Casie
Ruth writes contemporary and historical fantasy romance for Carina Press, Harlequin and Timeless Scribes Publishing. Formerly from Brooklyn, New York, she lives in New Jersey with her very supportive husband Paul.

Her latest book is Knight of Rapture, a Historical PNR Fantasy, with Timeless Scribes Publishing.


For months Lord Arik has been trying to find the precise spell to rescue his wife, Rebeka, but the druid knight will soon discover that reaching her four hundred years in the future is the easiest part of his quest. 
Bran, the dark druid, follows Arik across the centuries, tireless in his quest for revenge. He’ll force Arik to make a choice, return to save his beloved family and home or stay in the 21st century and save Rebeka. He can’t save them both.
Rebeka Tyler has no recollection of where she’s been the past five months. On top of that, ownership of her home, Fayne Manor, is called into question. When accidents begin to happen it looks more and more like she is the target. Further complicating things is the strange man who conveniently appears wherever trouble brews—watching her, perhaps even….protecting her? Or is he a deliberate attempt to distract her? Rebeka can only be sure of one thing—her family name and manor have survived for over eleven centuries. She won’t let them fall… in any century.
website  |  blog  |  twitter 

Sunday, April 26, 2015

Novel Theme. Author Theme. What’s The Difference, and Do You Have One? #MFRWauthor #MFRWorg #WriteTip @MoniqueDeVere



Mention theme and some writers will groan. There’re so many, aren’t there? There’s theme, then there’s theme, and then there’s... well, theme. We have the story theme, author theme, and tropes—which some writers/readers call book theme.

Today I’m going to be talking about author theme, but first let’s take a quick look at the other two.

Story theme

Story theme is the same as the novel’s theme and can  usually be described in a single sentence. Something like, “action speaks louder than words”. It’s what the story is about, the message beneath the surface and it has nothing to do with your plot points on an obvious level. For instance, you might have a character, or even set of characters, who constantly say one thing but do another. That would be the story theme “action speaks louder than words”. 

I normally look to Idioms to find a nice pithy statement for my story themes. But there’re other places we can also look. I’ll list a few in case you might like a bit more of an example.
Story themes can be boiled down to traditional sayings.

Idioms – a phrase with a different figurative and literal meaning.
Exp: “Rags to Riches.” Or “Keep a stiff upper lip.”

Adage – a memorable, traditional saying that has gained credibility through long use.
Exp: “Where there’s smoke, there’s fire.” Or “Things are not always what they seem.”

Proverb – a short saying which expresses common sense or a basic truth.
Exp: “A monkey in silk is a monkey no less.” Or “It’s no use locking the stable door after the horse has bolted.”

Maxim – a well known saying that expresses a truth or rule about life or conduct.
Exp: “Opposites attract.” Or “Nothing ventured, nothing gained.”

Epigram – a clever statement expressed in the form of a concise amusing or satire poem.
Exp: “I can resist anything except temptation.” Or “No one can make you feel inferior without your consent.”

Tropes

Another book “theme” people speak of, is the story trope. These are tried and tested, reoccurring literary devices used to instantly tell the reader what sort of romance she’s picking up. Such tropes are: the second chance/reunion romance, secret baby, friends-to-lovers, older brother’s best friend, matchmaker, office romance, one-night-stand, sexy protectors and the list goes on. Used in category romance/commercial fiction, tropes drive the story.   

And now we come to...

Author Theme

Recently, I found myself thinking about the way I approach my stories, and it suddenly dawned on me that while I usually know my story theme, I don’t think I’ve ever stopped to work out my author theme. 

This started to bug me. 

What did I really write about? 

Okay, you might be thinking, “Huh? Author theme, what on earth is that?”

Or you might be thinking, “Who doesn’t know their author theme?” Well done for figuring yours out already, smarty-pants, thumbs-up to you. :)

Now, for the rest of us mere mortals who never really thought about our author theme. It's the core topic every writer writes about. The same fundamental subject that runs through all of her stories. Something like perhaps an author who always write about orphans in some way. Maybe one of her books is about a character whose parents died and she ended up in foster care. Another book might be about a character who felt abandoned because the parents were always working, and yet another book might be about having to grow up fast and look after a parent or siblings because the parent was sick or had a substance abuse problem. You get the idea, right? While none of these stories are the same, one similarity remains at the core—this character is an orphan.

So I started to think I didn’t have an author theme. What do you do when you get stuck? 

Phone a friend. 

In my case, I emailed my dear, dear friend who I met in a critique group around ten years ago and we've remained friends every since. She’s read most of my books and she has such a wonderful, sharp eye. When I asked her what she thought my author theme was she said, “You write about daddy issues.” 

Right there, in words that leaped from the email reply, was my answer. At first (for about thirty seconds) I thought, nah, I’m sure I write about something else. Something far more profound—haha, yeah right. But as I ran my books through my mind I realised she was spot on! Every one of my books contained characters that had some sort of daddy issue. The novel I'm writing right now features a heroine with daddy issues. 

What does that say about me? You guessed it, I have daddy issues. My parents got divorced when I was eight and suddenly my daddy—the light of my life—was no longer there. Oh, man, I feel like I’m baring my soul here. Is it any wonder that we as authors experience such a deep sense of hurt when someone tips a negative hat to our books? How many times have you heard a writer say, “I poured my soul into that book!” Because we actually do.  

Going forward, I believe my books will be stronger for me having this knowledge. I will certainly make sure my character’s have their chance to forgive and heal.

I challenge you to find your author theme if you don’t yet know it. I bet, armed with this knowledge, you’ll be able to strengthen your books and jump to the next level in your writing.  

So, what do you think about author theme? Do you already know yours? Are you going to leave here and spend some time pondering your author theme? I'd love to hear your take on this subject.

Until next time, write with clarity and style!
Monique 


 Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge.  

Monique loves to hear from her readers. You can contact her by visiting her http://moniquedevere.blogspot.co.uk to learn more about her and check out her other books.

Thursday, February 26, 2015

On The Nose Dialogue & How Fiction Writers Can Avoid It #MFRWauthor #WriteTip #MFRWorg #Writers #Authors




Today I’m looking at On-The-Nose dialogue (OTN). 

This isn't a problem for Scriptwriters alone. Fiction writers need to avoid this trap as well. 

On-the-nose dialogue will ensure readers drop your book faster than a red-hot ember. 

You and I both know that nobody wants to read dialogue that isn’t close to the way people really talk. Otherwise it’s boring, tedious and not worth reading. 

Yet, writers are still falling into the trap, not realising that the ability to avoid writing on-the-nose-dialogue sets great writers apart from so-so writers. It shows editors, agents, readers, reviewers and the like that you have the skill, understand and know-how to implement the numerous other fine distinctions of the craft of writing and storytelling.

So what is on-the-nose dialogue, and how can we avoid this hazard?


What is On The Nose Dialogue?


OTN dialogue is obvious dialogue. It’s bland, boring to read, and tells the reader exactly what the author needs the reader to know, or requires the scene to convey. Plus it’s nothing beyond filler. 

An example of on-the-nose dialogue would be...

“Hi, Jim, it’s really hot today.” Pete tugged at his tie. 

“Yes, Pete, but they say it’s going to rain later.”

Pete glanced out the window they were passing. “I can see some rain clouds coming in overhead.” His tie was still choking him and his loosened it. “So I saw you with Carol, your wife. Are you two getting back together?”

“Maybe... I think so... We’re working on it. Why do you ask?”   

“I was wondering because she cheated on you with your brother and all.”

“I really shouldn’t take her back, but I still love her.”

Okay enough! I can’t take anymore, and I’m sure you’re ready to stop reading by now. 

Do you see how utterly uninspiring and dead boring OTN dialogue is? Did you notice anything else? Not only did I show you OTN dialogue, I also threw in some OTN action as well—just as a treat :). 

Pete tugged at his tie. Why is Pete tugging his tie? Not because he’s nervous, but because it’s a hot day. 

Pete glanced out the window they were passing. Why? Just so he can see the rain clouds closing in.

This is all obvious action to go along with his obvious dialogue, and that’s what makes it OTN action. 

Another obvious statement coming from old Pete is: “So I saw you with Carol, your wife." 

I'm pretty sure Jim already knows who his wife is! And that she cheated with his brother.

Rule of Thumb: anything that is obvious is On-The-Nose, whether it’s dialogue or action. Think subtle. Think show don’t tell. Think mystery (not of the whodunit, but of the I-wonder-what’s-really-being-said-here variety). 

The next part of the above scene, which leaves the reader cold, is the lack of any real point of view character. Through whose eyes are we viewing the story? These are all hazards of the OTN dialogue. 


How Do We Avoid This Hazard?


The trick, my friends, is to use subtext and deep POV. We say things all the time that we don’t know we’re saying. As authors, we can use this to great advantage. I spoke about subtext in my Pull Up a Chair With Mon series over on my blog a while ago, so I won’t delve into it again too deeply here. 

What I’d like to do is try and see if we can make the above scene any better. Let’s hang out in Pete’s head to see what's going on...

“Hey, Jim, wait up.” Pete jogged the few paces to catch up with his buddy. Even at this early hour in the day, sweat trickled down his back. Snagged his dress shirt and plastered it to his back.

“Just leave it, Pete, I’m warning you.” Jim’s dark, narrowed gaze sliced into him. But what sort of buddy would Pete be if he didn’t make his friend realise he was heading down the same road to destruction as before?

“You know I can’t do that, bud. Just hear me out, and if you still want to take Carol back, I'd be first to raise a toast to your happy future.”

Jim skidded to a halt. Spun on Pete like he had murder on his mind. “What is your problem with my wife?” 

The clenched fists and steam shooting from Jim’s nostrils let Pete know his friend of ten years was close to outing his lights. Pete loosened his tie. Maybe the god-awful heat had gone to his head, but Pete was ready to duke it out with Jim right here is the hallway of TTNT—in front of all their work colleagues—if it meant Jim would finally listen to what he had to say.

“The only problem I have is that she’s a liar and a cheat, and she doesn’t deserve all the chances you keep giving her. What second chance are you on now? Fifth?”

Fist balled tight, Jim drew his arm back. 

Pete knew what was coming and he welcomed it. What he didn’t expect was the force of the punch that connected with his jaw, and knocked half a day’s memory out of his brain.

This is a rough example. It needs more subtleties added. The senses, for starters, and a deeper understanding of who Pete and Jim really are, but I’m not writing a story here, just giving you a quick example. 

With any luck, you see the difference between the two scenes. The first is out and out OTN. The second is a little more subtle. Giving the reader info while keeping her/him wanting to know what’s going on by dripping in the relevant facts. I achieved this by letting the reader see what’s happening inside my POV character through action, internal narrative and emotion. 

Have you ever been snared by the dreaded on-the-nose dialogue trap? Do you have any neat tricks or ways to avoid it? I'd love to hear what you think. 

Until next time... let's avoid the nose.


Monique




Author/Screenwriter Monique DeVere currently resides in the UK with her amazing hero husband, four beautiful grown-up children, and three incredible granddaughters. 

Monique writes Romantic Comedy stories some call Smexy—Smart & Sexy—and others call fluff. Monique makes no apologies for writing fun, emotional feel-good romance! She also writes Christian Suspense with a more serious edge.  

Monique loves to hear from her readers. You can contact her by visiting her http://moniquedevere.blogspot.co.uk to learn more about her and check out her other books.

Friday, February 20, 2015

Author-to-Author: On Writing Erotica @SuzDeMello #MFRWauthor

Scenes are the building blocks of your story, for acts are comprised of scenes. They're nothing
more than events, most often interactions between your characters. Scenes should fulfill at least one or two of the below purposes—best if you can include all four.

•Advance plot
•Reveal or develop character
•Complicate or resolve conflict
•Express setting, mood, theme

Everything in your manuscript should have a function, even every comma or em-dash.

How does this apply to the writing of erotica?
Too often, sex scenes are shoehorned into a story to increase the word count or the heat level, while those scenes don't fulfill any other function. To quote from Plotting and Planning again, Everything in a story should contribute to it, from the biggest monster to the tiniest comma.

If a scene doesn't contribute to the story, it doesn't belong there. It doesn't matter how well-written it is. It doesn't matter how hot it is. It doesn't matter how much you, the author, may love the beautiful prose or the scorching hot, kinky sex.

There's a piece of writerly advice out there: Kill your darlings.

No one's quite sure where this phrase originated, but it's been repeated often, by such notable authors as William Faulkner and Stephen King. (SOURCE)

But it doesn't matter who originated the phrase--it's great advice. We often fall in love with our prose and are loath to cut it, especially when we may have slaved over a particularly well-turned clause or exhaustively researched, say, the eating habits of the lesser lemur of Madagascar.

Fiction is no place to be a smarty-pants. Leave that for term papers, book reports and theses.

In terms of writing sex scenes, what do we leave in and what to we cut?
We leave in those scenes that fulfill at least one of the above purposes. Ideally, a well-written, thoughtfully planned encounter will fulfill more than one purpose.

Here's a brief example, from a story I wrote called Gypsy Witch. The backstory is that the heroine is dating a cop.
Ben propped himself up on his elbows to better see the naked woman beneath him. Sheened with sweat, Elena’s lush curves glowed in the reddish half-light of her bedroom, curtained in exotically patterned swaths of gauze and silk. A curl of smoke from a lit incense stick scented the air with sandalwood. Otherworldly New Age music flowed out of a boombox in the corner, irritating the hell out of him. 
Though the paragraph is very sensual, there’s quite a bit of characterization and even a little conflict—and this is only the first paragraph of the story. We see that Ben is very “feet-on-the-ground” while Elena, his lover, is exotic and New-Agey. So character is described, setting is related and the romantic conflict is shown.

If you like what you read, find the story here: http://www.ellorascave.com/gypsy-witch.html.

As a romance novelist, I believe firmly that erotic scenes should never be gratuitous. If a writer keeps the purposes a scene must fulfill in mind while writing, the sex is never out of place but is a seamless part of a well-written story.

From my writing treatise, Plotting and Planning, available at http://tinyurl.com/deMelloPlotting.

ABOUT Suz deMello
Best-selling, award-winning author Suz deMello, a.k.a Sue Swift, has written seventeen romance novels in several subgenres, including erotica, comedy, historical, paranormal, mystery and suspense, plus a number of short stories and non-fiction articles on writing. A freelance editor, she’s held the positions of managing editor and senior editor, working for such firms as Totally Bound and Ai Press. She also takes private clients.

Her books have been favorably reviewed in Publishers Weekly, Kirkus and Booklist, won a contest or two, attained the finals of the RITA and hit several bestseller lists.

A former trial attorney, her passion is world travel. She’s left the US over a dozen times, including lengthy stints working overseas. She’s now writing a vampire tale and planning her next trip.

--Find her books at http://www.suzdemello.com
--For editing services, email her at suzdemello@gmail.com
--Befriend her on Facebook: http://www.facebook.com/suzdemello
--She tweets @Suzdemello; https://twitter.com/SuzdeMello
--Pinterest: http://www.pinterest.com/suzdemello/
--Goodreads: http://bit.ly/SuzATGoodreads
--Her current blog is http://www.TheVelvetLair.com

Sunday, February 15, 2015

The Importance of a Target Audience for Authors #MFRWauthor #mfrwblog



By now, we’ve all heard of the “long tail” in sales, from music to television shows to books. With the advent of the digital age, no longer are we all resigned to watching “Leave it to Beaver” together. Instead, we can download a mermaid ménage story or a YA fantasy romance, as we choose.

But what that means is that our marketing efforts are also more spread out. From genre-specific blogs to niche groups on Goodreads, from Pinterest boards to Youtube channels, there is a marketing avenue for all of us.  The problem, though, is that we all have limited time and resources. So we have to determine where our specific audience hangs out the most.
Where is my target audience?

Broad audience better?


Many of us write our books and hope that they appeal to a broad audience. But in all likelihood, we do have a targeted audience in mind already. For instance, if we write slightly steamier or erotic romance, we are probably not expecting the inspirational crowd to pick up our book, or vice versa.  And, we all know the feeling of having picked up a book that we thought was something else, only to be disappointed by its contents. (Will we ever go read that author again?)

However, if we have defined our audience, then everything from our cover to our taglines will reflect what the reader wants, and our readers will be happy to have their expectations met!  

So here are some ideas for determining our target audience:


Do a survey, either on Facebook, or better yet, through your newsletter subscriptions. Keep it simple – no more than ten questions – and, along with demographics like age and nationality, ask deeper questions about preferences and themes.  Ask what their favorite social media is, too.  

Your ideal readers:


Think hard about the type of person that you would want to read your books.  If you could dream up a reader, what would he or she look like? Define these:

• Personality
• Attitudes
• Values
• Interests/hobbies
• Lifestyles
• Behavior

Once you have those people in mind, it is easier to determine where they hang out, and then, market accordingly.

Ways to Market:


 Search blogs on your topic of interest (even if they are not romance-related), and ask to guest blog. For instance, my latest novels are set in the Paelolithic. I will be heavily targeting all of the Paleo lifestyle sites, too. (And loving that Paleo hashtag!)

Most people would normally recommend, too, that we buy more targeted ads on Goodreads or Facebook, however I still cannot find convincing data that says that these ads generate great sales. As many have said before me, the most important thing an author can do is 1. Write a great book and 2. Engage with readers on a personal level.

So finding your target audience will allow you to find those readers, and then engage with them where they are.  (Of course, like most things, this is easier said than done…)

What about you? What sort of target audience have you defined – or not – for yourself, and how has that helped your sales? Love to hear any and all comments!




About the Author:
Erin writes sensuous paranormal romances set in exotic locales. Her latest book is a sexy minotaur shifter story set in Crete.  A regular blogger for Marketing for Romance Writers as well as Heroes and Heartbreakers, Erin lives in Atlanta with her two little paranormal beings and one unruly husband.

Erin also now offers editing services, including help with bios and queries, on her website.  She's giving away a critique of a first chapter with a subscription to her newsletter

Thursday, January 22, 2015

Author-to-Author: #Thursday13 Benefits of Collaborative Writing @ErincMcRae @Racheline_M #MFRWauthor

Racheline Maltese & Erin McRae talk about COLLABORATIVE WRITING.
Erin McRae and Racheline Maltese’s gay romance series Love in Los Angeles, set in the film and television industry, is published by Torquere Press. The first novel, Starling, was released September 2014; its sequel, Doves, is scheduled for January 2015. The release date for book 3, Phoenix,will be announced soon. Racheline is a NYC-based performer and storyteller focused on themes of sex, gender, desire and mourning. Erin McRae is a writer and blogger based in Washington, D.C.

Joint Blog: http://Avian30.com
Joint Facebook Page: https://www.facebook.com/Erin.and.Racheline

13 Reasons We Love Collaborating:
1. Two brains takes writer's block off the table.
2. Having an audience from day one.
3. Knowing someone loves the characters as much as you do.
4. Someone to argue about commas with before the copy editor gets involved.
5. The work always gets done. If one of us can't, the other can.
6. Division of labor!
7. Saving our spouses from having to read first drafts.
8. Always having someone to say ""Don't read the comments!""
9. Making each other laugh while editing.
10. Always having someone on continuity.
11. Winning NaNoWriMo is so much easier!
12. Being able to do more events in more locations!
13. Sometimes it's spooky.Synchronicity, mind reading, coming up with the same story at the same time -- it's all best sort of writing magic.

Thier latest book, STARLING, is with Torquere Press.

Be careful what you wish for...

When J. Alex Cook, a production assistant on The Fourth Estate (one of network TV’s hottest shows), is accidentally catapulted to stardom, he finds himself struggling to navigate both fame and a relationship with Paul, one of Fourth’s key writers. Despite their incendiary chemistry, Alex’s inexperience and the baggage they’re both carrying quickly lead to an ugly break-up.

Because the stars aren't benign

Reeling from their broken hearts, Alex has an affair and Paul has an ill-advised reunion with an old flame. Meanwhile, the meddling of their colleagues, friends -- and even the paparazzi! -- quickly make Alex and Paul’s real life romance troubles the soap opera of the television season.

But while the entertainment value may be high, no one knows better than Alex and Paul that there are no guarantees when it comes to love in Los Angeles.

Can J. Alex Cook find his own happily ever after with the man of his dreams when the whole world is watching?

"STARLING is a reader's treasure that completely engaged me from the very beginning. I found myself talking to my kindle, offering advice, yelling, cringing, cheering and processing each emotional experience as if it was my own. The realities of life, love and self discovery that are presented in this highly character driven story are exceptional. STARLING is well written and develops at a slow but steady pace that perfectly complements its raw emotionalism. I was thrilled with this first offering in the Love in Los Angeles series and am eagerly anticipating further additions by this exciting writing duo!"" - Carly's Book Reviews

EXCERPT
Alex finds him alone, eventually, in the kitchen.
“I‘m glad you came,” Paul tells him and offers him another beer.
Alex shrugs. “Thanks,” he says, both for the drink and for Paul actually meaning it.
Paul regards him in silence for a moment. “How are you?”
“Here,” Alex says, because it’s the simplest summation of his current state of being in all its forms.
Paul laughs, loud and surprised like he sometimes does. Alex grins back at him. When Paul’s smile stays and his eyes meet Alex’s and then linger, Alex knows he’s doing the stupid squinchy-eyed thing again. He turns his head away a little, because Margaret has told him what that look can do. He’s not sure what he should be expecting or wanting out of tonight yet.
“Hey, no.” Paul raises his hand and presses two fingertips, damp and cool, against Alex’s temple. He turns Alex’s head back until their eyes meet again, and then he drops his hand slowly. Alex knows it’s to give him a chance to stop him if he wants.
He doesn’t, and Paul’s hand settles on his waist. “Party’s out there,” he says, and tips his head back towards the living room.
“Wanna go join?”
It’s not an invitation Alex has any interest in saying no to."

Saturday, January 10, 2015

Priming the Pump #MFRWAuthor

The expression “prime the pump,” comes from the necessity to move water from one location to another, using a pump, whether manual or powered. Prior to actually transferring the water you need to put water into the pump itself, so the introduced water moves with less effort

Lenticular Cloud in the Morning...almost looks like an alien vessel. Hey, it's New Mexico
Thinking of writing, the activity of writing as a well of ideas moved along by the effort of creativity, it’s easy to relate the concept of priming the pump. Living in a drought prone environment encourages that parallel. The parallel is even more relevant when I find my creativity well has run as dry as the well out front of my house.

To prime that pump, I go to my personal inspirations: David Farland, the ever so irreverent Chuck Wendig, and marketing guru Seth Godin.

During NaNo month, Wendig’s blog was a non stop cheering section for those racing toward word count Finish Your Stuff Once November was behind us he put it in perspective. The very act of writing is a win no matter how many words made up your final count.

Lost Civilizations? Mountain Refuge?
David Farland’s Be Excited provided a great kick in the rear for those coming off the NaNo WIN high or the Didn’t Make It low. We must remember our passion for what we write.

You might wonder about using Seth Godin for inspiration unless you follow his pithy blog. As writers we are marketing our words and ourselves constantly. Doing so in a sane and constructive manner saves wasted time and avoids losing readers (customers) to poor communication. Where To Start ... You don't have to wait for perfect or large or revered or amazing. You can start.
On occasion I've primed that pump with the books of writers I admire. What a great reason to read instead of mopping the floor!

That Lenticular cloud at sunset. How many ideas can this spawn?
For other creative encouragement I walk outside and fill myself with high plains beauty. Not everyone appreciates wide vistas and lack of close neighbors, but it soothes my soul.
Unrelenting sunshine, no matter what the temperature, not to mention a vast array of stars at night, more than makes up for that long trek into Agility class. We have a bakery, a library, a great restaurant. What more do we need?

In fact I’m sitting at the back of that restaurant right now, hoping the relative quiet will help the fingers find the right keys. Or maybe just the change in environment. Heck who am I kidding, I was hungry for Chile Relleno and eggs!

Wednesday, October 22, 2014

#MFRWauthor shares her #NaNoWriMo Experience @RitaBayAuthor




I’ll keep this short because I’m already gearing up for NaNoWriMo—National Novel Writing Month. Every year in November, hundreds of thousands of writers—more than 645,000 in 2013—unite to write. Starting at midnight on November 1st, participants write feverishly until midnight on December 1st to churn out those fifty thousand words in thirty days.

I can’t recommend NaNo enough as a writing tool to get started and keep going. There’s a built-in support system of staff, famous guest author cheerleaders, and writer friends you’ve signed up with or found online. For writers near one of the participating communities, there are kick-off parties and write-ins throughout the month. Cost? Nothing, unless the writer makes a tax-deductible donation to NaNo. (I always donate because I don’t expect something for nothing AND I get a cute little crown on my author page.)

Participants create their own author pages with bios, buddies, blurbs, and word-count tracking. I also record my word count in an Excel spreadsheet to track how many words I have left to write for the day and how far ahead (or behind) I am for my November goal. My NaNoWriMo spreadsheet for 2014 version is available from my website (ritabay.com) on the Freebie page under Author Freebies.

I’ve participated in NaNo since 2009, though as Rita Bay since 2012 when I was first published and
switched to my pen name. As a compulsive edit-as-I-write author, fifty thousand words is a difficult challenge but doable.

In October I schedule my November webpage blogs, write and submit my guest posts, and put my house in order, including a bit of cook and freeze.

Although I’ve only met the 50,000 word goal twice, I’ve ended the month with a published book every year. My NaNo pubbed books include:
  • His Desire (NaNoWriMo, 2009), a Regency Historical from Siren BookStrand (2012)
  • Into the Lyon's Den (2010), a Shapeshifter Romance, Champagne Books (2012)
  • Finding Eve (2011), the sequel to Into the Lyons' Den, Champagne (2013)
  • Search & Rescue (2012), a Contemporary Military Romance, Secret Cravings (2013)
  • Duchess in Waiting (2013), a Regency Historical, Siren Publishing (2014)
Since I plan to complete two historical novellas this year, my goal is about 60,000 words. If you’re considering signing up for NaNo this year, check out this link: http://nanowrimo.org/about. If you join, I’d love some more buddies at Rita Bay.

Rita’s Bio
Rita Bay happily writes sizzling contemporary stories (Secret Cravings & Liquid Silver Books), historical romance sagas (Siren & BookStrand), shapeshifter and vampire tales, and humorous mythology-based erotic romps (Champagne Book Group). Her stories are set near her home in Atlanta, along the Gulf Coast, and in picturesque locales across Europe. Her webpage/blog (http://ritabay.com) offers more info about Rita and her stories, as well as risqué, macabre, and extraordinary posts about the history and culture of Western Europe and the United States.


RITA BAY’S LINKS

Friday, September 26, 2014

#MFRWorg Author-to-Author: History of the Romance Novel @VictoriaPinder

A Brief History of the Romance Novel
A Brief History of the Romance Novel by Victoria Pinder is based on A Natural History of the Romance Novel by Pamela Regis of University of Pennsylvania.

As I am busy writing a novel, editing a novel and preparing to give this presentation at the local library on the History of the Romance Novel, it’s my work in progress. I freely went online as this was a learning tool for me, and since this is author to author tips, it’s important to know history. If we know history then, we’re smart enough not to make repeat the same mistakes. If I forgot a quote on the Nora Roberts section, I apologize and my starting place was Wikipedia for her. (Now I will add at the beginning that I love and adore Nora Roberts. Hearing her speak as key note was one of the highlights of my fan girl moments. She’s amazing.)

Anyhow here is my work in progress on the brief history of the romance novel to help inspire other authors.


“A Romance Novel is a work of prose fiction that tells the story of the courtship and betrothal of one or more heroines.”
Ask a clerk in a store or a librarian and they will likely take to you the literature section. King Author, Greek Texts, or any book where death and rape happen to the characters.

Now in ancient Mythlogy, in the Odyssey, Homer gives him a happy ever after. We know Penelope refused all suitors and only love her husband Odysseus. When he comes home he has to outwit all the traps Penelope put in place to keep all suitors away. But this story is still male oriented in nature.
And women have been taught since the cradle we can relate to male characters. However men generally are not and do not read female character driven stories.
Jane Austen

In 1785 the literary preeminence of the modern romance began to form. We had a lofty picture of real life and manners and the times but in lofty and elevated language.

But then we had the romances written by men such as Sir Walter Scott and Nathaniel Hawthorn in the 1900s where women often write wrong and men write correctly times. Sir Walter Scott reviewed both Emma and Pride and Prejudice,

In 1816 Sir Walter Scott reviewed Emma, as being one of ""a class of fictions which has arisen almost in our own times, and which draws the characters and incidents introduced more immediately from the current of ordinary life than was permitted by the former rules of the novel"", and ""copying from nature as she really exists in the common walks of life, and presenting to the reader, instead of the splendid scenes of an imaginary world, a correct and striking representation of that which is daily taking place around him"".

Sir Walter Scott journal entry, March 14th 1826, Also read again, and for the third time at least, Miss Austen's very finely written novel of Pride and Prejudice. That young lady had a talent for describing the involvement and feelings and characters of ordinary life which is to me the most wonderful I ever met with. The big Bow-wow strain I can do myself like any now going, but the exquisite touch which renders ordinary commonplace things and characters interesting from the truth of the description and the sentiment is denied to me. What a pity such a gifted creature died so early!
(Much of this is taken directly from http://www.pemberley.com/janeinfo/janeart.html)

So of course he can do it himself.  But in Waverly, Sir Walter Scott’s first novel, the hero stops loving the passionate Flora and chooses to marry the quiet, calm Rose… so we have a man deciding his type of woman.

But Jane Austen dared to allow her female characters to chose their own future husbands. The choice in a romance novel is often the woman’s choice on who she wants.

Georgette Heyer (August 16 1902 - July 4 1974) was an amazingly prolific writer who created the Regency England genre of romance novels.

Although Jane Austen published during this period (1811 - 1820), she was writing contemporaneously while Heyer was making very well-researched historical fiction, full of all you could ever want: romance, fashion, upper classes, cross-dressing, arranged marriages, murder, intrigue, cant language, sarcasm and humour!

Walk into any second-hand bookshop and they will know her name and may even know that she wrote her third book under the pseudonym of Stella Martin. In fact, you usually find that many people have read at least one of her books.
(Directly quoting http://www.georgette-heyer.com/)

Harlequin
Harlequin is a Canadian based organization that originally printed Agatha Christie, but found that their medical romances were their hot sellers in the 1950s.
They formed a partnership with Mills and Boon and conducted test markets to see what people preferred to read.
Until 1975, when Harlequin bought Janet Dailey, all Harlequin books were still based in England from Mills and Boon.

The 1960 Rejection of the Romance Novel from Feminists
In the 1960s women fought for their place in the workplace far more and in the 1980s the war was ongoing for women to be treated equally to men.
If you were pregnant at your job in the 1970s, the boss had a right to fire a woman.
And instead of seeing that the romance novel is about a woman’s choice in her life, the critique that she must be married and settle for a tame life came.
This fundamental shift in society gave birth to the term’ bodice ripper.’ This is where the woman might get sort of raped at the beginning, but it blossoms into love. I honestly never read them, but that’s not what a romance is today. In fact rape of any sort doesn’t typically happen in the modern romance.

Nora Roberts to Today
Nora Roberts is just a prolific and even more read than Steven King (who I highly respect!). Her sales numbers are there.

But in the 1990s the books being sold in the stores as best sellers certainly didn’t legitimize the romance world. The New York Times reviewed mystery and other male dominated genres, but ignored the romance.

Romances are often written by woman and for women readers. The female point of view is most important. In fact the male point of view in a romance novel  did not come into vogue until the 1980s.
In the Natural History of the Romance novel , she expands the definition of a romance to include eight elements. The initial state of society where hero and heroine meet, the meeting of heroine and hero; the barrier to the union; the attraction of the heroine and hero; the declaration of love, the dark moment, obstacles overcome then finally the happy ever after. Kristin will go into this more!

Romantic Fiction is not Romance
All fiction likes to include romantic elements to it. And I’m all for it. In Tess of the Duberville’s by Thomas Hardy back in the 1800s, we had the main female character unable to marry the man she loved because her virginity was taken from her in a brutal rape and apparently the first man a woman has sex with is all she is supposed to be with… this was the impression that book left on me, and no I will not be reading.

I’d also skip an Oprah book or a lifetime movie where the heroine must get beaten because she chose the wrong man. In a romance novel, the heroine gets rewarded with a happy ever after because she made the right choices.

The modern novels of Nora Roberts and almost any romance novel today has the female character in all sorts of roles. She can be head of an army, running a corporate empire, or in a traditional role of say a teacher. She is anyone and she is on the right path in life. The icing on the cake is the man and the romance.

To me this is what makes a romance memorable.

Talk To Us
What makes a romance memorable to you? What are your thoughts on the history of romance novels?

About Victoria Pinder
Victoria Pinder grew up in Irish Catholic Boston then moved to Miami. Eventually, found that writing is her passion. She always wrote stories to entertain herself. Her parents are practical minded people demanding a job, but when she sat down to see what she enjoyed doing, writing became obvious.

The Zoastra Affair, Chaperoning Paris, Borrowing the Doctor, and Electing Love, Mything the Throne and Favorite Coffee, Favorite Crush will be published in 2014.

Now she is represented by Dawn Dowdle of Blue Ridge Literary Agency. Also she’s the Vice President for the Florida Romance Writers. Her website is www.victoriapinder.com.

Chaperoning Paris, a Mainstream Contemporary Romance, with Soul Mate Publishing in June
2014.

Gigi Dumont never forgot how she walked away from the only man she ever loved.

She’s a teacher who has led her students to the finals of an international French competition to be help in Paris. The night before the trip, the principal tries to cancel the trip before he, in turn, loses his job to her high school boyfriend, Sean Collins.

Sean Collins has survived cancer, a divorce, and Gigi having aborted their child back in high school. He assumed he’d hate her, if they ever crossed paths again. But he discovers she’s exactly what he wants.

When Gigi and Sean are stuck together for a week in Paris, Gigi feels she has lost all her control. How can she survive her attraction to Sean? The man’s sexier now than he was back in the day, and once upon a time, he’d had her heart. She finds herself falling for him, even knowing forever is impossible.